Amar Kanwar — The Peacock’s Graveyard (2023), Serpentine 2026

Seven screens disperse the narrative instead of containing it within a single viewpoint. In The Peacock’s Graveyard, Amar Kanwar brings images, fables and oral histories into a meditation on disappearance and the fragility of existence. Viewers must connect these fragments without possessing them all: looking becomes an exercise in attending to what passes.

Gros plan de la tête bleue d’un paon dans The Peacock’s Graveyard d’Amar Kanwar.

Amar Kanwar — The Peacock’s Graveyard, 2023 (film still). Digital video installation, 7 screens, dimensions variable, 28 min., 16 sec. Courtesy of the artist and Marian Goodman Gallery. Source : Serpentine Press Office.

Seven screens disperse the narrative instead of containing it within a single viewpoint. In The Peacock’s Graveyard, Amar Kanwar brings images, fables and oral histories into a meditation on disappearance and the fragility of existence. Viewers must connect these fragments without possessing them all: looking becomes an exercise in attending to what passes.

Trailer published by Serpentine on 9 September 2026. The work dates from 2023 and is announced at Serpentine North from 23 September 2026 to 31 January 2027.

Amar Kanwar — The Peacock’s Graveyard (2023), Serpentine 2026

Work and presentation information