{"id":5010,"date":"2026-09-20T12:59:20","date_gmt":"2026-09-20T10:59:20","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=5010"},"modified":"2026-09-20T12:59:29","modified_gmt":"2026-09-20T10:59:29","slug":"andreas-angelidakis-escape-room-2026-greek-pavilion-venice","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/andreas-angelidakis-escape-room-2026-greek-pavilion-venice\/","title":{"rendered":"Andreas Angelidakis \u2014 Escape Room (2026), Greek Pavilion, Venice"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Suspended columns, reflections and an illuminated floor: the pavilion seems to have lost its stability. With <em>Escape Room<\/em>, Andreas Angelidakis turns the space into a contemporary version of Plato\u2019s cave, where images help construct what we accept as true.<\/p>\n<div class=\"fragmentation-video\" style=\"position:relative;width:100%;max-width:480px;aspect-ratio:9\/16;margin:1.5rem auto;overflow:hidden\"><iframe src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fwatch%2F%3Fv%3D3072363683153859&#038;show_text=false&#038;width=480\" title=\"Andreas Angelidakis \u2014 Escape Room (2026), Greek Pavilion, Venice \u2014 Facebook\" loading=\"lazy\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"autoplay; fullscreen; picture-in-picture; encrypted-media\" allowfullscreen style=\"position:absolute;inset:0;width:100%;height:100%;border:0\"><\/iframe><\/div><p class=\"fragmentation-social-link\"><a href=\"https:\/\/www.facebook.com\/watch\/?v=3072363683153859\" target=\"_blank\" rel=\"noopener noreferrer\">Open on Facebook<\/a><\/p>\n\n<p class=\"wp-block-paragraph\">A Greek artist and architect, Angelidakis uses the immersive environment to question national narratives. The setting does more than attract the eye: it asks us to notice how history, symbols and staging shape our perception.<\/p>\n<p class=\"wp-block-paragraph\"><strong>Location :<\/strong> Greek Pavilion, Giardini, Biennale Arte 2026, Venice, Italy. 9 May\u201322 November 2026. Curator: George Bekirakis.<\/p>\n<p class=\"wp-block-paragraph\">Vid\u00e9o et image \/ Video and still : <a href=\"https:\/\/www.facebook.com\/heinrich1schmidt\/videos\/3072363683153859\/\">Heinrich Schmidt \/ Facebook<\/a>. <a href=\"https:\/\/www.labiennale.org\/en\/art\/2026\/greece\">Source : La Biennale di Venezia<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Suspended columns, reflections and an illuminated floor: the pavilion seems to have lost its stability. With Escape Room, Andreas Angelidakis turns the space into a contemporary version of Plato\u2019s cave, where images help construct what we accept as true.<\/p>\n","protected":false},"author":1,"featured_media":4999,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-5010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=5010"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5010\/revisions"}],"predecessor-version":[{"id":5015,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5010\/revisions\/5015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/4999"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=5010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=5010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=5010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}