In Shadows and Light, Altone Mishino brings together his Dark Paintings and Light Paintings in a dialogue between obscurity and illumination. Moving from dense, emerging…

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Resonance gives an industrial object an almost living presence.

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Mapping becomes a question of power and relationships with territory.

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Harbour objects become the resonating bodies of a listening space.

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Industrial repetition meets the chemical management of bodies.

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Visitors’ movements activate a sonic relationship between bodies and objects.

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Ordinary urban rhythms become material for slowing down attention.

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Dust makes the material conditions of artistic production visible.

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An electronic memory becomes sensitive to changes in its surroundings.

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Two robots search for their partner through a computational gaze.

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Fear becomes an environment that bodies can move through and transform together.

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Letting go of a phone becomes an experiment in trust, self-portraiture and loss of control.

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Aircraft fragments lose their function without entirely losing the memory of travel.

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In Aeolian Suite, five kinetic sound sculptures turn Venice’s winds into characters. Their furry coverings recall the windscreens used to shield microphones; here, however, wind…

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Clay instruments become a sound environment responsive to the people moving through it.

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Grasping an object and grasping an idea become two sides of the same uncertain gesture.

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The artist sleeps for eight hours while a 3D printer fabricates his self-portrait.

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Super 8 film, translucent fabric, and architectural fragments turn family memory into a shared and unstable space.

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A volcanic island that appeared and then sank becomes an unstable screen where mapping, desire, and colonial power contradict one another.

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Demolishing and rebuilding the same wall turns a reconstructed family home into an active, physical, and deliberately unstable archive.

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An AI endlessly re-edits American television aired just before 9/11, extending the final minutes of a presumed political innocence.

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Forty-eight salvaged cathode-ray screens become a visual instrument whose images travel, fragment, and reassemble in space.

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An urban façade transforms landscape imagery into a public relationship with the living world.

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A machine claims to read the identity, emotions and desires of the person seated before it.

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One hundred and twenty-six rotating light fixtures form a triangular grid in which simple algorithmic rules propagate as waves of light and sound. The industrial…

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Initiated in 2011 and comprehensively reconfigured since 2024, La Métamorphe connects Zara Calcabrini’s body to an interactive video and sound environment. Movement changes image and…

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Sergio Maltagliati turns the unfinished into an operating rule. In relation to Michelangelo’s model of the River God, his audiovisual system generates a different configuration…

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Nik Wallbaum hacks a cathode-ray television to convert an audio signal directly into a luminous figure. The image does not illustrate the music; it is…

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Individual: Technical Issue 2.0 shifts mortality from a spiritual register into the language of malfunction and maintenance. Eitan Rieger stages a body-machine spending its energy…

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Hiddenware makes public the hardware usually relegated behind the interface: computer fans, perforated panels and cooling tubes become sculpture, instrument and architecture. In the dark,…

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Under the shared motif of the “dance of the soul,” Lin Gieh Wen and Chen Junxian construct two materially incompatible yet connected responses: a soft…

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Midnight returns, but the celebration stays silent.

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A glass traffic cone meets buckets, balloons and studio remnants.

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A figure seen from behind moves through a fog-filled city.

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A tiny cube concentrates ten critical minerals in the middle of the Arsenale.

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The Black Sea becomes an archive to listen to.

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Inside a former shepherds’ cottage in Stampa, an animation opens a passage to an imagined elsewhere.

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For one night, artist-built sound robots and electromechanical instruments become an orchestra with no stable boundary between performer, machine and sculpture. The collective performance treats…

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In Sliced Bread [Golden Hour] and Fender Bender, Kathleen Ryan transforms bread, lemons, mattresses, and car parts into glittering sculptures that blur decay and luxury.…

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Sho Shibuya paints each sunrise as a quiet record of a moment that vanishes almost as soon as it appears. His work turns the everyday…

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Beneath a bridge, long strips form loose loops set in motion by the air. Zoro Feigl’s Outlines for the Wind turns a massive piece of…

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An inflatable mass fills the room, contracting and expanding like an organism on an architectural scale. In this presentation of Exhale at Saint-Ex, Lawrence Malstaf…

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A rain of molten steel cuts through darkness. At Mona, Arcangelo Sassolino transforms a material associated with solidity into an unstable appearance of light, heat…

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A suspended structure turns light into energy for its movements and guitar strings. In SV1, or Sound Voyager, Björn Schülke brings solar cells, motors and…

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An enormous inflatable figure rises, sways and collapses to the KILLASAN sound system. Presented at Kunsthaus Bregenz in 2026, Visitant brings the gestures of a…

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Latvia’s pavilion becomes a backstage environment where garments, structures and archival images form a collective stage. MAREUNROL’S enters into dialogue with Bruno Birmanis’s Untamed Fashion…

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A fallen, fragmented and suspended tower invites the body through a structure that once suggested domination. In Towers of Infinite Horizons, Muhannad Shono turns reclaimed…

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A ship appears on the wall, but its ghost is made before our eyes by real objects and mechanisms. In Ghost Ship, automation turns shadow…

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Impossible creatures form, dissolve and mutate without settling into stable species. At Heidecksburg, Robert Seidel uses AI models and generative processes to transform natural-history specimens…

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Fractions of a second from a duet become sculptures, projections and a sound environment visitors can move through. In loss·y, Lisa Jamhoury makes the visitor’s…

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