{"id":4941,"date":"2026-09-19T11:51:55","date_gmt":"2026-09-19T09:51:55","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=4941"},"modified":"2026-09-19T11:51:55","modified_gmt":"2026-09-19T09:51:55","slug":"neil-dawson-horizons-1994-gibbs-farm","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/neil-dawson-horizons-1994-gibbs-farm\/","title":{"rendered":"Neil Dawson \u2014 Horizons (1994), Gibbs Farm"},"content":{"rendered":"<p class=\"wp-block-paragraph\">A sheet seems to float above a hillside. Yet <em>Horizons<\/em> is a steel sculpture: Neil Dawson turns the landscape into a drawing and unsettles our sense of weight. The Reel shows the work before a second video explains its illusion. Our reading: its force lies in the gap between what the eye believes and what the material allows.<\/p>\n<div style=\"max-width:540px;margin:1.5rem auto;\"><iframe src=\"https:\/\/www.instagram.com\/reel\/DVg7pS0got5\/embed\/\" title=\"Instagram video\" width=\"540\" height=\"1060\" style=\"width:100%;border:0;\" loading=\"lazy\" allow=\"autoplay; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<div class=\"fragmentation-video\" style=\"position:relative;width:100%;max-width:960px;aspect-ratio:1\/1;margin:1.5rem auto;overflow:hidden\"><iframe src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fwatch%2F%3Fv%3D332443475676965&#038;show_text=false&#038;width=960\" title=\"Neil Dawson \u2014 Horizons (1994), Gibbs Farm \u2014 Facebook\" loading=\"lazy\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"autoplay; fullscreen; picture-in-picture; encrypted-media\" allowfullscreen style=\"position:absolute;inset:0;width:100%;height:100%;border:0\"><\/iframe><\/div><p class=\"fragmentation-social-link\"><a href=\"https:\/\/www.facebook.com\/watch\/?v=332443475676965\" target=\"_blank\" rel=\"noopener noreferrer\">Open on Facebook<\/a><\/p>\n\n<p class=\"wp-block-paragraph\">Video and image : Avant Arte, Instagram (2026) ; Tom Scott, Facebook (2022). <a href=\"https:\/\/www.instagram.com\/reel\/DVg7pS0got5\/\">Source and documentation<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>A sheet seems to float above a hillside. Yet Horizons is a steel sculpture: Neil Dawson turns the landscape into a drawing and unsettles our sense of weight. The Reel shows the work before a second video explains its illusion. Our reading: its force lies in the gap between what the eye believes and what [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4930,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-4941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/4941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=4941"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/4941\/revisions"}],"predecessor-version":[{"id":4951,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/4941\/revisions\/4951"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/4930"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=4941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=4941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=4941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}