{"id":5684,"date":"2026-10-05T15:42:11","date_gmt":"2026-10-05T13:42:11","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=5684"},"modified":"2026-10-05T15:42:30","modified_gmt":"2026-10-05T13:42:30","slug":"kakyoung-lee-traveler-palgongsan-series-2026","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/kakyoung-lee-traveler-palgongsan-series-2026\/","title":{"rendered":"Kakyoung Lee \u2014 Traveler, Palgongsan Series (2026)"},"content":{"rendered":"<style id=\"fragment-featured-image-5684\">body.postid-5684 .wp-block-cover:has(img.wp-post-image){min-height:0!important;aspect-ratio:auto!important;padding:0!important}body.postid-5684 .wp-block-cover img.wp-post-image{position:relative!important;width:100%!important;height:auto!important;object-fit:contain!important}body.postid-5684 .wp-block-cover:has(img.wp-post-image) .wp-block-cover__inner-container{display:none}<\/style>\n<div class=\"fragment-video\" style=\"max-width:540px;margin:0 auto\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1225457855\" title=\"Artwork video\" width=\"540\" height=\"960\" style=\"display:block;width:100%;height:auto;aspect-ratio:9\/16;border:0\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"autoplay; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<p>Figures appear, dissolve and return in a vibration of drawn marks. In <em>Traveler<\/em> (2026), Kakyoung Lee builds a two-channel animation from nine short sequences. This excerpt from the <em>Palgongsan Series<\/em> shows drawing at the scale of a wall: each movement retains traces of the one before it.<\/p>\n<p><strong>Location and documentation:<\/strong> Published by the artist on September 10, 2026, the documentation revisits its presentation at the Korean Cultural Center in New York, United States. It does not depict a new September exhibition.<\/p>\n<p><strong>Artist:<\/strong> A Korean American artist based in Brooklyn with a background in printmaking, Lee combines drawing, print and animation to make everyday gestures and experiences of displacement perceptible.<\/p>\n<p>Sources: <a href=\"https:\/\/vimeo.com\/1225457855\">artist\u2019s video<\/a>; <a href=\"https:\/\/www.koreanculture.org\/gallery-korea\/2026\/03\/04\/in-transit-in-formation\">In Transit, In Formation<\/a>; <a href=\"https:\/\/kakyounglee.com\/about\/\">artist<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Figures appear, dissolve and return in a vibration of drawn marks. In Traveler (2026), Kakyoung Lee builds a two-channel animation from nine short sequences. This excerpt from the Palgongsan Series shows drawing at the scale of a wall: each movement retains traces of the one before it. Location and documentation: Published by the artist on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-5684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=5684"}],"version-history":[{"count":2,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5684\/revisions"}],"predecessor-version":[{"id":5944,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/5684\/revisions\/5944"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/5681"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=5684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=5684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=5684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}