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Keiko Takahashi | Meter Crawler
A tape measure extends a few centimetres of steel, catches its hook against the surface and draws its housing forward. Repeated, this movement is enough…
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Jakob Grosse-Ophoff | Free little bird
Jakob Grosse-Ophoff, studio portrait, 2025. An accompanying image for Free little bird. Photograph: Dan Petermann. Source: the photographer’s portfolio. Source Instagram Two carved hands cross…
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Michel Winterberg, Drifting Futures, 2026
In Drifting Futures, ordinary objects become interfaces to a world governed by invisible systems.
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Boris Acket and Sabine Marcelis | Sunbeam, Captured
A beam of light meets a shallow layer of water and unfolds into shifting reflections. In Sunbeam, Captured, Boris Acket and Sabine Marcelis reconstruct a…
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Jiří Kovanda — Kissing Through Glass (2007), Museion 2010
A kiss offered through glass makes closeness visible while contact remains out of reach.
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Barbara Kruger — The History of Tears (2026), Paris
At the Bourse de Commerce, Barbara Kruger turns words into a space that visitors move through as much as they read.
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Zeger Reyers — Hard Water (2003), Schiedam
A porcelain cascade makes the fragility of domestic order visible.
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Jordan Wolfson, Body Sculpture (2023) – National Gallery of Australia
A metal cube fitted with arms and hands hangs from a machine that moves it, lifts it and brings it back to the floor. In…
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Laurie Anderson, Muldoon’s Picnic, 92NY (2026)
In this excerpt from Muldoon’s Picnic, Laurie Anderson recalls the rules for living she shared with Lou Reed, then follows anger toward the hurt it…
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David Hammons, Bliz-aard Ball Sale (1983): Gabriel Allred’s perspective
In 1983, David Hammons arranged snowballs by size on a rug among the street vendors of Cooper Square. A material available to everyone became merchandise,…
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Jonah Dillon, Foreign & Domestic, New York (2026)
An industrial fan joined to a figure of Christ, an illuminated prosthetic arm and a grid of first aid kits unsettle signs of care and…
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Nicola Turner, I Tear Secrets from Your Yielding Flesh (2026)
Dark wool and horsehair spill through the galleries and climb the façade, as though the building were developing a body. Scientific instruments and dressmaking tools…
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Jordan Wolfson, Gagosian, New York (2026)
Images gathered from archives and the Internet meet polished aluminum and projecting spikes. Their transformation into sculptures gives physical presence to representations usually encountered through…
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Taryn Simon, Father Country I Do Love You (2026)
Photographs, texts, videos and sculptures form a narrative that visitors navigate individually through the Guggenheim rotunda. The spiral becomes a reading tool: bringing images together,…
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Tania Bruguera — Tatlin’s Whisper #5 (2008), Tate Modern
Two mounted police officers move Tate Modern visitors, separate them and tighten their ranks. Tania Bruguera turns ordinary obedience into the material of an unannounced…
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Tamara Kametani — Greetings from Null Island (2026)
Smartphones line up like a small click farm. Their maps point toward a place without land: coordinates 0°, 0°, in the Atlantic. In Greetings from…
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Daniel Rothbart — Serpentine Sibyls (2026)
Fish pass through the sculptures’ shadows; a dragonfly settles on a metal stem. In Serpentine Sibyls, Daniel Rothbart allows living creatures to alter how his…
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Máté Dobokay — Fixation till Exhaustion
An almost white sheet, curved edges, a shadow: photography becomes a material presence before it becomes an image. In Fixation till Exhaustion, Máté Dobokay pushes…
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Rudy Lemcke — Moons of Jupiter: Ganymede (2026)
One channel of a four-part projection in which desire takes the form of a planet that cannot be fixed.
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Kakyoung Lee — Traveler, Palgongsan Series (2026)
Figures appear, dissolve and return in a vibration of drawn marks. In Traveler (2026), Kakyoung Lee builds a two-channel animation from nine short sequences. This…
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3e8.Studio / GeodatenService München — Data Soil (2025/2026)
Urban data becomes a ground of luminous particles that visitors can navigate and question.
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Nadia Coën — Trapezoidal Memory (2026), KinoSaito
An architecture of memory in which moving image, language, sound and reflection continually displace the viewer’s position.
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Giulia Guarnaccia — Training Latent Ecologies (2025/2026)
A generative ecology in which plant matter dissolves into fluid surfaces between data, machine vision and living memory.
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XTO (Christo Guelov) — Fragmented Reflections (2021), Villemur-sur-Tarn
Eighty reflective modules turn a façade into a moving boundary with its surroundings.
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Dimitris Kontodimos — West/End (For those who made it this far), Othoni (2026)
Four white steps turn a cliff into a shared threshold between geographical horizon and political promise.
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Mohsin Shafi — Dastarkhwan-e-Zameen — The Earth as a Table (2024–ongoing)
Collage, recitation and architecture connect nourishment with care and family mourning.
