{"id":6038,"date":"2026-10-14T19:06:24","date_gmt":"2026-10-14T17:06:24","guid":{"rendered":"https:\/\/fragmentation.fr\/?p=6038"},"modified":"2026-10-14T19:06:24","modified_gmt":"2026-10-14T17:06:24","slug":"michel-winterberg-drifting-futures-2026","status":"publish","type":"post","link":"https:\/\/fragmentation.fr\/en\/michel-winterberg-drifting-futures-2026\/","title":{"rendered":"Michel Winterberg, Drifting Futures, 2026"},"content":{"rendered":"<style>body.postid-6038 .wp-block-cover:has(> img.wp-post-image){aspect-ratio:3\/2!important;min-height:0!important;padding:0!important}body.postid-6038 .wp-block-cover>img.wp-post-image{width:100%!important;height:100%!important;object-fit:cover!important}body.postid-6038 .wp-block-lemmony-companion-post-featured-image-caption{display:none}<\/style>\n<p class=\"fragment-image-credit\"><small>Michel Winterberg, Nimmersatt, das Spiel mit den Hungrigen (2012), installation view in Drifting Futures, E-WERK Freiburg, 2026. Photograph \u00a9 Marc Doradzillo. Source: <a href=\"https:\/\/gegenwartskunst-freiburg.de\/michel-winterberg-drifting-futures\">Galerie f\u00fcr Gegenwartskunst, E-WERK Freiburg<\/a>.<\/small><\/p>\n<div class=\"fragment-video\" style=\"max-width:540px;margin:0 auto\">\n<blockquote class=\"instagram-media\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DeBXY6TvRQO\/\" data-instgrm-version=\"14\" style=\"max-width:540px;min-width:326px;width:100%\"><p><a href=\"https:\/\/www.instagram.com\/reel\/DeBXY6TvRQO\/\">Instagram<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/www.instagram.com\/embed.js\"><\/script><\/div>\n<p>In Drifting Futures, ordinary objects become interfaces to a world governed by invisible systems. Saucepan lids move, a megaphone apparatus gives sound a physical presence, and digital images expose their instability. Michel Winterberg combines mechanics, code and humour to make the dependencies shaping everyday life tangible. The exhibition invites us to experience, rather than merely observe, the fragility of our technological control.<\/p>\n<p><strong>Location<\/strong><br \/>Galerie f\u00fcr Gegenwartskunst, E-WERK Freiburg, Freiburg im Breisgau, Germany. Exhibition, 10 May\u20135 July 2026; documentation of a past exhibition.<\/p>\n<p><strong>Artist<\/strong><br \/>Born in Basel in 1972, Michel Winterberg is a new-media artist. Trained in electromechanics and subsequently at HGK FHNW\u2019s HyperWerk Institute, he develops interactive installations combining video, sound, programming and animatronic elements.<\/p>\n<p>Sources : <a href=\"https:\/\/www.instagram.com\/reel\/DeBXY6TvRQO\/\">Museums News, 2 October 2026<\/a> ; <a href=\"https:\/\/gegenwartskunst-freiburg.de\/michel-winterberg-drifting-futures\">Galerie f\u00fcr Gegenwartskunst<\/a> ; <a href=\"https:\/\/michelwinterberg.ch\/about\/\">Michel Winterberg<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Drifting Futures, ordinary objects become interfaces to a world governed by invisible systems.<\/p>\n","protected":false},"author":1,"featured_media":6035,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-6038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/6038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/comments?post=6038"}],"version-history":[{"count":1,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/6038\/revisions"}],"predecessor-version":[{"id":6040,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/posts\/6038\/revisions\/6040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media\/6035"}],"wp:attachment":[{"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/media?parent=6038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/categories?post=6038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentation.fr\/en\/wp-json\/wp\/v2\/tags?post=6038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}