{"id":3943,"date":"2026-09-12T12:49:37","date_gmt":"2026-09-12T10:49:37","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=3943"},"modified":"2026-09-12T12:49:37","modified_gmt":"2026-09-12T10:49:37","slug":"abigail-deville-deo-vindice-orions-cabinet-2025-moca","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/abigail-deville-deo-vindice-orions-cabinet-2025-moca\/","title":{"rendered":"Abigail DeVille \u2014 Deo Vindice (Orion\u2019s Cabinet) (2025), MOCA"},"content":{"rendered":"<p>Charred display cabinets, rusted metal, mud and animal blood form a ruined landscape in Deo Vindice (Orion\u2019s Cabinet), shown in Los Angeles in 2026. Abigail DeVille confronts domestic memory with the history of slavery: what do objects retain when narratives of power collapse?<\/p>\n<div style=\"max-width:960px;margin:0 auto\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/lWMyN91tkko?rel=0&amp;playsinline=1\" title=\"Abigail DeVille \u2014 Deo Vindice (Orion\u2019s Cabinet) (2025), MOCA\" width=\"960\" height=\"540\" style=\"width:100%;aspect-ratio:16\/9;height:auto;border:0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><small>Video: VernissageTV. <a href=\"https:\/\/vernissage.tv\/2026\/08\/21\/abigail-deville-deo-vindice-orions-cabinet-2025\/\">Source<\/a><\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Charred display cabinets, rusted metal, mud and animal blood form a ruined landscape in Deo Vindice (Orion\u2019s Cabinet), shown in Los Angeles in 2026. Abigail DeVille confronts domestic memory with the history of slavery: what do objects retain when narratives of power collapse?<\/p>\n","protected":false},"author":1,"featured_media":3915,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-3943","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/3943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=3943"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/3943\/revisions"}],"predecessor-version":[{"id":4044,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/3943\/revisions\/4044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/3915"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=3943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=3943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=3943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}