FRAGMENTATION
contemporary art museum
selects, preserves and presents fragments of contemporary art
A new art experience every day.
Feel art.
-

Kathleen Ryan – Sliced Bread [Golden Hour] & Fender Bender (2025), Gagosian Londres
In Sliced Bread [Golden Hour] and Fender Bender, Kathleen Ryan transforms bread, lemons, mattresses, and car parts into glittering sculptures…
-

Sho Shibuya – Sunrise Paintings
Sho Shibuya paints each sunrise as a quiet record of a moment that vanishes almost as soon as it appears.…
-

Björn Schülke — SV1 / Sound Voyager (2011)
A suspended structure turns light into energy for its movements and guitar strings. In SV1, or Sound Voyager, Björn Schülke…
-

Arcangelo Sassolino — in the end, the beginning (2025), Mona
A rain of molten steel cuts through darkness. At Mona, Arcangelo Sassolino transforms a material associated with solidity into an…
-

Lawrence Malstaf — Exhale, Saint-Ex, Reims (2024)
An inflatable mass fills the room, contracting and expanding like an organism on an architectural scale. In this presentation of…
-

Zoro Feigl — Outlines for the Wind, IJsselbiënnale (2025)
Beneath a bridge, long strips form loose loops set in motion by the air. Zoro Feigl’s Outlines for the Wind…
-

Muhannad Shono — Towers of Infinite Horizons, Art Basel (2026)
A fallen, fragmented and suspended tower invites the body through a structure that once suggested domination. In Towers of Infinite…
-

MAREUNROL’S & Bruno Birmanis — Untamed Assembly, Venice (2026)
Latvia’s pavilion becomes a backstage environment where garments, structures and archival images form a collective stage. MAREUNROL’S enters into dialogue…
-

Cyprien Gaillard — Visitant, Kunsthaus Bregenz (2026)
An enormous inflatable figure rises, sways and collapses to the KILLASAN sound system. Presented at Kunsthaus Bregenz in 2026, Visitant…
-

Mauricio Silva Orendain — Fresco Sonoro, Basel (2026)
An underground car park becomes the resonating chamber of a dispersed organ. In Fresco Sonoro at Basel Social Club, Mauricio…
-

Vincent Grange — Dorothy’s Office, Basel Social Club (2026)
A surveillance office becomes the secret refuge of a fictional queer character. Taken from The House of Dorothy, Dorothy’s Office…
-

Mathis Altmann — Millenial Oscillator and Video Objects, Basel (2026)
Messages and images animate objects that hover between functional devices and absurd sculptures. At Basel Social Club, Mathis Altmann presents…
-

Marshmallow Laser Feast — Of the Oak (2025), Kew
The oak stops being an isolated object and becomes a network of interdependent lives. Commissioned by the Royal Botanic Gardens,…
-

Marco Donnarumma — Ex Silens (2024)
A body fitted with sensory prostheses circulates its movements and internal signals through sound, light and touch. In Ex Silens,…
-

Zimoun — 35 prepared dc-motors, trash bins, Art Môtiers (2026)
Thirty-five motors set rubbish bins in motion, turning ordinary objects into a collective disturbance. Presented at Art Môtiers in 2026,…
-

Lisa Jamhoury — loss·y, SXSW (2026)
Fractions of a second from a duet become sculptures, projections and a sound environment visitors can move through. In loss·y,…
-

Robert Seidel — NEOCHIMERA, Heidecksburg (2026)
Impossible creatures form, dissolve and mutate without settling into stable species. At Heidecksburg, Robert Seidel uses AI models and generative…
-

Jennifer & Kevin McCoy — Ghost Ship (2025)
A ship appears on the wall, but its ghost is made before our eyes by real objects and mechanisms. In…
-

Abdulhamid Kircher — Rotting From Within, Hamburg 2026
Rotting From Within takes the form of a family album turned into architecture. Kircher enlarges photographs, texts, and archival material…
-

