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Zimoun — 35 prepared dc-motors, trash bins, Art Môtiers (2026)
Thirty-five motors set rubbish bins in motion, turning ordinary objects into a collective disturbance. Presented at Art Môtiers in 2026, Zimoun’s installation composes with rhythm,…
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Marco Donnarumma — Ex Silens (2024)
A body fitted with sensory prostheses circulates its movements and internal signals through sound, light and touch. In Ex Silens, Marco Donnarumma turns hearing technologies…
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Marshmallow Laser Feast — Of the Oak (2025), Kew
The oak stops being an isolated object and becomes a network of interdependent lives. Commissioned by the Royal Botanic Gardens, Kew, Of the Oak makes…
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Mathis Altmann — Millenial Oscillator and Video Objects, Basel (2026)
Messages and images animate objects that hover between functional devices and absurd sculptures. At Basel Social Club, Mathis Altmann presents Millenial Oscillator, Walking Economies and…
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Vincent Grange — Dorothy’s Office, Basel Social Club (2026)
A surveillance office becomes the secret refuge of a fictional queer character. Taken from The House of Dorothy, Dorothy’s Office brings mirrors, cameras and hybrid…
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Mauricio Silva Orendain — Fresco Sonoro, Basel (2026)
An underground car park becomes the resonating chamber of a dispersed organ. In Fresco Sonoro at Basel Social Club, Mauricio Silva Orendain brings pipes, airflow…
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Ronen Tanchum — Human Atmospheres, Davos 2026
In Davos, Human Atmospheres rejects the idea of a screen that merely illustrates data. Real-time Alpine conditions and the presence of visitors become forces within…
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Ekho Collective — Layers in the Peace Machine, Oulu 2026
Layers in the Peace Machine turns several rooms of Oulu City Hall into a collective apparatus. Visitors’ words, gestures, sounds, and movements alter a work…
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Abdulhamid Kircher — Rotting From Within, Hamburg 2026
Rotting From Within takes the form of a family album turned into architecture. Kircher enlarges photographs, texts, and archival material into a nine-metre wall where…
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Abigail DeVille — Deo Vindice (Orion’s Cabinet) (2025), MOCA
Charred display cabinets, rusted metal, mud and animal blood form a ruined landscape in Deo Vindice (Orion’s Cabinet), shown in Los Angeles in 2026. Abigail…
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Ndidi Dike — Rare Earth Rare Justice, Secession (2026)
Around nine hundred autopsy headrests form a suspended projectile above a mineral landscape, accompanied by the sound of money-counting machines. At the Secession, Ndidi Dike…
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Mimi Ọnụọha — Soft Zeros, Secession (2025–2026)
Barrier tape, photographs and an investigative film make tangible what archives and algorithms fail to count. In Soft Zeros, Mimi Ọnụọha takes the history of…
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Timur Si-Qin — Mariposita (2026), Art Basel Unlimited
A steel structure and an LED screen compose a biosphere in which plants, insects and images become interdependent. In Mariposita, Timur Si-Qin questions the separation…
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Lu Yang — DOKU The Flow (2024), Los Angeles 2026
The digital avatar DOKU moves through unstable worlds in which body and identity continuously change form. Combining 3D animation and Buddhist philosophy, Lu Yang explores…
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Precious Okoyomon — It’s Dissociating Season (2019), Los Angeles 2026
An animated bear floats through a forest while a voice recounts a near-fatal encounter with the police. Presented on a pink television, Precious Okoyomon’s work…
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Alvaro Barrington — Labor Day Parade ’91, Venice Biennale (2026)
A truck wrapped in painted tapestries houses cells, metal figurines and a winged rope sculpture. In Labor Day Parade ’91, Alvaro Barrington transforms memories of…
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Lolo & Sosaku — Perros Chaos, Dark Mofo (2026)
Fifteen dog-like robotic sculptures move across a ferry deck amid motors, haze and unstable lighting. In Perros Chaos, Lolo & Sosaku turn sculpture into behaviour:…
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Dorota Gawęda & Eglė Kulbokaitė — Spit and Image 2 (Cabinet), Swiss Art Awards 2026
A figure seen from behind crosses a fogbound city, while a glass cabinet, bronze gloves and two fragrances extend the image into space. This 2026…
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Karin Borer — The White Rabbit Illusion (2026)
Drinking from this fountain requires placing one’s head inside the open mouth of an oversized white rabbit. At the Swiss Art Awards 2026, Karin Borer…
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Katherine Hubbard — The Great Room, Secession (2026)
Photographs, mirrors and bodily impressions on photographic paper compose a relationship between Katherine Hubbard and her mother, whose perception changes with dementia. Presented at the…
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Bastien Cuénot — TV cathodique, aquarium (2026)
A cathode-ray television meets an aquarium: two devices that enclose a world behind glass. Bringing obsolete technology into contact with a living environment, Bastien Cuénot…
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Boris Acket — The Skin of a River, Venice (2026)
A suspended membrane folds and ripples in The Skin of a River, presented in Venice in 2026 as part of The Open Wound. Movement turns…
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Guadalupe Rosales — Installation, Venice Biennale (2026)
Photographs, party flyers and mirrors form an architecture of memories drawn from Los Angeles Chicano cultures at Venice’s Arsenale. Guadalupe Rosales turns the archive into…
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Dominic Michel — Play on, and play it again (2026)
Screens mounted on shuttering panels replay fifty years of televised Times Square countdowns in silence, recorded again in analogue form and then digitized. Presented at…
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Eunju Hong — She seemed devastated, when I was weeping with joy (2024), Venice 2026
Attached to a doll, Isu Kim Lee’s body moves from stillness to abrupt gestures in this performance devised by Eunju Hong in 2024 and restaged…
