{"id":1032,"date":"2023-08-03T18:22:10","date_gmt":"2023-08-03T16:22:10","guid":{"rendered":"https:\/\/fragmentation.fr\/home\/"},"modified":"2026-09-16T11:43:56","modified_gmt":"2026-09-16T09:43:56","slug":"home","status":"publish","type":"page","link":"https:\/\/fragmentation.fr\/en\/","title":{"rendered":"Home"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull has-midground-alt-2-background-color has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center mob is-layout-flex wp-container-core-columns-is-layout-a6d71c72 wp-block-columns-is-layout-flex is-reversed-direction-on-mobile\" style=\"padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2d0bfcd7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-5ba65a9e wp-block-column-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);flex-basis:100%\">\n<h2 class=\"wp-block-heading lemmony-animation lemmonyFadeInUp lemmony-animation\" style=\"font-size:clamp(32.518px, 2.032rem + ((1vw - 3.2px) * 1.991), 58px);line-height:1.3;text-transform:none;--lemmony-animation-name:lemmonyFadeIn\">FRAGMENTATION<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong><strong>contemporary art museum<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">selects, preserves, and presents fragments of contemporary art<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A new art experience every day.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Feel art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fragmentation Museum, with its networks and fragments, is itself a work of art, a new form of contemporary art in constant evolution.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/fragmentation.fr\/en\/category\/exhibition\/\" rel=\"noreferrer\">Explore fragments \u2192<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-lemmony-companion-hero-auto-slider scrollable-gallery\" style=\"--total-container-transform:112vw\"><section class=\"lemmony-splide splide\" data-total=\"6\"><div class=\"splide__track\"><ul class=\"splide__list\"><li class=\"splide__slide\"><img decoding=\"async\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-baner-5.webp\" alt=\"\"\/><\/li><li class=\"splide__slide\"><img decoding=\"async\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-baner-4.webp\" alt=\"\"\/><\/li><li class=\"splide__slide\"><img decoding=\"async\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-baner-3.webp\" alt=\"\"\/><\/li><li class=\"splide__slide\"><img decoding=\"async\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-baner-2.webp\" alt=\"\"\/><\/li><li class=\"splide__slide\"><img decoding=\"async\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-baner-1.webp\" alt=\"\"\/><\/li><li class=\"splide__slide\"><img decoding=\"async\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-baner-6.webp\" alt=\"\"\/><\/li><\/ul><\/div><div class=\"splide__progress\"><div class=\"splide__progress__bar\"><\/div><\/div><\/section><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<main class=\"wp-block-group alignfull has-global-padding is-content-justification-left is-layout-constrained wp-container-core-group-is-layout-f623cbb3 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide is-layout-flow wp-container-core-group-is-layout-7ba43bdd wp-block-group-is-layout-flow\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--70)\">\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"columns-3 wp-block-post-template is-layout-grid wp-container-core-post-template-is-layout-6a662b0d wp-block-post-template-is-layout-grid\"><li class=\"wp-block-post post-5091 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/alex-mikev.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"alex-mikev\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/alex-mikev.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/alex-mikev-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/alex-mikev-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/alex-mikev-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/alex-mikev-the-rhythm-of-work\/\" target=\"_self\" >Alex Mikev \u2013 The Rhythm of Work<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Alex Mikev explores contemporary work life through photography, works on paper, and time-based media, focusing on repetition, effort, and the&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/alex-mikev-the-rhythm-of-work\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5083 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Song-Dong.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Song-Dong\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Song-Dong.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Song-Dong-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Song-Dong-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Song-Dong-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/song-dong-waste-not\/\" target=\"_self\" >Song Dong &#8211; Waste Not<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Song Dong\u2019s Waste Not brings together thousands of objects saved by his mother, turning everyday possessions into a deeply personal&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/song-dong-waste-not\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5074 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Johannes-Langkamp.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Johannes-Langkamp\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Johannes-Langkamp.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Johannes-Langkamp-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Johannes-Langkamp-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Johannes-Langkamp-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/johannes-langkamp-cadres-traces-et-perception\/\" target=\"_self\" >Johannes Langkamp \u2013 Frames, Traces, and Perception<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Johannes Langkamp explores how small shifts in materials, framing, and everyday situations can change the way we see. Through playful&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/johannes-langkamp-cadres-traces-et-perception\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5066 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lee-Bul.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Lee-Bul\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lee-Bul.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lee-Bul-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lee-Bul-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lee-Bul-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/lee-bul-the-anatomy-of-every-setting-sun-hauser-wirth-chelsea\/\" target=\"_self\" >Lee Bul \u2013 The Anatomy of Every Setting Sun, Hauser &amp; Wirth Chelsea<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Lee Bul\u2019s The Anatomy of Every Setting Sun explores the tension between utopian ideals, the body, and technological progress through&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/lee-bul-the-anatomy-of-every-setting-sun-hauser-wirth-chelsea\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5058 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Doris-Salcedo.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Doris-Salcedo\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Doris-Salcedo.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Doris-Salcedo-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Doris-Salcedo-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Doris-Salcedo-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/doris-salcedo-untitled-2003-istanbul-biennial\/\" target=\"_self\" >Doris Salcedo, Untitled (2003) \u2013 Istanbul Biennial<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">For the 8th International Istanbul Biennial, Doris Salcedo filled an urban void with around 1,500 wooden chairs, creating a monumental&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/doris-salcedo-untitled-2003-istanbul-biennial\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5004 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"545\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-3e68c047b525.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Rachel Youn \u2014 Unruly Vessel, motorised palm fronds arranged along wooden benches\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-3e68c047b525.webp 818w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-3e68c047b525-300x200.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-3e68c047b525-768x512.webp 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/rachel-youn-unruly-vessel-2026-scuola-piccola-zattere-venice\/\" target=\"_self\" >Rachel Youn \u2014 Unruly Vessel (2026), Scuola Piccola Zattere, Venice<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Artificial palm fronds row without going anywhere. In Unruly Vessel, salvaged wellness machines stubbornly keep working: their movement draws us&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/rachel-youn-unruly-vessel-2026-scuola-piccola-zattere-venice\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5008 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"600\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-16f47f454471.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"SpY \u2014 CYCLES N2, suspended illuminated rings at NUR Festival in Kazan\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-16f47f454471.webp 1200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-16f47f454471-300x150.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-16f47f454471-1024x512.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-16f47f454471-768x384.webp 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/spy-cycles-n2-2026-nur-festival-kazan\/\" target=\"_self\" >SpY \u2014 CYCLES N2 (2026), NUR Festival, Kazan<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Fifteen rings rise and fall, yet no single viewpoint allows us to grasp them once and for all. CYCLES N2&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/spy-cycles-n2-2026-nur-festival-kazan\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5010 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"1200\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-a8f9f1524986.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Andreas Angelidakis \u2014 Escape Room, suspended columns and illuminated floor inside the Greek Pavilion\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-a8f9f1524986.webp 675w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-a8f9f1524986-169x300.webp 169w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-a8f9f1524986-576x1024.webp 576w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/andreas-angelidakis-escape-room-2026-greek-pavilion-venice\/\" target=\"_self\" >Andreas Angelidakis \u2014 Escape Room (2026), Greek Pavilion, Venice<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Suspended columns, reflections and an illuminated floor: the pavilion seems to have lost its stability. With Escape Room, Andreas Angelidakis&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/andreas-angelidakis-escape-room-2026-greek-pavilion-venice\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5027 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"788\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-65b66f88c692.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-65b66f88c692.webp 1400w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-65b66f88c692-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-65b66f88c692-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-65b66f88c692-768x432.webp 768w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/martin-messier-sewing-machine-orchestra-wonderspaces-austin\/\" target=\"_self\" >Martin Messier \u2014 Sewing Machine Orchestra, Wonderspaces Austin<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The sewing machines begin to play by themselves. Their pulses fall into step, lamps flicker, and the rhythm intensifies: a&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/martin-messier-sewing-machine-orchestra-wonderspaces-austin\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-5029 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"934\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-ab5113ed4e2c.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-ab5113ed4e2c.webp 1400w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-ab5113ed4e2c-300x200.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-ab5113ed4e2c-1024x683.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-ab5113ed4e2c-768x512.webp 768w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/zilvinas-kempinas-fountains-reykjavik-art-museum-2013\/\" target=\"_self\" >\u017dilvinas Kempinas \u2014 Fountains, Reykjav\u00edk Art Museum (2013)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">It looks like black water. In fact, strips of magnetic tape are being lifted by electric fans. For \u017dilvinas Kempinas,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/zilvinas-kempinas-fountains-reykjavik-art-museum-2013\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4947 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-35c5e1fbb1dc.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Zimoun \u2014 installation with motors, cotton balls and metal bowls\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-35c5e1fbb1dc.webp 960w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-35c5e1fbb1dc-300x200.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-35c5e1fbb1dc-768x512.webp 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/zimoun-9-prepared-dc-motors-cotton-balls-10-metal-bowls-o-67-cm-2026\/\" target=\"_self\" >Zimoun \u2014 9 prepared dc-motors, cotton balls, 10 metal bowls \u00f8 67 cm (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Nine motors, cotton balls and ten metal bowls form a sound installation at Studio Zimoun in Bern. Repeated mechanical gestures&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/zimoun-9-prepared-dc-motors-cotton-balls-10-metal-bowls-o-67-cm-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4945 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1100\" height=\"619\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4f67c0cd92d7.