{"id":1660,"date":"2026-03-12T21:40:02","date_gmt":"2026-03-12T20:40:02","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=1660"},"modified":"2026-03-12T21:42:37","modified_gmt":"2026-03-12T20:42:37","slug":"myriam-mihindou-praesentia-palais-de-tokyo","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/myriam-mihindou-praesentia-palais-de-tokyo\/","title":{"rendered":"Myriam MIHINDOU &#8220;Praesentia&#8221; Palais de Tokyo"},"content":{"rendered":"\n<p>&#8220;Praesentia&#8221; is a major solo exhibition by Myriam Mihindou at the Palais de Tokyo in Paris, running from October 17, 2024, to January 5, 2025. The exhibition spans two decades of Mihindou&#8217;s multidisciplinary work, including new productions, and delves into the spiritual, therapeutic, social, and political functions of art through gestures, forms, and materials. By re-examining dominant narratives from the margins, Mihindou brings to light bodies, voices, practices, and imaginations that have long been neglected or marginalized.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Myriam MIHINDOU &quot;Praesentia&quot; Palais de Tokyo, Paris 2024, Full exhibition overview\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/RCd31A8LOTA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Praesentia&#8221; is a major solo exhibition by Myriam Mihindou at the Palais de Tokyo in Paris, running from October 17, 2024, to January 5, 2025. The exhibition spans two decades of Mihindou&#8217;s multidisciplinary work, including new productions, and delves into the spiritual, therapeutic, social, and political functions of art through gestures, forms, and materials. By [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1658,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-1660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/1660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=1660"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/1660\/revisions"}],"predecessor-version":[{"id":1664,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/1660\/revisions\/1664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/1658"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=1660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=1660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=1660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}