{"id":5364,"date":"2026-10-03T11:16:39","date_gmt":"2026-10-03T09:16:39","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=5364"},"modified":"2026-10-03T11:33:53","modified_gmt":"2026-10-03T09:33:53","slug":"trisha-brown-walking-on-the-wall-1971-berlin-2026","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/trisha-brown-walking-on-the-wall-1971-berlin-2026\/","title":{"rendered":"Trisha Brown \u2014 Walking on the Wall (1971), Berlin (2026)"},"content":{"rendered":"<div class=\"fragment-video fragment-video--vertical\" style=\"max-width:540px;margin:0 auto 1.25rem\"><iframe src=\"https:\/\/www.instagram.com\/reel\/DdOnVszNAVK\/embed\" title=\"Trisha Brown Dance Company \u2014 Walking on the Wall, Berlin 2026\" width=\"540\" height=\"960\" style=\"width:100%;aspect-ratio:9\/16;height:auto;border:0\" loading=\"lazy\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"autoplay; clipboard-write; encrypted-media; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<p><em>Walking on the Wall<\/em> (1971) overturns an elementary convention: harnessed dancers walk horizontally across a vertical surface. Gravity remains visible but no longer organises the body and the gaze on its own; the Neue Nationalgalerie\u2019s glass fa\u00e7ade becomes floor, stage and moving drawing at once.<\/p>\n<p>The Trisha Brown Dance Company restaged this historical work during PERFORM! 5 at the Neue Nationalgalerie, Berlin, Germany, from 9 to 13 September 2026. Trisha Brown (1936\u20132017), a major figure of Judson Dance Theater, expanded choreography towards everyday movement, architecture and gravitational devices. The Reel, posted from the performance on 13 September 2026, directly shows the Berlin restaging.<\/p>\n<p><strong>Video source:<\/strong> <a href=\"https:\/\/www.instagram.com\/reel\/DdOnVszNAVK\/\" target=\"_blank\" rel=\"noopener\">Dominic Eichler \u2014 documentation of Walking on the Wall on Instagram<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By turning the wall into a floor, the choreography redistributes gravity, orientation and vision within modernist architecture.<\/p>\n","protected":false},"author":1,"featured_media":5655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-5364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=5364"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5364\/revisions"}],"predecessor-version":[{"id":5439,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5364\/revisions\/5439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/5655"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=5364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=5364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=5364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}