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Rachel Loischild — Cordon Sanitaire (2026), Southborough
A willow fence makes the boundary between protection and exclusion tangible in the landscape.
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Baron Lanteigne — hard data/soft bodies (2025), Berlin Art Week 2026
A networked image becomes an unstable body on Transmoderna’s screen installation at Kühlhaus Berlin.
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Geert Mul — Big Data Poetry in 9 Pixels (2026), Depot Boijmans Van Beuningen, Rotterdam
Nine miniature screens condense millions of images grouped without predefined categories into a physical constellation of algorithmic resemblance.
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Sofia Mastorakis — Untitled (2026), ROY G BIV Gallery, Columbus
A sewing machine, projector, clear 16 mm film leader and cotton thread turn an hour of labour into shadow, rhythm and duration.
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Tsu-Wei Lu & Hui-Ting Hong — interactive robotic installation (2026), Panorama 28, Le Fresnoy
A robotic sculpture tests human–machine relations inside the unpredictable space of an exhibition open to the public.
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Kelsey Isaacs — Baby Mozart’s Kiss (2026), Theta, New York
Three miniature screens reduce video to an intimate, fragile and almost tactile object at the edge of memory.
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Rose Lowder — La Source de la Loire (2019–2021), Palais de Tokyo, Paris
Frame-by-frame construction turns a river into a field of forces where perception, labour and ecology cannot be separated.
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Zilla Leutenegger — SPACES BETWEEN, Museum Tinguely, Basel (2026)
Drawings and projections turn museum space into an unstable mental dwelling.
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Daniela Brugger — muddy codes & soft infrastructures (Basel, 2026)
An installation on the invisible labour that trains and moderates digital infrastructures.
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Trisha Brown — Walking on the Wall (1971), Berlin (2026)
By turning the wall into a floor, the choreography redistributes gravity, orientation and vision within modernist architecture.
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Plastique Fantastique — auruBOROS – Urban Memory and Collective Dream (2026), New York
A golden inflatable spiral slips beneath the architecture of the High Line. Its apparent metallic weight rests on air: the city and its passers-by bend…
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Daniel Rozin, Penguins Mirror (2015)
Daniel Rozin’s Penguins Mirror is an interactive installation made from 450 motorized plush penguins that rotate in response to the viewer’s movement. Using only black…
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Nobuo Sekine, Phase of Nothingness — Stone Stack (1970) – Powder Art Foundation
Nobuo Sekine’s Phase of Nothingness — Stone Stack reflects the Mono-ha philosophy of presenting materials as they are, without turning them into symbols or representations.…
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Kurt Perschke, RedBall Project (2001–ongoing)
Kurt Perschke’s RedBall Project inserts a giant inflatable red sphere into unexpected urban spaces, transforming alleys, arches, façades, and public squares into temporary sculptural events.…
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Lawrence Abu Hamdan – Repercussions, Barbican, London
In Repercussions, Lawrence Abu Hamdan turns sound into a tool for investigating violence, memory, and political power. Through installation, performance, screenings, and live music, the…
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Refik Anadol, Unsupervised – MoMA, New York
In Unsupervised, Refik Anadol uses artificial intelligence to reinterpret more than two centuries of art from MoMA’s collection. The installation continuously generates evolving visual forms,…
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El Anatsui, Behind the Red Moon (2023) – Tate Modern, London
In Behind the Red Moon, El Anatsui transforms Tate Modern’s Turbine Hall with monumental suspended forms made from recycled bottle caps. Unfolding in three acts,…
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Cause and Effect – Marisfrolg Pavilion, Shenzhen
Presented at the Marisfrolg Pavilion in Shenzhen, Cause and Effect explores how movement, interaction, and consequence unfold within a sculptural environment. The installation turns simple…
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Joseph Beuys, Felt TV (1966) – Düsseldorf
In Felt TV, Joseph Beuys transforms a television wrapped in felt into a silent object of resistance, questioning the authority and passivity of mass media.…
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Server Demirtaş, Choir (2015)
In Choir, Server Demirtaş brings a group of kinetic sculptures into synchronized motion, transforming mechanical repetition into a strange collective performance. The work blurs the…
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Marco Biagini, High Visibility Burqa (2015) – 56th Venice Biennale
Presented during the 56th Venice Biennale, Marco Biagini’s High Visibility Burqa uses the image of the burqa as a deliberately ambiguous visual language rather than…
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Tobias Bradford, joints creak like tectonic plates (2024) – Company, New York
Tobias Bradford’s joints creak like tectonic plates brings an uncanny sculptural scene to life through repetition, movement, and mechanical tension. Presented in his first solo…
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Reijiro Wada — MITTAG (2025), Tokyo
Brandy held between two glass panels draws an amber horizon across Tokyo. The liquid distorts the landscape and brings the time of fermentation into sculpture.…
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Panu Johansson — WHEREVER STREET PIECE (2025), Turku
Found 16 mm footage is reprinted onto sound-recording film, then chemically eroded. In this two-channel installation, removal becomes a way of reading: faces remain recognisable…