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Batten and Kamp \u2014 Beauty Seeker Seeker, mobile robot carrying an orchid\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4f67c0cd92d7.webp 1100w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4f67c0cd92d7-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4f67c0cd92d7-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4f67c0cd92d7-768x432.webp 768w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/batten-and-kamp-beauty-seeker-seeker-2026\/\" target=\"_self\" >Batten and Kamp \u2014 Beauty Seeker Seeker (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A robot carries an orchid and solicits our gaze. Beauty Seeker Seeker turns a sophisticated machine into a mobile vase&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/batten-and-kamp-beauty-seeker-seeker-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4943 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1100\" height=\"619\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-f2865850bc89.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Gregory Orekhov \u2014 Shadow of Light, black square on the Bonneville Salt Flats\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-f2865850bc89.webp 1100w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-f2865850bc89-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-f2865850bc89-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-f2865850bc89-768x432.webp 768w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/gregory-orekhov-shadow-of-light-2026-bonneville-salt-flats\/\" target=\"_self\" >Gregory Orekhov \u2014 Shadow of Light (2026), Bonneville Salt Flats<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A black square interrupts the white expanse of the Bonneville Salt Flats. Gregory Orekhov uses light-absorbing fabric to create a&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/gregory-orekhov-shadow-of-light-2026-bonneville-salt-flats\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4941 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"1100\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-01eb448fa10d.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Neil Dawson \u2014 Horizons, sculpture at Gibbs Farm\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-01eb448fa10d.webp 620w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-01eb448fa10d-169x300.webp 169w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-01eb448fa10d-577x1024.webp 577w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/neil-dawson-horizons-1994-gibbs-farm\/\" target=\"_self\" >Neil Dawson \u2014 Horizons (1994), Gibbs Farm<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A sheet seems to float above a hillside. Yet Horizons is a steel sculpture: Neil Dawson turns the landscape into&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/neil-dawson-horizons-1994-gibbs-farm\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4915 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"1040\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-47adaafce47c.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Christopher K. Ho \u2014 Waterloo!, Ellie Rines Gallery, New York, 2026\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-47adaafce47c.webp 1400w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-47adaafce47c-300x223.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-47adaafce47c-1024x761.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-47adaafce47c-768x571.webp 768w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/christopher-k-ho-waterloo-2026-ellie-rines-gallery-new-york\/\" target=\"_self\" >Christopher K. Ho \u2014 Waterloo! (2026), Ellie Rines Gallery, New York<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Twenty candelabras and a carpet of barricades: domestic comfort meets the imagery of revolution.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/christopher-k-ho-waterloo-2026-ellie-rines-gallery-new-york\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4831 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4830.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vincent Leroy \u2014 Fractal Swarm, Tanzania (2025)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4830.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4830-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4830-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4830-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/vincent-leroy-fractal-swarm-tanzania-2025\/\" target=\"_self\" >Vincent Leroy \u2014 Fractal Swarm, Tanzania (2025)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Fractal Swarm, Vincent Leroy combines carbon fibre, 3D-printed elements, bearings and mirror film. Presented in a Tanzanian landscape, this&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/vincent-leroy-fractal-swarm-tanzania-2025\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4827 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4826.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Luke Jerram \u2014 Mirror Moon\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4826.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4826-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4826-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4826-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/luke-jerram-mirror-moon\/\" target=\"_self\" >Luke Jerram \u2014 Mirror Moon<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mirror Moon translates lunar terrain into a stainless-steel sphere that people can touch. Using NASA topographic data, Luke Jerram brings&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/luke-jerram-mirror-moon\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4823 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4822.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Rashid Al Khalifa \u2014 Crate Maze \u2013 White (2025\u20132026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4822.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4822-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4822-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4822-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/rashid-al-khalifa-crate-maze-white-2025-2026\/\" target=\"_self\" >Rashid Al Khalifa \u2014 Crate Maze \u2013 White (2025\u20132026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Created in 2025 and presented at Art Basel Unlimited in 2026, Crate Maze \u2013 White turns storage crates into a&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/rashid-al-khalifa-crate-maze-white-2025-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4819 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-6ecae9836846.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Chiharu Shiota \u2014 Threads of Life, London (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-6ecae9836846.webp 1200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-6ecae9836846-300x225.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-6ecae9836846-1024x768.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-6ecae9836846-768x576.webp 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/chiharu-shiota-threads-of-life-london-2026\/\" target=\"_self\" >Chiharu Shiota \u2014 Threads of Life, London (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">This filmed visit to Threads of Life at Hayward Gallery moves through Chiharu Shiota\u2019s world. Threads and objects compose spaces&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/chiharu-shiota-threads-of-life-london-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4815 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4814.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vincent Leroy \u2014 Point Cloud, Beijing (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4814.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4814-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4814-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4814-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/vincent-leroy-point-cloud-beijing-2026\/\" target=\"_self\" >Vincent Leroy \u2014 Point Cloud, Beijing (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Presented at Taikoo Li Sanlitun in Beijing, Vincent Leroy\u2019s Point Cloud unfolds a large-scale structure in urban space. The video&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/vincent-leroy-point-cloud-beijing-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4811 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4810.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Dana Awartani \u2014 May your tears never dry, you who weep over stones (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4810.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4810-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4810-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4810-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/dana-awartani-may-your-tears-never-dry-you-who-weep-over-stones-2026\/\" target=\"_self\" >Dana Awartani \u2014 May your tears never dry, you who weep over stones (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">At the Saudi pavilion of the Venice Biennale, Dana Awartani spreads out handmade earthen patterns. The installation evokes endangered architectural&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/dana-awartani-may-your-tears-never-dry-you-who-weep-over-stones-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4807 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4806.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Luke Jerram \u2014 Stepping Out, London (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4806.jpg 1920w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4806-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4806-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4806-768x432.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4806-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/luke-jerram-stepping-out-london-2026\/\" target=\"_self\" >Luke Jerram \u2014 Stepping Out, London (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">At Southbank Centre, Luke Jerram turns movement into musical composition. Footsteps on a stairway and coloured areas on the ground&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/luke-jerram-stepping-out-london-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4803 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"500\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4802.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vincent Leroy \u2014 Eccentric Lenses, Bali (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4802.webp 760w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4802-300x197.webp 300w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/vincent-leroy-eccentric-lenses-bali-2026\/\" target=\"_self\" >Vincent Leroy \u2014 Eccentric Lenses, Bali (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In the rice fields of Munduk, Bali, Vincent Leroy places a moving assembly of Fresnel lenses. Their off-centre rotations break&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/vincent-leroy-eccentric-lenses-bali-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4799 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"629\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4798.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Lina Lapelyt\u0117 \u2014 We Make Years Out of Hours, Berlin (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4798.jpg 1200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4798-300x157.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4798-1024x537.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4798-768x403.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/lina-lapelyte-we-make-years-out-of-hours-berlin-2026\/\" target=\"_self\" >Lina Lapelyt\u0117 \u2014 We Make Years Out of Hours, Berlin (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">At Hamburger Bahnhof, Lina Lapelyt\u0117 combines collective building with singing. Wooden cubes form a space that visitors can transform.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/lina-lapelyte-we-make-years-out-of-hours-berlin-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4795 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4794.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Camille Henrot \u2014 Dogs, New York (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4794.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4794-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4794-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4794-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/camille-henrot-dogs-new-york-2026\/\" target=\"_self\" >Camille Henrot \u2014 Dogs, New York (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">At an entrance to Central Park, Camille Henrot brings together dog sculptures in bronze, stone, steel and concrete. Dogs carries&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/camille-henrot-dogs-new-york-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4760 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sihwa-Park-\u2014-Diffusion-TV-2025-SIGGRAPH-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"T\u00e9l\u00e9viseur cathodique et antenne de l\u2019installation Diffusion TV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sihwa-Park-\u2014-Diffusion-TV-2025-SIGGRAPH-2026.jpg 1200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sihwa-Park-\u2014-Diffusion-TV-2025-SIGGRAPH-2026-300x200.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sihwa-Park-\u2014-Diffusion-TV-2025-SIGGRAPH-2026-1024x683.