Ekho Collective — Layers in the Peace Machine, Oulu 2026
Layers in the Peace Machine turns several rooms of Oulu City Hall into a collective apparatus. Visitors’ words, gestures, sounds,…
-

Ronen Tanchum — Human Atmospheres, Davos 2026
In Davos, Human Atmospheres rejects the idea of a screen that merely illustrates data. Real-time Alpine conditions and the presence…
-

Lolo & Sosaku — Perros Chaos, Dark Mofo (2026)
Fifteen dog-like robotic sculptures move across a ferry deck amid motors, haze and unstable lighting. In Perros Chaos, Lolo &…
-

Alvaro Barrington — Labor Day Parade ’91, Venice Biennale (2026)
A truck wrapped in painted tapestries houses cells, metal figurines and a winged rope sculpture. In Labor Day Parade ’91,…
-

Precious Okoyomon — It’s Dissociating Season (2019), Los Angeles 2026
An animated bear floats through a forest while a voice recounts a near-fatal encounter with the police. Presented on a…
-

Lu Yang — DOKU The Flow (2024), Los Angeles 2026
The digital avatar DOKU moves through unstable worlds in which body and identity continuously change form. Combining 3D animation and…
-

Timur Si-Qin — Mariposita (2026), Art Basel Unlimited
A steel structure and an LED screen compose a biosphere in which plants, insects and images become interdependent. In Mariposita,…
-

Mimi Ọnụọha — Soft Zeros, Secession (2025–2026)
Barrier tape, photographs and an investigative film make tangible what archives and algorithms fail to count. In Soft Zeros, Mimi…
-

Ndidi Dike — Rare Earth Rare Justice, Secession (2026)
Around nine hundred autopsy headrests form a suspended projectile above a mineral landscape, accompanied by the sound of money-counting machines.…
-

Abigail DeVille — Deo Vindice (Orion’s Cabinet) (2025), MOCA
Charred display cabinets, rusted metal, mud and animal blood form a ruined landscape in Deo Vindice (Orion’s Cabinet), shown in…
-

Guadalupe Rosales — Installation, Venice Biennale (2026)
Photographs, party flyers and mirrors form an architecture of memories drawn from Los Angeles Chicano cultures at Venice’s Arsenale. Guadalupe…
-

Boris Acket — The Skin of a River, Venice (2026)
A suspended membrane folds and ripples in The Skin of a River, presented in Venice in 2026 as part of…
-

Bastien Cuénot — TV cathodique, aquarium (2026)
A cathode-ray television meets an aquarium: two devices that enclose a world behind glass. Bringing obsolete technology into contact with…
-

Katherine Hubbard — The Great Room, Secession (2026)
Photographs, mirrors and bodily impressions on photographic paper compose a relationship between Katherine Hubbard and her mother, whose perception changes…
-

Karin Borer — The White Rabbit Illusion (2026)
Drinking from this fountain requires placing one’s head inside the open mouth of an oversized white rabbit. At the Swiss…
-

Dorota Gawęda & Eglė Kulbokaitė — Spit and Image 2 (Cabinet), Swiss Art Awards 2026
A figure seen from behind crosses a fogbound city, while a glass cabinet, bronze gloves and two fragrances extend the…
-

Dominic Michel — Play on, and play it again (2026)
Screens mounted on shuttering panels replay fifty years of televised Times Square countdowns in silence, recorded again in analogue form…
-

Candela Capitán — Content Cage (2025)
In Content Cage, a feminized body produces images inside a sculptural cage, simultaneously isolated and overexposed. Selected for the CIRCA…
-

Eunju Hong — She seemed devastated, when I was weeping with joy (2024), Venice 2026
Attached to a doll, Isu Kim Lee’s body moves from stillness to abrupt gestures in this performance devised by Eunju…
-

Yunchul Kim – TransMatter
Yunchul Kim explores matter in states of transition through installations that merge science, technology, sound, philosophy, and poetry. His practice…
-

