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Verena Friedrich — THE LONG NOW (2015/16), archive
A machine produces a soap bubble and tries to prolong its suspension in a controlled atmosphere. The apparatus makes the work of delaying disappearance tangible.…
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Behnaz Farahi / Critical Matter Group — Gaze to the Stars (2025)
A monumental eye turns the building’s gaze back towards the city. Participants’ personal stories are encoded into images of their irises and projected onto the…
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Oliver Beer — The Sky in the Cave (2026)
Sound acts directly on matter here: vibrations move pigment and inscribe an act of listening into the canvas. In The Sky in the Cave, painting,…
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Jesús Rafael Soto — Pénétrable BBL Jaune (1999/2023), Serpentine, London 2026
A volume of yellow tubes appears to form a surface, yet the body can pass through it. Pénétrable BBL Jaune turns sculpture into an experience…
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Takayoshi Ohara — Suspensions (2026), NEORT++, Tokyo
A stone remains still while its camera and screen swing at different rhythms. In Suspensions, movement belongs to the devices producing the image. Looking becomes…
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Lap-See Lam — Floating Sea Palace (2024) in Bamboo Palace, Revisited (2026), Hong Kong
A spectral floating palace drifts through Cantonese diaspora, unstable translation, and reconstructed memory.
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Freja Sofie Kirk — Leisure / Pastimes (2026), O—Overgaden, Copenhagen
A repeated equestrian fall connects spectacle, bodily discipline, and the image of death.
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Kynd & Yaporigami — Geom — Musical Architecture I & II (2026)
Sound drives forms generated through deterministic mathematical functions. Kynd avoids manual modelling and limits randomness, while acknowledging that choosing rules remains an authorial decision. Geom…
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Troika — Deception Island (2025)
Computed landscapes place extinct species in incompatible environments. Transferred into platinum and palladium prints, these fleeting visions gain a durable presence. The exhibition also brings…
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HC Gilje — OBSERVATORIET (2026)
Six rooms across five floors become a fictional observatory. Moving light activates, closes or shifts architectural boundaries, while the visitor’s route constructs the work. Gilje…
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rootkid — Spectrum Slit (2026)
Sixty-four luminous filaments reveal the radio activity within a room. Wi-Fi and Bluetooth exchanges become changes in intensity, exposing movement ordinary perception misses. The sculpture…
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Scenocosme — Inspirations (2017)
Breath and touch activate earthen sculptures that respond through sound. The object ceases to be autonomous: its sensory existence depends on an encounter with a…
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Yingjie Bei — After Tone (2025)
Fifty-six loudspeakers circulate a sonic impulse along a Möbius loop. Sound traces a path that listening reconstructs in space, while the electronic circuitry remains exposed.…
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Memo Akten & Katie Hofstadter — The Thinking Ocean (2026)
Generative flows and bodily presences form an ocean to inhabit rather than a surface to contemplate. The work asks why we readily attribute agency to…
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Daniel Canogar — Scanner Salamanca (2026)
A suspended tangle of electrical, telephone and computer cables appears to pulse. Projected white lines travel across material usually hidden from sight. Moving between technological…
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Alex Mikev – The Rhythm of Work
Alex Mikev explores contemporary work life through photography, works on paper, and time-based media, focusing on repetition, effort, and the blurred boundary between labor and…
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Song Dong – Waste Not
Song Dong’s Waste Not brings together thousands of objects saved by his mother, turning everyday possessions into a deeply personal archive of memory, hardship, and…
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Johannes Langkamp – Frames, Traces, and Perception
Johannes Langkamp explores how small shifts in materials, framing, and everyday situations can change the way we see. Through playful experiments with scopes, traces, and…
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Lee Bul – The Anatomy of Every Setting Sun, Hauser & Wirth Chelsea
Lee Bul’s The Anatomy of Every Setting Sun explores the tension between utopian ideals, the body, and technological progress through sculpture, installation, and architectural forms.…
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Doris Salcedo, Untitled (2003) – Istanbul Biennial
For the 8th International Istanbul Biennial, Doris Salcedo filled an urban void with around 1,500 wooden chairs, creating a monumental installation embedded within the city…
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Rachel Youn — Unruly Vessel (2026), Scuola Piccola Zattere, Venice
Artificial palm fronds row without going anywhere. In Unruly Vessel, salvaged wellness machines stubbornly keep working: their movement draws us in, then its persistence becomes…
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SpY — CYCLES N2 (2026), NUR Festival, Kazan
Fifteen rings rise and fall, yet no single viewpoint allows us to grasp them once and for all. CYCLES N2 draws temporary architectures with light,…
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Andreas Angelidakis — Escape Room (2026), Greek Pavilion, Venice
Suspended columns, reflections and an illuminated floor: the pavilion seems to have lost its stability. With Escape Room, Andreas Angelidakis turns the space into a…
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Martin Messier — Sewing Machine Orchestra, Wonderspaces Austin
The sewing machines begin to play by themselves. Their pulses fall into step, lamps flicker, and the rhythm intensifies: a domestic workshop takes on an…
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Žilvinas Kempinas — Fountains, Reykjavík Art Museum (2013)
It looks like black water. In fact, strips of magnetic tape are being lifted by electric fans. For Žilvinas Kempinas, a material once used to…
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Zimoun — 9 prepared dc-motors, cotton balls, 10 metal bowls ø 67 cm (2026)
Nine motors, cotton balls and ten metal bowls form a sound installation at Studio Zimoun in Bern. Repeated mechanical gestures produce variations that resist perfect…
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Christopher K. Ho — Waterloo! (2026), Ellie Rines Gallery, New York
Twenty candelabras and a carpet of barricades: domestic comfort meets the imagery of revolution.