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sihwa-Park-\u2014-Diffusion-TV-2025-SIGGRAPH-2026-768x512.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-park-en\/\" target=\"_self\" >Sihwa Park \u2014 Diffusion TV (2025), SIGGRAPH 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Created in 2025 and exhibited at SIGGRAPH in 2026, Diffusion TV connects technological obsolescence with the fragility of living things.&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-park-en\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4758 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"907\" height=\"1360\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/SpY-\u2014-Dislocation-Madrid-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Sculpture compos\u00e9e de lattes verticales dans la cour de la Serrer\u00eda Belga.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/SpY-\u2014-Dislocation-Madrid-2026.jpg 907w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/SpY-\u2014-Dislocation-Madrid-2026-200x300.jpg 200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/SpY-\u2014-Dislocation-Madrid-2026-683x1024.jpg 683w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/SpY-\u2014-Dislocation-Madrid-2026-768x1152.jpg 768w\" sizes=\"auto, (max-width: 907px) 100vw, 907px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-spy-en\/\" target=\"_self\" >SpY \u2014 Dislocation, Madrid (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Dislocation makes time a sculptural material. Transformations and the position of the viewer define the object more than any definitive&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-spy-en\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4756 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1082\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Roberta-De-Caro-\u2014-Over-Exposed-Thames-Side-Studios-2025-edited.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\u00c9crans et c\u00e2bles de l\u2019installation vid\u00e9o Over-Exposed.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Roberta-De-Caro-\u2014-Over-Exposed-Thames-Side-Studios-2025-edited.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Roberta-De-Caro-\u2014-Over-Exposed-Thames-Side-Studios-2025-edited-177x300.jpg 177w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Roberta-De-Caro-\u2014-Over-Exposed-Thames-Side-Studios-2025-edited-606x1024.jpg 606w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-roberta-en\/\" target=\"_self\" >Roberta De Caro \u2014 Over-Exposed, Thames-Side Studios (2025)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The gaze moving between screen, cable and space invites us to consider video as a distributed sculpture. Visible connections become&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-roberta-en\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4754 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/George-Segal-\u2014-Subway-1968-documentation-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Figure en pl\u00e2tre assise dans un fragment de voiture de m\u00e9tro.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/George-Segal-\u2014-Subway-1968-documentation-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/George-Segal-\u2014-Subway-1968-documentation-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/George-Segal-\u2014-Subway-1968-documentation-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/George-Segal-\u2014-Subway-1968-documentation-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-segal-en\/\" target=\"_self\" >George Segal \u2014 Subway (1968), documentation 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">This documentation, published in August 2026, recalls how sculpture can become a situation. The absence of movement turns everyday proximity&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-segal-en\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4752 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jacob-Hashimoto-\u2014-Giant-Arc-SFMOMA-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Nuage de cerfs-volants en papier suspendus dans la galerie du SFMOMA.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jacob-Hashimoto-\u2014-Giant-Arc-SFMOMA-2026.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jacob-Hashimoto-\u2014-Giant-Arc-SFMOMA-2026-300x200.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jacob-Hashimoto-\u2014-Giant-Arc-SFMOMA-2026-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-hashimoto-en\/\" target=\"_self\" >Jacob Hashimoto \u2014 Giant Arc, SFMOMA (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The work lets us consider an image as an environment: no viewpoint captures the whole. Repeating a modest element produces&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/fragment-20260917-hashimoto-en\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4908 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vision-II.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vision-II\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vision-II.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vision-II-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vision-II-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vision-II-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/david-spriggs-vision-ii-2018-messums-wiltshire\/\" target=\"_self\" >David Spriggs, Vision II (2018) \u2013 Messums Wiltshire<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">David Spriggs\u2019s Vision II is built from layered, hand-painted transparent images that create the illusion of a three-dimensional event suspended&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/david-spriggs-vision-ii-2018-messums-wiltshire\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4900 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Pim-Palsgraaf.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Pim-Palsgraaf\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Pim-Palsgraaf.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Pim-Palsgraaf-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Pim-Palsgraaf-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Pim-Palsgraaf-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/pim-palsgraaf-beneath-the-surface-2024-fundacion-valentin-de-madariaga-seville\/\" target=\"_self\" >Pim Palsgraaf, Beneath the Surface (2024) \u2013 Fundaci\u00f3n Valent\u00edn de Madariaga, S\u00e9ville<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Pim Palsgraaf\u2019s Beneath the Surface transforms recovered wood, wallpaper, and plywood into a layered wall-based sculpture where architecture and decay&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/pim-palsgraaf-beneath-the-surface-2024-fundacion-valentin-de-madariaga-seville\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4892 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Das-Reh.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Das-Reh\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Das-Reh.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Das-Reh-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Das-Reh-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Das-Reh-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/julius-von-bismarck-das-reh-2024-art-basel\/\" target=\"_self\" >Julius von Bismarck, Das Reh (2024) \u2013 Art Basel<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Das Reh, Julius von Bismarck turns the familiar image of a deer into a strange and unsettling sculptural encounter.&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/julius-von-bismarck-das-reh-2024-art-basel\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4884 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Round-Table.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Round-Table\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Round-Table.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Round-Table-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Round-Table-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Round-Table-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/choe-u-ram-round-table-2014\/\" target=\"_self\" >Choe U-Ram, Round Table \u2013 2014<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Choe U-Ram\u2019s Round Table presents 18 headless figures carrying a large black table while competing for a single \u201chead\u201d rolling&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/choe-u-ram-round-table-2014\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4876 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hans-Haacke.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"HansHaacke\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hans-Haacke.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hans-Haacke-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hans-Haacke-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hans-Haacke-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/hans-haacke-blue-sail-1964-65-sfmoma\/\" target=\"_self\" >Hans Haacke, Blue Sail (1964\u201365) \u2013 SFMOMA<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Hans Haacke\u2019s Blue Sail transforms air into an invisible sculptural force, using a fan to animate a suspended sheet of&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/hans-haacke-blue-sail-1964-65-sfmoma\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4866 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Ann-Hamilton.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Ann-Hamilton\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Ann-Hamilton.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Ann-Hamilton-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Ann-Hamilton-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Ann-Hamilton-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ann-hamilton-the-event-of-a-thread-2012-13-park-avenue-armory-new-york\/\" target=\"_self\" >Ann Hamilton, the event of a thread (2012\u201313) \u2013 Park Avenue Armory, New York<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Ann Hamilton\u2019s the event of a thread turns movement into connection, linking 42 swings to a vast field of fabric&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ann-hamilton-the-event-of-a-thread-2012-13-park-avenue-armory-new-york\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4858 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nimbus.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Nimbus\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nimbus.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nimbus-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nimbus-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nimbus-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/berndnaut-smilde-nimbus\/\" target=\"_self\" >Berndnaut Smilde \u2013 Nimbus<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Berndnaut Smilde creates temporary indoor clouds that exist only for a few moments before dissolving. Through Nimbus, the cloud becomes&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/berndnaut-smilde-nimbus\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4850 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Work.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Work\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Work.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Work-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Work-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Work-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/jeroen-kooijmans-work-1994\/\" target=\"_self\" >Jeroen Kooijmans \u2013 Work (1994)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Work, Jeroen Kooijmans presents three men locked in a continuous cycle of effort, keeping one another in motion as&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/jeroen-kooijmans-work-1994\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4839 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Altone-Mishino.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Altone-Mishino\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Altone-Mishino.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Altone-Mishino-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Altone-Mishino-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Altone-Mishino-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/altone-mishino-shadows-and-light-pavillon-des-arts-chatenay-malabry-2026\/\" target=\"_self\" >Altone Mishino \u2013 Shadows and Light, Pavillon des Arts, Ch\u00e2tenay-Malabry (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Shadows and Light, Altone Mishino brings together his Dark Paintings and Light Paintings in a dialogue between obscurity and&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/altone-mishino-shadows-and-light-pavillon-des-arts-chatenay-malabry-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4706 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4705.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Ruofan Chen\u2019s installation presented at Shower\u2019s Liste booth.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4705.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4705-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4705-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4705-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ruofan-chen-shower-liste-art-fair-basel-2026\/\" target=\"_self\" >Ruofan Chen \u2014 Shower, Liste Art Fair Basel (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Dust makes the material conditions of artistic production visible.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ruofan-chen-shower-liste-art-fair-basel-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4702 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4701.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Cushions and a chair arranged in a space crossed by light.