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Candela Capitán — Content Cage (2025)
In Content Cage, a feminized body produces images inside a sculptural cage, simultaneously isolated and overexposed. Selected for the CIRCA Prize 2025, the film turns…
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Yunchul Kim – TransMatter
Yunchul Kim explores matter in states of transition through installations that merge science, technology, sound, philosophy, and poetry. His practice creates fluid environments where human…
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A.A. Murakami – Floating World, M+ Museum, Hong Kong
For Floating World at M+ Museum, A.A. Murakami explores time as a material through ephemeral bubbles that appear, transform, and disappear within seconds. The work…
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Mareo Rodríguez – Portal, Iceland
Mareo Rodríguez imagines a luminous circular portal emerging from Iceland’s black volcanic landscape, creating a symbolic threshold between earth and cosmos. Conceived as a digital…
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Tara Donovan – Transforming the Everyday
Tara Donovan transforms ordinary materials such as plastic cups, straws, and buttons into large-scale installations that resemble organic or natural formations. Through repetition and accumulation,…
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Anne Duk Hee Jordan — Riders on the Storm, Berlin (2026)
In Riders on the Storm, Anne Duk Hee Jordan approaches ecology as a continuous cycle of transformation and interdependence. Presented at alexander levy in Berlin…
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Nicola Turner — Time’s Scythe, Yorkshire Sculpture Park (2026)
Tendrils of wool and horsehair spill from the bell tower, pass through a window and invade Yorkshire Sculpture Park’s chapel. In Time’s Scythe, Nicola Turner…
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Eva Fàbregas — Oozing Out, MACBA (2025)
Eva Fàbregas’s inflatable sculptures leave MACBA to become a collective organism carried through Barcelona’s streets. Shared by the artist in 2026, this video revisits Oozing…
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Hannah Levy — Blue Blooded / Sangue blu (2026), Museo Nivola
In Orani, Hannah Levy stretches translucent silicone over metal structures that suggest creatures as much as medical furniture. Inspired by horseshoe crabs and the harvesting…
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Maurizio Cattelan — NIGHT (2026), Neue Nationalgalerie
In Berlin, NIGHT brings together works by Maurizio Cattelan that turn apparent innocence towards historical violence, including Him (2001), a kneeling figure with Hitler’s face.…
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Jonathan Baldock — Held (2026), Arnolfini
In Held at Arnolfini, a monumental bear carries a face derived from a scan of Jonathan Baldock’s mother and welcomes visitors’ touch. Through this tender,…
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Geumhyung Jeong — Fire Drill Scenario, Tai Kwun (2026)
At Tai Kwun, Geumhyung Jeong turns evacuation equipment and instructions into the materials of a performance, Fire Drill Scenario. Between technical demonstration and collective ceremony,…
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Kira Freije — Unspeak the Chorus (2026), Modern Art Oxford
Open metal bodies embrace, wait or turn away in Kira Freije’s Unspeak the Chorus. Between human presence and artificial skeleton, their suspended gestures make us…
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Patricia Piccinini — Holding Tight and Letting Go (2026), Ames Yavuz, London
At Ames Yavuz, Patricia Piccinini’s hybrid beings blur the boundaries between human and animal through unsettlingly lifelike skin. Holding Tight and Letting Go turns this…
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Yin Xiuzhen — Heart to Heart (2026), Hayward Gallery
In Heart to Heart, Yin Xiuzhen turns worn clothes into bodily architectures and landscapes of memory. Enlarged, assembled or transported, these intimate traces question what…
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Anicka Yi — Message from the Mud (2026), Storm King Art Center
Anicka Yi builds Message from the Mud from transparent columns in which microbial communities drawn from Storm King’s landscape evolve. The work lets living organisms…
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Victoria Keddie — Electrona in Crystallo Fluenti, Everything-in-Air (2026)
The connected sky becomes a landscape of unstable paths and sounds as Victoria Keddie turns orbital-object data into an audiovisual composition. Presented at GOLESTANI in…
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Marianna Simnett — Fountain, Circus (2026), Secession
In Circus at Vienna’s Secession, Fountain (2026) turns a urinating female figure into a neon apparition, suspended between obscenity and ritual protection. Drawing on a…
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Pe Lang — Moving Objects No. 68–79 (2009)
Geared motors, two magnets and a thousand small steel spheres form a device in which matter rearranges itself under invisible forces. Pe Lang makes the…
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Isabelle Frances McGuire — Underworld, Post-Fair 2026
Women’s faces become witch-like figures, half buried in an artificial grave. Using 3D scans from Covid research, McGuire questions how monsters are manufactured and how…
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Reba Maybury — The Kiss, I Come in Peace (2026)
A man leaves kisses on a glass ceiling: Reba Maybury turns a metaphor of inaccessible power into a material encounter. At the Secession, the intervention…
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Mire Lee — The Heart of My Machine is Golden Lead (2026)
A cut-open cement mixer circulates red matter that leaks and hardens like diseased skin. At the Secession, Mire Lee turns productive machinery into an exhausted…
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Kianí Del Valle / KDV Performance Group — INSTRUCCIONES PARA EXISTIR (2026)
At the Neue Nationalgalerie, Kianí Del Valle places bodies in tension with an architecture that appears to dominate them. Dance and stunts shift attention from…
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Amar Kanwar — The Peacock’s Graveyard (2023), Serpentine 2026
Seven screens disperse the narrative instead of containing it within a single viewpoint. In The Peacock’s Graveyard, Amar Kanwar brings images, fables and oral histories…
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Navid Navab & Garnet Willis — Organism + Excitable Chaos, Aarhus 2026
A three-armed pendulum drives the airflow thresholds of a prepared pipe organ. Navid Navab and Garnet Willis do not ask it to execute a stable…