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Neil Dawson — Horizons (1994), Gibbs Farm
A sheet seems to float above a hillside. Yet Horizons is a steel sculpture: Neil Dawson turns the landscape into a drawing and unsettles our…
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Gregory Orekhov — Shadow of Light (2026), Bonneville Salt Flats
A black square interrupts the white expanse of the Bonneville Salt Flats. Gregory Orekhov uses light-absorbing fabric to create a surface that seems to withdraw…
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Chiharu Shiota — Threads of Life, London (2026)
This filmed visit to Threads of Life at Hayward Gallery moves through Chiharu Shiota’s world. Threads and objects compose spaces in which human absence remains…
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Batten and Kamp — Beauty Seeker Seeker (2026)
A robot carries an orchid and solicits our gaze. Beauty Seeker Seeker turns a sophisticated machine into a mobile vase to question the attention economy.…
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Rashid Al Khalifa — Crate Maze – White (2025–2026)
Created in 2025 and presented at Art Basel Unlimited in 2026, Crate Maze – White turns storage crates into a walk-through labyrinth. Rashid Al Khalifa…
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Luke Jerram — Mirror Moon
Mirror Moon translates lunar terrain into a stainless-steel sphere that people can touch. Using NASA topographic data, Luke Jerram brings the craters, valleys and mountains…
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Vincent Leroy — Fractal Swarm, Tanzania (2025)
In Fractal Swarm, Vincent Leroy combines carbon fibre, 3D-printed elements, bearings and mirror film. Presented in a Tanzanian landscape, this lightweight construction multiplies reflective fragments.
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Lina Lapelytė — We Make Years Out of Hours, Berlin (2026)
At Hamburger Bahnhof, Lina Lapelytė combines collective building with singing. Wooden cubes form a space that visitors can transform.
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Vincent Leroy — Eccentric Lenses, Bali (2026)
In the rice fields of Munduk, Bali, Vincent Leroy places a moving assembly of Fresnel lenses. Their off-centre rotations break up the landscape and rearrange…
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Luke Jerram — Stepping Out, London (2026)
At Southbank Centre, Luke Jerram turns movement into musical composition. Footsteps on a stairway and coloured areas on the ground trigger sounds: walking becomes a…
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Dana Awartani — May your tears never dry, you who weep over stones (2026)
At the Saudi pavilion of the Venice Biennale, Dana Awartani spreads out handmade earthen patterns. The installation evokes endangered architectural heritage across the Arab world…
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Vincent Leroy — Point Cloud, Beijing (2026)
Presented at Taikoo Li Sanlitun in Beijing, Vincent Leroy’s Point Cloud unfolds a large-scale structure in urban space. The video follows the installation and its…
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Sihwa Park — Diffusion TV (2025), SIGGRAPH 2026
Created in 2025 and exhibited at SIGGRAPH in 2026, Diffusion TV connects technological obsolescence with the fragility of living things. The viewer’s gesture makes an…
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Camille Henrot — Dogs, New York (2026)
At an entrance to Central Park, Camille Henrot brings together dog sculptures in bronze, stone, steel and concrete. Dogs carries her interest in attachment, dependency…
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Jacob Hashimoto — Giant Arc, SFMOMA (2026)
The work lets us consider an image as an environment: no viewpoint captures the whole. Repeating a modest element produces a bodily experience of scale.
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George Segal — Subway (1968), documentation 2026
This documentation, published in August 2026, recalls how sculpture can become a situation. The absence of movement turns everyday proximity into an experience of solitude.
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Roberta De Caro — Over-Exposed, Thames-Side Studios (2025)
The gaze moving between screen, cable and space invites us to consider video as a distributed sculpture. Visible connections become part of what we are…
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SpY — Dislocation, Madrid (2026)
Dislocation makes time a sculptural material. Transformations and the position of the viewer define the object more than any definitive outline.
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David Spriggs, Vision II (2018) – Messums Wiltshire
David Spriggs’s Vision II is built from layered, hand-painted transparent images that create the illusion of a three-dimensional event suspended in space. Depending on the…
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Pim Palsgraaf, Beneath the Surface (2024) – Fundación Valentín de Madariaga, Séville
Pim Palsgraaf’s Beneath the Surface transforms recovered wood, wallpaper, and plywood into a layered wall-based sculpture where architecture and decay seem to merge. Presented in…
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Julius von Bismarck, Das Reh (2024) – Art Basel
In Das Reh, Julius von Bismarck turns the familiar image of a deer into a strange and unsettling sculptural encounter. The work plays with perception,…
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Choe U-Ram, Round Table – 2014
Choe U-Ram’s Round Table presents 18 headless figures carrying a large black table while competing for a single “head” rolling across its surface. The kinetic…
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Hans Haacke, Blue Sail (1964–65) – SFMOMA
Hans Haacke’s Blue Sail transforms air into an invisible sculptural force, using a fan to animate a suspended sheet of chiffon. Constantly shifting in response…
