Fractions of a second from a duet become sculptures, projections and a sound environment visitors can move through. In loss·y, Lisa Jamhoury makes the visitor’s…

Read More

Thirty-five motors set rubbish bins in motion, turning ordinary objects into a collective disturbance. Presented at Art Môtiers in 2026, Zimoun’s installation composes with rhythm,…

Read More

A body fitted with sensory prostheses circulates its movements and internal signals through sound, light and touch. In Ex Silens, Marco Donnarumma turns hearing technologies…

Read More

The oak stops being an isolated object and becomes a network of interdependent lives. Commissioned by the Royal Botanic Gardens, Kew, Of the Oak makes…

Read More

Messages and images animate objects that hover between functional devices and absurd sculptures. At Basel Social Club, Mathis Altmann presents Millenial Oscillator, Walking Economies and…

Read More

A surveillance office becomes the secret refuge of a fictional queer character. Taken from The House of Dorothy, Dorothy’s Office brings mirrors, cameras and hybrid…

Read More

An underground car park becomes the resonating chamber of a dispersed organ. In Fresco Sonoro at Basel Social Club, Mauricio Silva Orendain brings pipes, airflow…

Read More

A ship appears on the wall, but its ghost is made before our eyes by real objects and mechanisms. In Ghost Ship, automation turns shadow…

Read More

Impossible creatures form, dissolve and mutate without settling into stable species. At Heidecksburg, Robert Seidel uses AI models and generative processes to transform natural-history specimens…

Read More

In Davos, Human Atmospheres rejects the idea of a screen that merely illustrates data. Real-time Alpine conditions and the presence of visitors become forces within…

Read More

Layers in the Peace Machine turns several rooms of Oulu City Hall into a collective apparatus. Visitors’ words, gestures, sounds, and movements alter a work…

Read More

Rotting From Within takes the form of a family album turned into architecture. Kircher enlarges photographs, texts, and archival material into a nine-metre wall where…

Read More

Around nine hundred autopsy headrests form a suspended projectile above a mineral landscape, accompanied by the sound of money-counting machines. At the Secession, Ndidi Dike…

Read More

Barrier tape, photographs and an investigative film make tangible what archives and algorithms fail to count. In Soft Zeros, Mimi Ọnụọha takes the history of…

Read More

A steel structure and an LED screen compose a biosphere in which plants, insects and images become interdependent. In Mariposita, Timur Si-Qin questions the separation…

Read More

The digital avatar DOKU moves through unstable worlds in which body and identity continuously change form. Combining 3D animation and Buddhist philosophy, Lu Yang explores…

Read More

An animated bear floats through a forest while a voice recounts a near-fatal encounter with the police. Presented on a pink television, Precious Okoyomon’s work…

Read More

A truck wrapped in painted tapestries houses cells, metal figurines and a winged rope sculpture. In Labor Day Parade ’91, Alvaro Barrington transforms memories of…

Read More

Fifteen dog-like robotic sculptures move across a ferry deck amid motors, haze and unstable lighting. In Perros Chaos, Lolo & Sosaku turn sculpture into behaviour:…

Read More

Charred display cabinets, rusted metal, mud and animal blood form a ruined landscape in Deo Vindice (Orion’s Cabinet), shown in Los Angeles in 2026. Abigail…

Read More

Screens mounted on shuttering panels replay fifty years of televised Times Square countdowns in silence, recorded again in analogue form and then digitized. Presented at…

Read More

A figure seen from behind crosses a fogbound city, while a glass cabinet, bronze gloves and two fragrances extend the image into space. This 2026…

Read More

Drinking from this fountain requires placing one’s head inside the open mouth of an oversized white rabbit. At the Swiss Art Awards 2026, Karin Borer…

Read More

Photographs, mirrors and bodily impressions on photographic paper compose a relationship between Katherine Hubbard and her mother, whose perception changes with dementia. Presented at the…

Read More

A cathode-ray television meets an aquarium: two devices that enclose a world behind glass. Bringing obsolete technology into contact with a living environment, Bastien Cuénot…