A.A. Murakami – Floating World, M+ Museum, Hong Kong
For Floating World at M+ Museum, A.A. Murakami explores time as a material through ephemeral bubbles that appear, transform, and…
-

Mareo Rodríguez – Portal, Iceland
Mareo Rodríguez imagines a luminous circular portal emerging from Iceland’s black volcanic landscape, creating a symbolic threshold between earth and…
-

Tara Donovan – Transforming the Everyday
Tara Donovan transforms ordinary materials such as plastic cups, straws, and buttons into large-scale installations that resemble organic or natural…
-

Eva Fàbregas — Oozing Out, MACBA (2025)
Eva Fàbregas’s inflatable sculptures leave MACBA to become a collective organism carried through Barcelona’s streets. Shared by the artist in…
-

Nicola Turner — Time’s Scythe, Yorkshire Sculpture Park (2026)
Tendrils of wool and horsehair spill from the bell tower, pass through a window and invade Yorkshire Sculpture Park’s chapel.…
-

Anne Duk Hee Jordan — Riders on the Storm, Berlin (2026)
In Riders on the Storm, Anne Duk Hee Jordan approaches ecology as a continuous cycle of transformation and interdependence. Presented…
-

Anicka Yi — Message from the Mud (2026), Storm King Art Center
Anicka Yi builds Message from the Mud from transparent columns in which microbial communities drawn from Storm King’s landscape evolve.…
-

Yin Xiuzhen — Heart to Heart (2026), Hayward Gallery
In Heart to Heart, Yin Xiuzhen turns worn clothes into bodily architectures and landscapes of memory. Enlarged, assembled or transported,…
-

Patricia Piccinini — Holding Tight and Letting Go (2026), Ames Yavuz, London
At Ames Yavuz, Patricia Piccinini’s hybrid beings blur the boundaries between human and animal through unsettlingly lifelike skin. Holding Tight…
-

Kira Freije — Unspeak the Chorus (2026), Modern Art Oxford
Open metal bodies embrace, wait or turn away in Kira Freije’s Unspeak the Chorus. Between human presence and artificial skeleton,…
-

Geumhyung Jeong — Fire Drill Scenario, Tai Kwun (2026)
At Tai Kwun, Geumhyung Jeong turns evacuation equipment and instructions into the materials of a performance, Fire Drill Scenario. Between…
-

Jonathan Baldock — Held (2026), Arnolfini
In Held at Arnolfini, a monumental bear carries a face derived from a scan of Jonathan Baldock’s mother and welcomes…
-

Maurizio Cattelan — NIGHT (2026), Neue Nationalgalerie
In Berlin, NIGHT brings together works by Maurizio Cattelan that turn apparent innocence towards historical violence, including Him (2001), a…
-

Hannah Levy — Blue Blooded / Sangue blu (2026), Museo Nivola
In Orani, Hannah Levy stretches translucent silicone over metal structures that suggest creatures as much as medical furniture. Inspired by…
-

Marianna Simnett — Fountain, Circus (2026), Secession
In Circus at Vienna’s Secession, Fountain (2026) turns a urinating female figure into a neon apparition, suspended between obscenity and…
-

Victoria Keddie — Electrona in Crystallo Fluenti, Everything-in-Air (2026)
The connected sky becomes a landscape of unstable paths and sounds as Victoria Keddie turns orbital-object data into an audiovisual…
-

Mire Lee — The Heart of My Machine is Golden Lead (2026)
A cut-open cement mixer circulates red matter that leaks and hardens like diseased skin. At the Secession, Mire Lee turns…
-

Reba Maybury — The Kiss, I Come in Peace (2026)
A man leaves kisses on a glass ceiling: Reba Maybury turns a metaphor of inaccessible power into a material encounter.…
-

Isabelle Frances McGuire — Underworld, Post-Fair 2026
Women’s faces become witch-like figures, half buried in an artificial grave. Using 3D scans from Covid research, McGuire questions how…
-

