At Oman’s pavilion, visitors walk across sand while suspended elements inspired by equestrian jewellery respond through movement and sound. Members of Omani communities engraved some of the silver elements.
Adornment becomes a relational device. The installation proposes considering the horse as a partner and physically experiencing connections between individual gestures, collective memory and care.
Documentation source: https://vernissage.tv/2026/07/14/haitham-al-busafi-zinah-adornment-pavilion-of-oman-at-venice-art-biennale-2026/
Image: VernissageTV, documentation vidéo / video documentation.