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4701.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4701-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4701-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4701-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/kingsley-ng-angel-hui-fermata-hong-kong-in-venice-2026\/\" target=\"_self\" >Kingsley Ng &#038; Angel Hui \u2014 Fermata: Hong Kong in Venice (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Ordinary urban rhythms become material for slowing down attention.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/kingsley-ng-angel-hui-fermata-hong-kong-in-venice-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4698 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4697.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Suspended silver elements in the installation Z\u012bnah.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4697.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4697-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4697-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4697-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/haitham-al-busafi-zinah-adornment-venice-2026\/\" target=\"_self\" >Haitham Al Busafi \u2014 Z\u012bnah (Adornment), Venice (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Visitors\u2019 movements activate a sonic relationship between bodies and objects.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/haitham-al-busafi-zinah-adornment-venice-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4694 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4693.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"An industrial robot positioned above a working surface.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4693.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4693-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4693-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4693-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/felix-luque-perpetuite-ii-2022-2026\/\" target=\"_self\" >F\u00e9lix Luque \u2014 Perp\u00e9tuit\u00e9 II (2022\u20132026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Industrial repetition meets the chemical management of bodies.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/felix-luque-perpetuite-ii-2022-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4690 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4689.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Twelve large boat fenders suspended inside a dark room.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4689.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4689-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4689-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4689-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/zimoun-12-prepared-dc-motors-fenders-o75x188cm-91m-piano-strings-0-8mm-2026\/\" target=\"_self\" >Zimoun \u2014 12 prepared dc-motors, fenders \u00f875x188cm, 91m piano strings 0.8mm (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Harbour objects become the resonating bodies of a listening space.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/zimoun-12-prepared-dc-motors-fenders-o75x188cm-91m-piano-strings-0-8mm-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4686 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4685.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"An image from R\u20ac\u00a5\u20acR$\u20ac, a virtual reality work concerning the Amazon Basin.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4685.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4685-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4685-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4685-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/laura-colmenares-guerra-re%c2%a5ere-2024\/\" target=\"_self\" >Laura Colmenares Guerra \u2014 R\u20ac\u00a5\u20acR$\u20ac (2024)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mapping becomes a question of power and relationships with territory.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/laura-colmenares-guerra-re%c2%a5ere-2024\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4682 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1700\" height=\"1133\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4681.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"The suspended hose forming the sound installation The Ghoul.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4681.jpg 1700w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4681-300x200.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4681-1024x682.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4681-768x512.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4681-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1700px) 100vw, 1700px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/cod-act-the-ghoul-2024\/\" target=\"_self\" >Cod.Act \u2014 The Ghoul (2024)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Resonance gives an industrial object an almost living presence.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/cod-act-the-ghoul-2024\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4674 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4673.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Two white robotic arms face one another.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4673.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4673-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4673-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4673-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/david-bowen-the-two-2025\/\" target=\"_self\" >David Bowen \u2014 the two (2025)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Two robots search for their partner through a computational gaze.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/david-bowen-the-two-2025\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4670 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4669.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A loop of illuminated modules suspended inside a room.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4669.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4669-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4669-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4669-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ralf-baecker-the-collapse-of-a-microcosm-2025\/\" target=\"_self\" >Ralf Baecker \u2014 The Collapse of a Microcosm (2025)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An electronic memory becomes sensitive to changes in its surroundings.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ralf-baecker-the-collapse-of-a-microcosm-2025\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4610 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1200\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4608-90834cfb96bd.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vue de l\u2019installation Aeolian Suite de Jenna Sutela au Pavillon de la Finlande, Biennale de Venise 2026.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4608-90834cfb96bd.webp 1600w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4608-94296e835c0b.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4608-89a896d360f3.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4608-08662dc98e1d.webp 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4608-4fc16c85d354.webp 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/jenna-sutela-aeolian-suite-2026\/\" target=\"_self\" >Jenna Sutela \u2014 Aeolian Suite (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Aeolian Suite, five kinetic sound sculptures turn Venice\u2019s winds into characters. Their furry coverings recall the windscreens used to&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/jenna-sutela-aeolian-suite-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4592 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4591.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A large circular silver metal component marked by lines and traces in the exhibition HYLE.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4591.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4591-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4591-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4591-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/michail-pirgelis-hyle-2026\/\" target=\"_self\" >Michail Pirgelis \u2014 HYLE (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Aircraft fragments lose their function without entirely losing the memory of travel.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/michail-pirgelis-hyle-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4588 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1136\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4587.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A person standing beneath trees in a vertical frame from the documentation of RELEASE.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4587.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4587-169x300.jpg 169w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4587-577x1024.jpg 577w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/kilian-kretschmer-release-2026\/\" target=\"_self\" >Kilian Kretschmer \u2014 RELEASE (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Letting go of a phone becomes an experiment in trust, self-portraiture and loss of control.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/kilian-kretschmer-release-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4584 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4583.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A silhouette moves through a room covered in blue projections, with small orange forms on the floor.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4583.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4583-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4583-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4583-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/pola-bakhtina-yan-kalnberzin-and-alexey-nadzharov-o-medo-e-um-bicho-mau-pilot-2026\/\" target=\"_self\" >Pola Bakhtina, Yan Kalnberzin and Alexey Nadzharov \u2014 O Medo \u00e9 um Bicho Mau \u2014 pilot (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Fear becomes an environment that bodies can move through and transform together.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/pola-bakhtina-yan-kalnberzin-and-alexey-nadzharov-o-medo-e-um-bicho-mau-pilot-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4572 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4571.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Blue projections across the angular fabric surfaces of the installation Hold.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4571.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4571-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4571-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4571-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/merve-ertufan-hold-2026\/\" target=\"_self\" >Merve Ertufan \u2014 Hold (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Grasping an object and grasping an idea become two sides of the same uncertain gesture.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/merve-ertufan-hold-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4564 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"1024\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4563.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Clay borindos arranged on low circular platforms in a dark room.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4563.jpg 1536w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4563-300x200.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4563-1024x683.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4563-768x512.jpg 768w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/invisible-flock-faqir-zulfiqar-and-allah-jurio-microtonal-2022-documentation-2026\/\" target=\"_self\" >Invisible Flock, Faqir Zulfiqar and Allah Jurio \u2014 Microtonal (2022; documentation 2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Clay instruments become a sound environment responsive to the people moving through it.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/invisible-flock-faqir-zulfiqar-and-allah-jurio-microtonal-2022-documentation-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4554 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4553.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A row of small glowing black-and-white cathode-ray screens in Ivan Maru\u0161i\u0107 Klif\u2019s installation\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4553.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4553-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4553-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4553-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ivan-marusic-klif-installation-at-galerija-filodrammatica-rijeka-2026\/\" target=\"_self\" >Ivan Maru\u0161i\u0107 Klif \u2014 Installation at Galerija Filodrammatica, Rijeka (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Forty-eight salvaged cathode-ray screens become a visual instrument whose images travel, fragment, and reassemble in space.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ivan-marusic-klif-installation-at-galerija-filodrammatica-rijeka-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4546 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"505\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4545.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Exterior view of the glass pavilion for Peace Core (surround), with multiple illuminated screens inside\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4545.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4545-300x197.