Pe Lang — Moving Objects No. 68–79 (2009)
Geared motors, two magnets and a thousand small steel spheres form a device in which matter rearranges itself under invisible…
-

Nils Völker — One Hundred and Eight (2010)
Garbage bags fixed to a wall inflate and deflate through fans, then respond to the viewer’s approach. Nils Völker draws…
-

Daniel Rozin — PomPom Mirror (2015)
928 faux-fur pompoms form a surface that reproduces the viewer’s silhouette through sensors and motors. Daniel Rozin turns reflection into…
-

DRIFT — Shylight
Silk forms descend, open and fold back into themselves in a choreography inspired by flowers that close at night. With…
-

Florian Hecker — FAVN, Haus der Kunst, Munich (2026)
In FAVN, thirteen sound channels put listening to the test. Florian Hecker treats synthetic sound as a material that unsettles…
-

Navid Navab & Garnet Willis — Organism + Excitable Chaos, Aarhus 2026
A three-armed pendulum drives the airflow thresholds of a prepared pipe organ. Navid Navab and Garnet Willis do not ask…
-

Amar Kanwar — The Peacock’s Graveyard (2023), Serpentine 2026
Seven screens disperse the narrative instead of containing it within a single viewpoint. In The Peacock’s Graveyard, Amar Kanwar brings…
-

Kianí Del Valle / KDV Performance Group — INSTRUCCIONES PARA EXISTIR (2026)
At the Neue Nationalgalerie, Kianí Del Valle places bodies in tension with an architecture that appears to dominate them. Dance…
-

Rachel Maclean — They’ve Got Your Eyes (2026)
In They’ve Got Your Eyes (2026), Rachel Maclean trains AI models on her own face and archive. A Victorian inventor…
-

Fonte das 1000 Colheres -CASACOR Bahia
Created for Dois Jeitos, Um Querer at CASACOR Bahia, Fonte das 1000 Colheres transforms air-conditioning condensation into a sustainable water…
-

Marc Lee — 10.000 Moving Cities (2013–ongoing)
Identical cities change in real time through social-media feeds: globalisation experienced as the production of non-places.
-

Amy Karle — Regenerative Reliquary (2016)
A living reliquary: a hydrogel-printed hand becomes a scaffold for cells and a question about manufacturing the body.
-

Tarek Atoui — The Water Song, Desert X AlUla (2026)
Horn-like instruments emerge from the sand as if partly excavated. In The Water Song (2026), Tarek Atoui makes water and…
-

Studio Lemercier — Thresholds, HEK
Can a grid of light become a space the body believes it can inhabit? Studio Lemercier, directed by Joanie Lemercier…
-

Earth Under Tension
This installation transforms the image of the Earth into a fragile structure, stretched and held together by industrial clamps. Suspended…
-

Olafur Eliasson, Beauty (1993) – GOMA, Brisbane
In Beauty (1993), Olafur Eliasson uses light and a fine curtain of water to create an ephemeral rainbow that shifts…
-

Cosmoscow 2026 – Contemporary Art in Moscow
The 14th edition of Cosmoscow brings together galleries, artists, and contemporary practices at the Timiryazev Centre in Moscow. Running from…
-

Momentary Event [41.55N 75.004E]
Created in 2022 at Elijah Wheat Showroom, Momentary Event [41.55N 75.004E] transforms destruction into a shared sculptural experience. Rather than…
-

Cai Guo-Qiang – One Page, Porto
Presented in Porto as part of BABELL, Cai Guo-Qiang’s One Page transforms gunpowder, fireworks, and drones into a fleeting visual…
-

Anish Kapoor – Inside the Body
At the Hayward Gallery in London, Anish Kapoor explores the body from within, turning flesh, void, and spatial distortion into…
-

Silvana Imam & Paula Strunden — ÅTERFÖDELSEN / REBIRTH
In ÅTERFÖDELSEN / REBIRTH, Silvana Imam and Paula Strunden compose a passage through birth, love and death. Mixed reality, poetry,…
-