Read More

A suspended membrane folds and ripples in The Skin of a River, presented in Venice in 2026 as part of The Open Wound. Movement turns…

Read More

Photographs, party flyers and mirrors form an architecture of memories drawn from Los Angeles Chicano cultures at Venice’s Arsenale. Guadalupe Rosales turns the archive into…

Read More

Attached to a doll, Isu Kim Lee’s body moves from stillness to abrupt gestures in this performance devised by Eunju Hong in 2024 and restaged…

Read More

In Content Cage, a feminized body produces images inside a sculptural cage, simultaneously isolated and overexposed. Selected for the CIRCA Prize 2025, the film turns…

Read More

Yunchul Kim explores matter in states of transition through installations that merge science, technology, sound, philosophy, and poetry. His practice creates fluid environments where human…

Read More

For Floating World at M+ Museum, A.A. Murakami explores time as a material through ephemeral bubbles that appear, transform, and disappear within seconds. The work…

Read More

Mareo Rodríguez imagines a luminous circular portal emerging from Iceland’s black volcanic landscape, creating a symbolic threshold between earth and cosmos. Conceived as a digital…

Read More

Tara Donovan transforms ordinary materials such as plastic cups, straws, and buttons into large-scale installations that resemble organic or natural formations. Through repetition and accumulation,…

Read More

In Riders on the Storm, Anne Duk Hee Jordan approaches ecology as a continuous cycle of transformation and interdependence. Presented at alexander levy in Berlin…

Read More

Tendrils of wool and horsehair spill from the bell tower, pass through a window and invade Yorkshire Sculpture Park’s chapel. In Time’s Scythe, Nicola Turner…

Read More

Eva Fàbregas’s inflatable sculptures leave MACBA to become a collective organism carried through Barcelona’s streets. Shared by the artist in 2026, this video revisits Oozing…

Read More

At Ames Yavuz, Patricia Piccinini’s hybrid beings blur the boundaries between human and animal through unsettlingly lifelike skin. Holding Tight and Letting Go turns this…

Read More

In Heart to Heart, Yin Xiuzhen turns worn clothes into bodily architectures and landscapes of memory. Enlarged, assembled or transported, these intimate traces question what…

Read More

Anicka Yi builds Message from the Mud from transparent columns in which microbial communities drawn from Storm King’s landscape evolve. The work lets living organisms…

Read More

In Orani, Hannah Levy stretches translucent silicone over metal structures that suggest creatures as much as medical furniture. Inspired by horseshoe crabs and the harvesting…

Read More

In Berlin, NIGHT brings together works by Maurizio Cattelan that turn apparent innocence towards historical violence, including Him (2001), a kneeling figure with Hitler’s face.…

Read More

In Held at Arnolfini, a monumental bear carries a face derived from a scan of Jonathan Baldock’s mother and welcomes visitors’ touch. Through this tender,…

Read More

At Tai Kwun, Geumhyung Jeong turns evacuation equipment and instructions into the materials of a performance, Fire Drill Scenario. Between technical demonstration and collective ceremony,…

Read More

Open metal bodies embrace, wait or turn away in Kira Freije’s Unspeak the Chorus. Between human presence and artificial skeleton, their suspended gestures make us…

Read More

Geared motors, two magnets and a thousand small steel spheres form a device in which matter rearranges itself under invisible forces. Pe Lang makes the…

Read More

Women’s faces become witch-like figures, half buried in an artificial grave. Using 3D scans from Covid research, McGuire questions how monsters are manufactured and how…

Read More

A man leaves kisses on a glass ceiling: Reba Maybury turns a metaphor of inaccessible power into a material encounter. At the Secession, the intervention…

Read More

A cut-open cement mixer circulates red matter that leaks and hardens like diseased skin. At the Secession, Mire Lee turns productive machinery into an exhausted…

Read More

The connected sky becomes a landscape of unstable paths and sounds as Victoria Keddie turns orbital-object data into an audiovisual composition. Presented at GOLESTANI in…

Read More

In Circus at Vienna’s Secession, Fountain (2026) turns a urinating female figure into a neon apparition, suspended between obscenity and ritual protection. Drawing on a…

Read More