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/christopher-kulendran-thomas-peace-core-surround-kunstmuseum-bonn-2026\/\" target=\"_self\" >Christopher Kulendran Thomas \u2014 Peace Core (surround), Kunstmuseum Bonn (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An AI endlessly re-edits American television aired just before 9\/11, extending the final minutes of a presumed political innocence.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/christopher-kulendran-thomas-peace-core-surround-kunstmuseum-bonn-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4538 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4537.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A power saw, tools, and architectural prints on the floor for Amanda Ross-Ho\u2019s Untitled Demolition\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4537.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4537-300x300.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4537-150x150.jpg 150w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/amanda-ross-ho-untitled-demolition-hyphen-mattress-factory-2026-2027\/\" target=\"_self\" >Amanda Ross-Ho \u2014 Untitled Demolition (HYPHEN), Mattress Factory (2026\u20132027)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Demolishing and rebuilding the same wall turns a reconstructed family home into an active, physical, and deliberately unstable archive.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/amanda-ross-ho-untitled-demolition-hyphen-mattress-factory-2026-2027\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4530 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1956\" height=\"1467\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4529.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"A column of smoke rises from the sea in Elisa Giardina Papa\u2019s She Flickered In and Out of History\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4529.jpg 1956w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4529-300x225.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4529-1024x768.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4529-768x576.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4529-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1956px) 100vw, 1956px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/elisa-giardina-papa-she-flickered-in-and-out-of-history-ica-london-2026\/\" target=\"_self\" >Elisa Giardina Papa \u2014 She Flickered In and Out of History, ICA London (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A volcanic island that appeared and then sank becomes an unstable screen where mapping, desire, and colonial power contradict one&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/elisa-giardina-papa-she-flickered-in-and-out-of-history-ica-london-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4526 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"702\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4525.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Mildred Howard\u2019s Crossings: a field of ceramic eggs under red and blue light with a gilded frame at the back\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4525.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4525-300x206.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4525-768x527.webp 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/mildred-howard-poetics-of-memory-omca-oakland-2026\/\" target=\"_self\" >Mildred Howard \u2014 Poetics of Memory, OMCA, Oakland (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Super 8 film, translucent fabric, and architectural fragments turn family memory into a shared and unstable space.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/mildred-howard-poetics-of-memory-omca-oakland-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4498 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4497.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Mihai-Aureliu Savin sleeping beside a 3D printer in The Sculptor Sleeps Tonight.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4497.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4497-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4497-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4497-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/mihai-aureliu-savin-the-sculptor-sleeps-tonight-2025-cica-museum-2026\/\" target=\"_self\" >Mihai-Aureliu Savin \u2014 The Sculptor Sleeps Tonight (2025), CICA Museum 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The artist sleeps for eight hours while a 3D printer fabricates his self-portrait.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/mihai-aureliu-savin-the-sculptor-sleeps-tonight-2025-cica-museum-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4486 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4485.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Stefan Szeider&#039;s interactive installation Spot On at Ars Electronica 2026.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4485.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4485-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4485-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4485-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/stefan-szeider-spot-on-ars-electronica-2026\/\" target=\"_self\" >Stefan Szeider \u2014 Spot On, Ars Electronica (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A machine claims to read the identity, emotions and desires of the person seated before it.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/stefan-szeider-spot-on-ars-electronica-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4482 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4481.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Installation of Jeffrey Gibson&#039;s monumental THIS BURNING WORLD fa\u00e7ade in San Francisco.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4481.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4481-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4481-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4481-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/jeffrey-gibson-this-burning-world-san-francisco-2026\/\" target=\"_self\" >Jeffrey Gibson \u2014 THIS BURNING WORLD, San Francisco (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An urban fa\u00e7ade transforms landscape imagery into a public relationship with the living world.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/jeffrey-gibson-this-burning-world-san-francisco-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4321 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nik-Wallbaum-Lissajous-2026-\u2014-image-extraite-de-la-video-de-Medienkunst-Sound-\u2013-HfG-Karlsruhe-YouTube-\u2014-CC-BY-NC-4.0.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Nik Wallbaum utilisant un t\u00e9l\u00e9viseur cathodique d\u00e9tourn\u00e9 dans la performance-installation Lissajous\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nik-Wallbaum-Lissajous-2026-\u2014-image-extraite-de-la-video-de-Medienkunst-Sound-\u2013-HfG-Karlsruhe-YouTube-\u2014-CC-BY-NC-4.0.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nik-Wallbaum-Lissajous-2026-\u2014-image-extraite-de-la-video-de-Medienkunst-Sound-\u2013-HfG-Karlsruhe-YouTube-\u2014-CC-BY-NC-4.0-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nik-Wallbaum-Lissajous-2026-\u2014-image-extraite-de-la-video-de-Medienkunst-Sound-\u2013-HfG-Karlsruhe-YouTube-\u2014-CC-BY-NC-4.0-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Nik-Wallbaum-Lissajous-2026-\u2014-image-extraite-de-la-video-de-Medienkunst-Sound-\u2013-HfG-Karlsruhe-YouTube-\u2014-CC-BY-NC-4.0-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/nik-wallbaum-lissajous-shifting-signals-hfg-karlsruhe-2026\/\" target=\"_self\" >Nik Wallbaum \u2014 Lissajous, Shifting Signals, HfG Karlsruhe (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Nik Wallbaum hacks a cathode-ray television to convert an audio signal directly into a luminous figure. The image does not&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/nik-wallbaum-lissajous-shifting-signals-hfg-karlsruhe-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4320 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sergio-Maltagliati-Dio-Fluviale-\u2014-The-Infinite-Flow-of-the-Unfinished-2026-\u2014-image-extraite-de-la-video-de-Sergio-Maltagliati-YouTube-\u2014-Creative-Commons-Attribution.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Image g\u00e9n\u00e9rative de Dio Fluviale \u2014 The Infinite Flow of the Unfinished de Sergio Maltagliati\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sergio-Maltagliati-Dio-Fluviale-\u2014-The-Infinite-Flow-of-the-Unfinished-2026-\u2014-image-extraite-de-la-video-de-Sergio-Maltagliati-YouTube-\u2014-Creative-Commons-Attribution.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sergio-Maltagliati-Dio-Fluviale-\u2014-The-Infinite-Flow-of-the-Unfinished-2026-\u2014-image-extraite-de-la-video-de-Sergio-Maltagliati-YouTube-\u2014-Creative-Commons-Attribution-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sergio-Maltagliati-Dio-Fluviale-\u2014-The-Infinite-Flow-of-the-Unfinished-2026-\u2014-image-extraite-de-la-video-de-Sergio-Maltagliati-YouTube-\u2014-Creative-Commons-Attribution-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sergio-Maltagliati-Dio-Fluviale-\u2014-The-Infinite-Flow-of-the-Unfinished-2026-\u2014-image-extraite-de-la-video-de-Sergio-Maltagliati-YouTube-\u2014-Creative-Commons-Attribution-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/sergio-maltagliati-dio-fluviale-the-infinite-flow-of-the-unfinished-2026\/\" target=\"_self\" >Sergio Maltagliati \u2014 Dio Fluviale: The Infinite Flow of the Unfinished (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Sergio Maltagliati turns the unfinished into an operating rule. In relation to Michelangelo\u2019s model of the River God, his audiovisual&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/sergio-maltagliati-dio-fluviale-the-infinite-flow-of-the-unfinished-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4319 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Displazik-Zara-Calcabrini-1KA-La-Metamorphe-\u2014-image-extraite-de-la-video-de-radio-parasite-YouTube-\u2014-Creative-Commons-Attribution.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Corps en mouvement au sein de l\u2019environnement audiovisuel interactif La M\u00e9tamorphe\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Displazik-Zara-Calcabrini-1KA-La-Metamorphe-\u2014-image-extraite-de-la-video-de-radio-parasite-YouTube-\u2014-Creative-Commons-Attribution.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Displazik-Zara-Calcabrini-1KA-La-Metamorphe-\u2014-image-extraite-de-la-video-de-radio-parasite-YouTube-\u2014-Creative-Commons-Attribution-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Displazik-Zara-Calcabrini-1KA-La-Metamorphe-\u2014-image-extraite-de-la-video-de-radio-parasite-YouTube-\u2014-Creative-Commons-Attribution-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Displazik-Zara-Calcabrini-1KA-La-Metamorphe-\u2014-image-extraite-de-la-video-de-radio-parasite-YouTube-\u2014-Creative-Commons-Attribution-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/displazik-zara-calcabrini-1ka-la-metamorphe-2026-documentation\/\" target=\"_self\" >Displazik, Zara Calcabrini &#038; 1KA \u2014 La M\u00e9tamorphe (2026 documentation)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Initiated in 2011 and comprehensively reconfigured since 2024, La M\u00e9tamorphe connects Zara Calcabrini\u2019s body to an interactive video and sound&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/displazik-zara-calcabrini-1ka-la-metamorphe-2026-documentation\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4317 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Playmodes-Liquid-Tiles-2026-\u2014-image-extraite-de-la-video-de-Playmodes-Studio-YouTube-\u2014-Creative-Commons-Attribution.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vue de l\u2019installation cin\u00e9tique et lumineuse Liquid Tiles de Playmodes \u00e0 Francfort en 2026\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Playmodes-Liquid-Tiles-2026-\u2014-image-extraite-de-la-video-de-Playmodes-Studio-YouTube-\u2014-Creative-Commons-Attribution.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Playmodes-Liquid-Tiles-2026-\u2014-image-extraite-de-la-video-de-Playmodes-Studio-YouTube-\u2014-Creative-Commons-Attribution-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Playmodes-Liquid-Tiles-2026-\u2014-image-extraite-de-la-video-de-Playmodes-Studio-YouTube-\u2014-Creative-Commons-Attribution-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Playmodes-Liquid-Tiles-2026-\u2014-image-extraite-de-la-video-de-Playmodes-Studio-YouTube-\u2014-Creative-Commons-Attribution-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/playmodes-liquid-tiles-light-building-frankfurt-2026\/\" target=\"_self\" >Playmodes \u2014 Liquid Tiles, Light + Building Frankfurt (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">One hundred and twenty-six rotating light fixtures form a triangular grid in which simple algorithmic rules propagate as waves of&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/playmodes-liquid-tiles-light-building-frankfurt-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4445 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Dance-of-the-Soul-\u2014-Lin-Gieh-Wen-Chen-Junxian-\u2014-image-Tommaso-Muzzi-YouTube-Creative-Commons-Attribution.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Sculptures Dance of the Soul de Lin Gieh Wen et Chen Junxian au Taiwan Indigenous Peoples Cultural Park\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Dance-of-the-Soul-\u2014-Lin-Gieh-Wen-Chen-Junxian-\u2014-image-Tommaso-Muzzi-YouTube-Creative-Commons-Attribution.