A man leaves kisses on a glass ceiling: Reba Maybury turns a metaphor of inaccessible power into a material encounter. At the Secession, the intervention confronts Klimt’s prestige with sex work, domination and the question of who produces an artwork and who receives the credit.
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Reba Maybury, The Kiss, 2026, I Come in Peace, Secession. Photo : Lisa Rastl. Source