Elisa Giardina Papa — She Flickered In and Out of History
An island emerges between Sicily and Tunisia in 1831, attracts competing territorial claims, then disappears beneath the sea. Elisa Giardina…
-

Dana-Fiona Armour — Serpentine Currents
Dana-Fiona Armour turns ocean data into an animal presence. A fragmented serpent, developed from a scan of an endangered specimen,…
-

Miguel Rothschild — Undercurrents
Miguel Rothschild gives the photographic image a paradoxical thickness and weight. In Undercurrents, the sea becomes a suspended surface: the…
-

Benjamin Orlow — Ritual City
In Ritual City, Benjamin Orlow treats sculpture as a body whose cohesion remains uncertain. Raw clay, monumental fragments and exposed…
-

Vinzenz Aubry & Robert Schnüll — Brute Force
A computer automatically produces software. When it stops, the visitor has only a whip to restart the process. Brute Force…
-

Robertina Šebjanič — Echoes of the Abyss
On the seabed, a war can continue beyond its official end. Echoes of the Abyss follows traces of discarded munitions…
-

Shin Hanagata — CHIMERIA
What happens to a home when the eyes leave the head? In CHIMERIA, begun in 2025, devices relocate vision to…
-

Nina Davies — Image Syncers
When bodies imitate synthetic images, who choreographs whom? In Image Syncers (2025), Nina Davies invents a community trying to resemble…
-

Julia Vollmer — to hurt for a thought
A generated image is never immaterial. In to hurt for a thought (2025), Julia Vollmer connects a metal keyboard to…
-

Theo Jansen – Strandbeest Evolution 2025
On the Dutch coast, Theo Jansen’s Strandbeesten give sculpture the appearance of a moving organism. In Strandbeest Evolution 2025, released…
-

Lenka Clayton & Phillip Andrew Lewis – Darkhouse Lighthouse
In Pittsburgh, Lenka Clayton and Phillip Andrew Lewis built a working lighthouse inside a house. Darkhouse Lighthouse relocates an instrument…
-

Mariah Robertson – Chemical Reactions: Photography without a Camera
In her darkroom, Mariah Robertson works with chemical reactions rather than a camera. Developer, fixer and water produce unpredictable colours…
-

Sarah Sze – Measuring Stick: Measuring Time through Images
In Measuring Stick (2015), Sarah Sze gives moving images a sculptural form. Flickering lights and scattered elements create a structure…
-

Do Ho Suh – Rubbing / Loving: The Imprint of a Home
Before leaving the New York apartment where he lived and worked for eighteen years, Do Ho Suh covers its surfaces…
-

Céleste Boursier-Mougenot – clinamen
In clinamen, Céleste Boursier-Mougenot transforms porcelain bowls floating on water into a self-generating musical system. At the Park Avenue Armory,…
-

A.A. Murakami – New Spring
A.A. Murakami’s immersive installation New Spring creates a dreamlike environment shaped by light, atmosphere, and sensory perception. Travelling internationally since…
-

Ana Mendieta – Tate Modern
Tate Modern presents the first major UK exhibition dedicated to Ana Mendieta in over a decade, bringing together more than…
-

Diana Eusebio – Field of Dreams at MOCA North Miami
With Field of Dreams, Diana Eusebio transforms the gallery into an ethnobotanical garden of textiles, Spanish moss, and family memories.…
-

Daniel Canogar – Billow I: Google Trends in Real Time
On a flexible LED screen, Billow I transforms the most popular Google searches into clouds of color in real time.…
-

Odili Donald Odita – Songs from Life at MoMA
In MoMA’s lobby, Odili Donald Odita turns architecture into a chromatic score. Painted by hand over six weeks, Songs from…
-

Steven Ahlgren – The Office
In The Office, Steven Ahlgren documents American office life in the 1990s and early 2000s, before smartphones and Wi-Fi transformed…