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Dance-of-the-Soul-\u2014-Lin-Gieh-Wen-Chen-Junxian-\u2014-image-Tommaso-Muzzi-YouTube-Creative-Commons-Attribution-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Dance-of-the-Soul-\u2014-Lin-Gieh-Wen-Chen-Junxian-\u2014-image-Tommaso-Muzzi-YouTube-Creative-Commons-Attribution-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Dance-of-the-Soul-\u2014-Lin-Gieh-Wen-Chen-Junxian-\u2014-image-Tommaso-Muzzi-YouTube-Creative-Commons-Attribution-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/lin-gieh-wen-chen-junxian-dance-of-the-soul\/\" target=\"_self\" >Lin Gieh Wen &#038; Chen Junxian \u2014 Dance of the Soul<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Under the shared motif of the \u201cdance of the soul,\u201d Lin Gieh Wen and Chen Junxian construct two materially incompatible&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/lin-gieh-wen-chen-junxian-dance-of-the-soul\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4443 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hiddenware-\u2014-Robert-Cervera-\u2014-image-extraite-du-film-de-Mel-Lou-YouTube-Creative-Commons-Attribution.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Installation Hiddenware de Robert Cervera \u00e0 SPACE Ilford\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hiddenware-\u2014-Robert-Cervera-\u2014-image-extraite-du-film-de-Mel-Lou-YouTube-Creative-Commons-Attribution.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hiddenware-\u2014-Robert-Cervera-\u2014-image-extraite-du-film-de-Mel-Lou-YouTube-Creative-Commons-Attribution-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hiddenware-\u2014-Robert-Cervera-\u2014-image-extraite-du-film-de-Mel-Lou-YouTube-Creative-Commons-Attribution-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Hiddenware-\u2014-Robert-Cervera-\u2014-image-extraite-du-film-de-Mel-Lou-YouTube-Creative-Commons-Attribution-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/robert-cervera-hiddenware\/\" target=\"_self\" >Robert Cervera \u2014 Hiddenware<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Hiddenware makes public the hardware usually relegated behind the interface: computer fans, perforated panels and cooling tubes become sculpture, instrument&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/robert-cervera-hiddenware\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4441 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Individual-Technical-Issue-2.0-\u2014-Eitan-Rieger-\u2014-image-Eitan-Rieger.design-YouTube-Creative-Commons-Attribution.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Sculpture Individual: Technical Issue 2.0 d\u2019Eitan Rieger pr\u00e9sent\u00e9e \u00e0 Berlin\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Individual-Technical-Issue-2.0-\u2014-Eitan-Rieger-\u2014-image-Eitan-Rieger.design-YouTube-Creative-Commons-Attribution.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Individual-Technical-Issue-2.0-\u2014-Eitan-Rieger-\u2014-image-Eitan-Rieger.design-YouTube-Creative-Commons-Attribution-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Individual-Technical-Issue-2.0-\u2014-Eitan-Rieger-\u2014-image-Eitan-Rieger.design-YouTube-Creative-Commons-Attribution-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Individual-Technical-Issue-2.0-\u2014-Eitan-Rieger-\u2014-image-Eitan-Rieger.design-YouTube-Creative-Commons-Attribution-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/eitan-rieger-individual-technical-issue-2-0\/\" target=\"_self\" >Eitan Rieger \u2014 Individual: Technical Issue 2.0<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Individual: Technical Issue 2.0 shifts mortality from a spiritual register into the language of malfunction and maintenance. Eitan Rieger stages&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/eitan-rieger-individual-technical-issue-2-0\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4360 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4359.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Simone Berti \u2014 Urogallo (2026), Biennale Bregaglia \u2014 video still, VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4359.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4359-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4359-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/simone-berti-urogallo-2026-biennale-bregaglia\/\" target=\"_self\" >Simone Berti \u2014 Urogallo (2026), Biennale Bregaglia<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Inside a former shepherds\u2019 cottage in Stampa, an animation opens a passage to an imagined elsewhere.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/simone-berti-urogallo-2026-biennale-bregaglia\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4356 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4355.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Anca Benera &amp; Arnold Estef\u00e1n \u2014 Black Seas \u2013 Scores for the Sonic Eye, Venice (2026) \u2014 video still, VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4355.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4355-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4355-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/anca-benera-arnold-estefan-black-seas-scores-for-the-sonic-eye-venice-2026\/\" target=\"_self\" >Anca Benera &#038; Arnold Estef\u00e1n \u2014 Black Seas \u2013 Scores for the Sonic Eye, Venice (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The Black Sea becomes an archive to listen to.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/anca-benera-arnold-estefan-black-seas-scores-for-the-sonic-eye-venice-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4352 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4351.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Alfredo Jaar \u2014 The End of the World (2023\u20132024), Venice Biennale 2026 \u2014 video still, VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4351.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4351-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4351-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/alfredo-jaar-the-end-of-the-world-2023-2024-venice-biennale-2026\/\" target=\"_self\" >Alfredo Jaar \u2014 The End of the World (2023\u20132024), Venice Biennale 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A tiny cube concentrates ten critical minerals in the middle of the Arsenale.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/alfredo-jaar-the-end-of-the-world-2023-2024-venice-biennale-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4344 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4343.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Dorota Gaw\u0119da &amp; Egl\u0117 Kulbokait\u0117 \u2014 Spit and Image 2 (Cabinet), Swiss Art Awards (2026) \u2014 video still, VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4343.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4343-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4343-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/dorota-gaweda-egle-kulbokaite-spit-and-image-2-cabinet-swiss-art-awards-2026-2\/\" target=\"_self\" >Dorota Gaw\u0119da &#038; Egl\u0117 Kulbokait\u0117 \u2014 Spit and Image 2 (Cabinet), Swiss Art Awards (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A figure seen from behind moves through a fog-filled city.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/dorota-gaweda-egle-kulbokaite-spit-and-image-2-cabinet-swiss-art-awards-2026-2\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4340 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4339.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Kaspar M\u00fcller \u2014 Maintenance 3, Nicolas Krupp (2026) \u2014 video still, VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4339.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4339-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4339-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/kaspar-muller-maintenance-3-nicolas-krupp-2026\/\" target=\"_self\" >Kaspar M\u00fcller \u2014 Maintenance 3, Nicolas Krupp (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A glass traffic cone meets buckets, balloons and studio remnants.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/kaspar-muller-maintenance-3-nicolas-krupp-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4328 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4327.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Dominic Michel \u2014 Play on, and play it again (2026), Swiss Art Awards \u2014 video still, VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4327.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4327-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4327-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/dominic-michel-play-on-and-play-it-again-2026-swiss-art-awards\/\" target=\"_self\" >Dominic Michel \u2014 Play on, and play it again (2026), Swiss Art Awards<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Midnight returns, but the celebration stays silent.<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/dominic-michel-play-on-and-play-it-again-2026-swiss-art-awards\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4447 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Interactive-Robotic-Sound-Art-\u2014-Ida-Bloomdahl-Eva-Csonka-et-al.-\u2014-image-Quirin-Talhammer-Yidan-Zhang-HfG-Karlsruhe-CC-BY-NC-4.0.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Robots sonores et instruments \u00e9lectrom\u00e9caniques de la performance Interactive Robotic Sound Art \u00e0 la HfG Karlsruhe\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Interactive-Robotic-Sound-Art-\u2014-Ida-Bloomdahl-Eva-Csonka-et-al.-\u2014-image-Quirin-Talhammer-Yidan-Zhang-HfG-Karlsruhe-CC-BY-NC-4.0.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Interactive-Robotic-Sound-Art-\u2014-Ida-Bloomdahl-Eva-Csonka-et-al.-\u2014-image-Quirin-Talhammer-Yidan-Zhang-HfG-Karlsruhe-CC-BY-NC-4.0-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Interactive-Robotic-Sound-Art-\u2014-Ida-Bloomdahl-Eva-Csonka-et-al.-\u2014-image-Quirin-Talhammer-Yidan-Zhang-HfG-Karlsruhe-CC-BY-NC-4.0-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Interactive-Robotic-Sound-Art-\u2014-Ida-Bloomdahl-Eva-Csonka-et-al.-\u2014-image-Quirin-Talhammer-Yidan-Zhang-HfG-Karlsruhe-CC-BY-NC-4.0-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ida-bloomdahl-eva-csonka-et-al-interactive-robotic-sound-art\/\" target=\"_self\" >Ida Bloomdahl, \u00c9va Csonka et al. \u2014 Interactive Robotic Sound Art<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">For one night, artist-built sound robots and electromechanical instruments become an orchestra with no stable boundary between performer, machine and&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ida-bloomdahl-eva-csonka-et-al-interactive-robotic-sound-art\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4417 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Kathleen-Ryan.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Kathleen-Ryan\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Kathleen-Ryan.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Kathleen-Ryan-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Kathleen-Ryan-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Kathleen-Ryan-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/kathleen-ryan-sliced-bread-golden-hour-fender-bender-2025-gagosian-londres\/\" target=\"_self\" >Kathleen Ryan \u2013 Sliced Bread [Golden Hour] &amp; Fender Bender (2025), Gagosian Londres<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Sliced Bread [Golden Hour] and Fender Bender, Kathleen Ryan transforms bread, lemons, mattresses, and car parts into glittering sculptures&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/kathleen-ryan-sliced-bread-golden-hour-fender-bender-2025-gagosian-londres\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4405 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sho-Shibuya.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Sho-Shibuya\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sho-Shibuya.webp 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sho-Shibuya-300x169.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sho-Shibuya-1024x576.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Sho-Shibuya-768x432.webp 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/sho-shibuya-sunrise-paintings\/\" target=\"_self\" >Sho Shibuya \u2013 Sunrise Paintings<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Sho Shibuya paints each sunrise as a quiet record of a moment that vanishes almost as soon as it appears.&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/sho-shibuya-sunrise-paintings\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4261 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Bjorn-Schulke-\u2014-SV1-Sound-Voyager-2011.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Bj\u00f6rn Sch\u00fclke \u2014 SV1 \/ Sound Voyager (2011) \u2014 bitforms gallery\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Bjorn-Schulke-\u2014-SV1-Sound-Voyager-2011.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Bjorn-Schulke-\u2014-SV1-Sound-Voyager-2011-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/bjorn-schulke-sv1-sound-voyager-2011\/\" target=\"_self\" >Bj\u00f6rn Sch\u00fclke \u2014 SV1 \/ Sound Voyager (2011)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A suspended structure turns light into energy for its movements and guitar strings. In SV1, or Sound Voyager, Bj\u00f6rn Sch\u00fclke&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/bjorn-schulke-sv1-sound-voyager-2011\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4253 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1366\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4252.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Arcangelo Sassolino, in the end, the beginning: molten steel falling at Mona.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4252.jpg 2048w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4252-300x200.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4252-1024x683.