{"id":1618,"date":"2026-03-12T21:18:08","date_gmt":"2026-03-12T20:18:08","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=1618"},"modified":"2026-03-12T21:18:08","modified_gmt":"2026-03-12T20:18:08","slug":"palais-de-tokyo-paris-2024-barbara-chase-riboud","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/palais-de-tokyo-paris-2024-barbara-chase-riboud\/","title":{"rendered":"Palais de Tokyo, Paris 2024, BARBARA CHASE RIBOUD"},"content":{"rendered":"\n<p>Barbara Chase-Riboud&#8217;s contemporary art exhibition, &#8220;When a Knot is Undone, a God is Released,&#8221; presents her bronze sculptures from the Standing Black Woman of Venice series alongside her White Drawings, intricate works embroidered on paper with white thread. These creations delve into themes of memory, power, and transformation, blending abstraction with historical references, the identity of the African diaspora, and reflections of her literary achievements.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Palais de Tokyo, Paris 2024, BARBARA CHASE RIBOUD, Exhibition overview 4K\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qHp4SJjiBwQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Barbara Chase-Riboud&#8217;s contemporary art exhibition, &#8220;When a Knot is Undone, a God is Released,&#8221; presents her bronze sculptures from the Standing Black Woman of Venice series alongside her White Drawings, intricate works embroidered on paper with white thread. These creations delve into themes of memory, power, and transformation, blending abstraction with historical references, the identity [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-1618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/1618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=1618"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/1618\/revisions"}],"predecessor-version":[{"id":1626,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/1618\/revisions\/1626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/1624"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=1618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=1618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=1618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}