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4252-768x512.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragment-4252-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/arcangelo-sassolino-in-the-end-the-beginning-2025-mona\/\" target=\"_self\" >Arcangelo Sassolino \u2014 in the end, the beginning (2025), Mona<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A rain of molten steel cuts through darkness. At Mona, Arcangelo Sassolino transforms a material associated with solidity into an&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/arcangelo-sassolino-in-the-end-the-beginning-2025-mona\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4247 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1138\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lawrence-Malstaf-\u2014-Exhale-Saint-Ex-Reims-2024.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Lawrence Malstaf \u2014 Exhale, Saint-Ex, Reims (2024) \u2014 Lawrence Malstaf\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lawrence-Malstaf-\u2014-Exhale-Saint-Ex-Reims-2024.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lawrence-Malstaf-\u2014-Exhale-Saint-Ex-Reims-2024-169x300.jpg 169w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lawrence-Malstaf-\u2014-Exhale-Saint-Ex-Reims-2024-576x1024.jpg 576w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/lawrence-malstaf-exhale-saint-ex-reims-2024\/\" target=\"_self\" >Lawrence Malstaf \u2014 Exhale, Saint-Ex, Reims (2024)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An inflatable mass fills the room, contracting and expanding like an organism on an architectural scale. In this presentation of&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/lawrence-malstaf-exhale-saint-ex-reims-2024\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4239 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zoro-Feigl-\u2014-Outlines-for-the-Wind-IJsselbiennale-2025.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Zoro Feigl \u2014 Outlines for the Wind, IJsselbi\u00ebnnale (2025) \u2014 Zoro Feigl\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zoro-Feigl-\u2014-Outlines-for-the-Wind-IJsselbiennale-2025.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zoro-Feigl-\u2014-Outlines-for-the-Wind-IJsselbiennale-2025-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zoro-Feigl-\u2014-Outlines-for-the-Wind-IJsselbiennale-2025-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zoro-Feigl-\u2014-Outlines-for-the-Wind-IJsselbiennale-2025-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/zoro-feigl-outlines-for-the-wind-ijsselbiennale-2025\/\" target=\"_self\" >Zoro Feigl \u2014 Outlines for the Wind, IJsselbi\u00ebnnale (2025)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Beneath a bridge, long strips form loose loops set in motion by the air. Zoro Feigl\u2019s Outlines for the Wind&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/zoro-feigl-outlines-for-the-wind-ijsselbiennale-2025\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4227 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Muhannad-Shono-\u2014-Towers-of-Infinite-Horizons-Art-Basel-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Muhannad Shono \u2014 Towers of Infinite Horizons, Art Basel (2026) \u2014 VernissageTV\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Muhannad-Shono-\u2014-Towers-of-Infinite-Horizons-Art-Basel-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Muhannad-Shono-\u2014-Towers-of-Infinite-Horizons-Art-Basel-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Muhannad-Shono-\u2014-Towers-of-Infinite-Horizons-Art-Basel-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Muhannad-Shono-\u2014-Towers-of-Infinite-Horizons-Art-Basel-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/muhannad-shono-towers-of-infinite-horizons-art-basel-2026\/\" target=\"_self\" >Muhannad Shono \u2014 Towers of Infinite Horizons, Art Basel (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A fallen, fragmented and suspended tower invites the body through a structure that once suggested domination. In Towers of Infinite&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/muhannad-shono-towers-of-infinite-horizons-art-basel-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4219 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/MAREUNROLS-Bruno-Birmanis-\u2014-Untamed-Assembly-Venise-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"MAREUNROL\u2019S &amp; Bruno Birmanis \u2014 Untamed Assembly, Venise (2026) \u2014 VernissageTV\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/MAREUNROLS-Bruno-Birmanis-\u2014-Untamed-Assembly-Venise-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/MAREUNROLS-Bruno-Birmanis-\u2014-Untamed-Assembly-Venise-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/MAREUNROLS-Bruno-Birmanis-\u2014-Untamed-Assembly-Venise-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/MAREUNROLS-Bruno-Birmanis-\u2014-Untamed-Assembly-Venise-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/mareunrols-bruno-birmanis-untamed-assembly-venice-2026\/\" target=\"_self\" >MAREUNROL\u2019S &#038; Bruno Birmanis \u2014 Untamed Assembly, Venice (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Latvia\u2019s pavilion becomes a backstage environment where garments, structures and archival images form a collective stage. MAREUNROL\u2019S enters into dialogue&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/mareunrols-bruno-birmanis-untamed-assembly-venice-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4215 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Cyprien-Gaillard-\u2014-Visitant-Kunsthaus-Bregenz-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Cyprien Gaillard \u2014 Visitant, Kunsthaus Bregenz (2026) \u2014 VernissageTV\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Cyprien-Gaillard-\u2014-Visitant-Kunsthaus-Bregenz-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Cyprien-Gaillard-\u2014-Visitant-Kunsthaus-Bregenz-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Cyprien-Gaillard-\u2014-Visitant-Kunsthaus-Bregenz-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Cyprien-Gaillard-\u2014-Visitant-Kunsthaus-Bregenz-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/cyprien-gaillard-visitant-kunsthaus-bregenz-2026\/\" target=\"_self\" >Cyprien Gaillard \u2014 Visitant, Kunsthaus Bregenz (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An enormous inflatable figure rises, sways and collapses to the KILLASAN sound system. Presented at Kunsthaus Bregenz in 2026, Visitant&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/cyprien-gaillard-visitant-kunsthaus-bregenz-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4211 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mauricio-Silva-Orendain-\u2014-Fresco-Sonoro-Bale-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Mauricio Silva Orendain \u2014 Fresco Sonoro, B\u00e2le (2026) \u2014 VernissageTV\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mauricio-Silva-Orendain-\u2014-Fresco-Sonoro-Bale-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mauricio-Silva-Orendain-\u2014-Fresco-Sonoro-Bale-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mauricio-Silva-Orendain-\u2014-Fresco-Sonoro-Bale-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mauricio-Silva-Orendain-\u2014-Fresco-Sonoro-Bale-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/mauricio-silva-orendain-fresco-sonoro-basel-2026\/\" target=\"_self\" >Mauricio Silva Orendain \u2014 Fresco Sonoro, Basel (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An underground car park becomes the resonating chamber of a dispersed organ. In Fresco Sonoro at Basel Social Club, Mauricio&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/mauricio-silva-orendain-fresco-sonoro-basel-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4207 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vincent-Grange-\u2014-Dorothys-Office-Basel-Social-Club-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vincent Grange \u2014 Dorothy\u2019s Office, Basel Social Club (2026) \u2014 VernissageTV\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vincent-Grange-\u2014-Dorothys-Office-Basel-Social-Club-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vincent-Grange-\u2014-Dorothys-Office-Basel-Social-Club-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vincent-Grange-\u2014-Dorothys-Office-Basel-Social-Club-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Vincent-Grange-\u2014-Dorothys-Office-Basel-Social-Club-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/vincent-grange-dorothys-office-basel-social-club-2026\/\" target=\"_self\" >Vincent Grange \u2014 Dorothy\u2019s Office, Basel Social Club (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A surveillance office becomes the secret refuge of a fictional queer character. Taken from The House of Dorothy, Dorothy\u2019s Office&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/vincent-grange-dorothys-office-basel-social-club-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4203 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mathis-Altmann-\u2014-video-objects-Basel-Social-Club-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Mathis Altmann \u2014 objets vid\u00e9o \u00e0 Basel Social Club, 2026. Vid\u00e9o : VernissageTV.\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mathis-Altmann-\u2014-video-objects-Basel-Social-Club-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mathis-Altmann-\u2014-video-objects-Basel-Social-Club-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mathis-Altmann-\u2014-video-objects-Basel-Social-Club-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Mathis-Altmann-\u2014-video-objects-Basel-Social-Club-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/mathis-altmann-millenial-oscillator-and-video-objects-basel-2026\/\" target=\"_self\" >Mathis Altmann \u2014 Millenial Oscillator and Video Objects, Basel (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Messages and images animate objects that hover between functional devices and absurd sculptures. At Basel Social Club, Mathis Altmann presents&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/mathis-altmann-millenial-oscillator-and-video-objects-basel-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4201 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"853\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Marshmallow-Laser-Feast-\u2014-Of-the-Oak-2025-Kew.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Marshmallow Laser Feast \u2014 Of the Oak (2025), Kew \u2014 bitforms gallery\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Marshmallow-Laser-Feast-\u2014-Of-the-Oak-2025-Kew.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Marshmallow-Laser-Feast-\u2014-Of-the-Oak-2025-Kew-225x300.jpg 225w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/marshmallow-laser-feast-of-the-oak-2025-kew\/\" target=\"_self\" >Marshmallow Laser Feast \u2014 Of the Oak (2025), Kew<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The oak stops being an isolated object and becomes a network of interdependent lives. Commissioned by the Royal Botanic Gardens,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/marshmallow-laser-feast-of-the-oak-2025-kew\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4197 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Marco-Donnarumma-\u2014-Ex-Silens-2024.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Marco Donnarumma \u2014 Ex Silens (2024) \u2014 Marco Donnarumma\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Marco-Donnarumma-\u2014-Ex-Silens-2024.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Marco-Donnarumma-\u2014-Ex-Silens-2024-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/marco-donnarumma-ex-silens-2024\/\" target=\"_self\" >Marco Donnarumma \u2014 Ex Silens (2024)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A body fitted with sensory prostheses circulates its movements and internal signals through sound, light and touch. In Ex Silens,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/marco-donnarumma-ex-silens-2024\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4193 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zimoun-\u2014-35-prepared-dc-motors-trash-bins-Art-Motiers-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Zimoun \u2014 35 prepared dc-motors, trash bins, Art M\u00f4tiers (2026) \u2014 Zimoun\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zimoun-\u2014-35-prepared-dc-motors-trash-bins-Art-Motiers-2026.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Zimoun-\u2014-35-prepared-dc-motors-trash-bins-Art-Motiers-2026-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/zimoun-35-prepared-dc-motors-trash-bins-art-motiers-2026\/\" target=\"_self\" >Zimoun \u2014 35 prepared dc-motors, trash bins, Art M\u00f4tiers (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Thirty-five motors set rubbish bins in motion, turning ordinary objects into a collective disturbance. Presented at Art M\u00f4tiers in 2026,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/zimoun-35-prepared-dc-motors-trash-bins-art-motiers-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4189 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"427\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lisa-Jamhoury-\u2014-loss\u00b7y-SXSW-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Lisa Jamhoury \u2014 loss\u00b7y, SXSW (2026) \u2014 Lisa Jamhoury\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lisa-Jamhoury-\u2014-loss\u00b7y-SXSW-2026.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Lisa-Jamhoury-\u2014-loss\u00b7y-SXSW-2026-300x200.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/lisa-jamhoury-loss%c2%b7y-sxsw-2026\/\" target=\"_self\" >Lisa Jamhoury \u2014 loss\u00b7y, SXSW (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Fractions of a second from a duet become sculptures, projections and a sound environment visitors can move through. In loss\u00b7y,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/lisa-jamhoury-loss%c2%b7y-sxsw-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4185 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Robert-Seidel-\u2014-NEOCHIMERA-Heidecksburg-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Robert Seidel \u2014 NEOCHIMERA, Heidecksburg (2026) \u2014 Robert Seidel\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Robert-Seidel-\u2014-NEOCHIMERA-Heidecksburg-2026.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Robert-Seidel-\u2014-NEOCHIMERA-Heidecksburg-2026-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/robert-seidel-neochimera-heidecksburg-2026\/\" target=\"_self\" >Robert Seidel \u2014 NEOCHIMERA, Heidecksburg (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Impossible creatures form, dissolve and mutate without settling into stable species. At Heidecksburg, Robert Seidel uses AI models and generative&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/robert-seidel-neochimera-heidecksburg-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4181 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jennifer-Kevin-McCoy-\u2014-Ghost-Ship-2025.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Jennifer &amp; Kevin McCoy \u2014 Ghost Ship (2025) \u2014 bitforms gallery\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jennifer-Kevin-McCoy-\u2014-Ghost-Ship-2025.jpg 640w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Jennifer-Kevin-McCoy-\u2014-Ghost-Ship-2025-300x169.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/jennifer-kevin-mccoy-ghost-ship-2025\/\" target=\"_self\" >Jennifer &#038; Kevin McCoy \u2014 Ghost Ship (2025)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A ship appears on the wall, but its ghost is made before our eyes by real objects and mechanisms. In&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/jennifer-kevin-mccoy-ghost-ship-2025\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4030 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Rotting-From-Within-\u2014-Abdulhamid-Kircher-2026-\u2014-Photo-Henning-Rogge-Deichtorhallen-Hamburg.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Vue de l&#039;installation Rotting From Within d&#039;Abdulhamid Kircher au PHOXXI \u00e0 Hambourg en 2026\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Rotting-From-Within-\u2014-Abdulhamid-Kircher-2026-\u2014-Photo-Henning-Rogge-Deichtorhallen-Hamburg.jpg 1200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Rotting-From-Within-\u2014-Abdulhamid-Kircher-2026-\u2014-Photo-Henning-Rogge-Deichtorhallen-Hamburg-300x200.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Rotting-From-Within-\u2014-Abdulhamid-Kircher-2026-\u2014-Photo-Henning-Rogge-Deichtorhallen-Hamburg-1024x683.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Rotting-From-Within-\u2014-Abdulhamid-Kircher-2026-\u2014-Photo-Henning-Rogge-Deichtorhallen-Hamburg-768x512.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/abdulhamid-kircher-rotting-from-within-hamburg-2026\/\" target=\"_self\" >Abdulhamid Kircher \u2014 Rotting From Within, Hamburg 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Rotting From Within takes the form of a family album turned into architecture. Kircher enlarges photographs, texts, and archival material&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/abdulhamid-kircher-rotting-from-within-hamburg-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4026 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"853\" height=\"1280\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4017-cd484cba8f84.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Layers in the Peace Machine d&#039;Ekho Collective, installation participative \u00e0 l&#039;h\u00f4tel de ville d&#039;Oulu\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4017-cd484cba8f84.webp 853w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4017-28f93e051990.webp 200w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4017-9ead41045d76.webp 682w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-4017-87a80fe74b8f.webp 768w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ekho-collective-layers-in-the-peace-machine-oulu-2026\/\" target=\"_self\" >Ekho Collective \u2014 Layers in the Peace Machine, Oulu 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Layers in the Peace Machine turns several rooms of Oulu City Hall into a collective apparatus. Visitors\u2019 words, gestures, sounds,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ekho-collective-layers-in-the-peace-machine-oulu-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-4024 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Human-Atmospheres-\u2014-Ronen-Tanchum-2026-\u2014-Courtesy-of-Ronen-Tanchum.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Human Atmospheres de Ronen Tanchum, paysage num\u00e9rique interactif pr\u00e9sent\u00e9 \u00e0 Davos en 2026\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Human-Atmospheres-\u2014-Ronen-Tanchum-2026-\u2014-Courtesy-of-Ronen-Tanchum.jpg 1920w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Human-Atmospheres-\u2014-Ronen-Tanchum-2026-\u2014-Courtesy-of-Ronen-Tanchum-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Human-Atmospheres-\u2014-Ronen-Tanchum-2026-\u2014-Courtesy-of-Ronen-Tanchum-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Human-Atmospheres-\u2014-Ronen-Tanchum-2026-\u2014-Courtesy-of-Ronen-Tanchum-768x432.jpg 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Human-Atmospheres-\u2014-Ronen-Tanchum-2026-\u2014-Courtesy-of-Ronen-Tanchum-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/ronen-tanchum-human-atmospheres-davos-2026\/\" target=\"_self\" >Ronen Tanchum \u2014 Human Atmospheres, Davos 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Davos, Human Atmospheres rejects the idea of a screen that merely illustrates data. Real-time Alpine conditions and the presence&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/ronen-tanchum-human-atmospheres-davos-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-3950 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1281\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-3930-9eb7aaa8c7c9.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Lolo &amp; Sosaku \u2014 Perros Chaos, Dark Mofo (2026), vue de l\u2019\u0153uvre\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-3930-9eb7aaa8c7c9.webp 1920w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-3930-8e686b1e839d.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-3930-550a42fe71d1.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-3930-0ffee0e8afe5.webp 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/fragmentation-3930-3105c948b5ac.webp 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/lolo-sosaku-perros-chaos-dark-mofo-2026\/\" target=\"_self\" >Lolo &#038; Sosaku \u2014 Perros Chaos, Dark Mofo (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Fifteen dog-like robotic sculptures move across a ferry deck amid motors, haze and unstable lighting. In Perros Chaos, Lolo &#038;&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/lolo-sosaku-perros-chaos-dark-mofo-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-3949 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Alvaro-Barrington-\u2014-Labor-Day-Parade-91-Venice-Biennale-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Alvaro Barrington \u2014 Labor Day Parade \u201991, Venice Biennale (2026)\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Alvaro-Barrington-\u2014-Labor-Day-Parade-91-Venice-Biennale-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Alvaro-Barrington-\u2014-Labor-Day-Parade-91-Venice-Biennale-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Alvaro-Barrington-\u2014-Labor-Day-Parade-91-Venice-Biennale-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Alvaro-Barrington-\u2014-Labor-Day-Parade-91-Venice-Biennale-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/alvaro-barrington-labor-day-parade-91-venice-biennale-2026\/\" target=\"_self\" >Alvaro Barrington \u2014 Labor Day Parade \u201991, Venice Biennale (2026)<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A truck wrapped in painted tapestries houses cells, metal figurines and a winged rope sculpture. In Labor Day Parade \u201991,&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/alvaro-barrington-labor-day-parade-91-venice-biennale-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-3948 post type-post status-publish format-standard has-post-thumbnail hentry category-exhibition\">\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9e71dcfe wp-block-group-is-layout-constrained\" style=\"padding-top:0px;padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px\">\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-left lemmony-aspect-3_2 has-midground-background-color\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20);min-height:5rem;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#e0e0e0\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Precious-Okoyomon-\u2014-Its-Dissociating-Season-2019-Los-Angeles-2026.jpg\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Precious Okoyomon \u2014 It\u2019s Dissociating Season (2019), Los Angeles 2026\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Precious-Okoyomon-\u2014-Its-Dissociating-Season-2019-Los-Angeles-2026.jpg 1280w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Precious-Okoyomon-\u2014-Its-Dissociating-Season-2019-Los-Angeles-2026-300x169.jpg 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Precious-Okoyomon-\u2014-Its-Dissociating-Season-2019-Los-Angeles-2026-1024x576.jpg 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2026\/09\/Precious-Okoyomon-\u2014-Its-Dissociating-Season-2019-Los-Angeles-2026-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n<h3 style=\"line-height:1.6;margin-top:var(--wp--preset--spacing--40)\" class=\"wp-block-post-title has-small-plus-font-size has-text-align-left\"><a href=\"https:\/\/fragmentation.fr\/en\/precious-okoyomon-it-s-dissociating-season-2019-los-angeles-2026\/\" target=\"_self\" >Precious Okoyomon \u2014 It\u2019s Dissociating Season (2019), Los Angeles 2026<\/a><\/h3>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">An animated bear floats through a forest while a voice recounts a near-fatal encounter with the police. Presented on a&hellip;<\/p><p class=\"wp-block-post-excerpt__more-text\"><a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/fragmentation.fr\/en\/precious-okoyomon-it-s-dissociating-season-2019-los-angeles-2026\/\">Read More<\/a><\/p><\/div><\/div>\n\n<\/li><\/ul><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignfull is-horizontal is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-5dce3eab wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/fragmentation.fr\/en\/category\/exhibition\/\">Fragmentation museum<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-cover alignfull is-light lemmony-parallax\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);padding-top:0vw;padding-right:2rem;padding-bottom:0vw;padding-left:2rem\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"750\" class=\"wp-block-cover__image-background wp-image-891\" alt=\"\" src=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2024\/11\/baner.webp\" data-object-fit=\"cover\" srcset=\"https:\/\/fragmentation.fr\/wp-content\/uploads\/2024\/11\/baner.webp 1920w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2024\/11\/baner-300x117.webp 300w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2024\/11\/baner-1024x400.webp 1024w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2024\/11\/baner-768x300.webp 768w, https:\/\/fragmentation.fr\/wp-content\/uploads\/2024\/11\/baner-1536x600.webp 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\" style=\"background-color:#9a958f\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-2b9d4f0a wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:0\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:500px\">\n<div class=\"wp-block-group has-white-background-color has-background lemmony-animation has-global-padding is-content-justification-center is-layout-constrained wp-container-core-group-is-layout-93028490 wp-block-group-is-layout-constrained\" style=\"border-radius:25px;padding-top:64px;padding-right:var(--wp--preset--spacing--50);padding-bottom:64px;padding-left:var(--wp--preset--spacing--50);--lemmony-animation-name:lemmonyFadeInUp;animation-duration:var(--lemmony-speed-fast)\">\n<p class=\"has-text-align-center has-body-color has-text-color has-tiny-plus-font-size wp-block-paragraph\">Exhibition<\/p>\n\n\n\n<p class=\"has-text-align-center has-body-color has-text-color has-tiny-plus-font-size wp-block-paragraph\"><a href=\"https:\/\/fragmentation.fr\/en\/category\/fragmentation-gallery-en\/\">\u201c<strong>THE ARTWORK AS A SUSTAINABLE FRAGMENT OF THE PRESENT<\/strong>\u201d<\/a><br><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div><\/div>\n<\/main>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FRAGMENTATION contemporary art museum selects, preserves, and presents fragments of contemporary art A new art experience every day. Feel art. Fragmentation Museum, with its networks and fragments, is itself a work of art, a new form of contemporary art in constant evolution.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"FRAGMENTATION MUS\u00c9E | fragmentation.fr","_seopress_titles_desc":"Le Mus\u00e9e de la Fragmentation, premier et unique en son genre \u00e0 l'\u00e9chelle mondiale, se consacre \u00e0 la s\u00e9lection, \u00e0 la collecte, \u00e0 la pr\u00e9servation et \u00e0 la protection des fragments de la r\u00e9alit\u00e9 dans le domaine de l'art contemporain","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":5,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":4478,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/pages\/1032\/revisions\/4478"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}