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  • Zimoun — 35 prepared dc-motors, trash bins, Art Môtiers (2026) — Zimoun

    Zimoun — 35 prepared dc-motors, trash bins, Art Môtiers (2026)

    Thirty-five motors set rubbish bins in motion, turning ordinary objects into a collective disturbance. Presented at Art Môtiers in 2026, Zimoun’s installation composes with rhythm,…

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  • Marco Donnarumma — Ex Silens (2024) — Marco Donnarumma

    Marco Donnarumma — Ex Silens (2024)

    A body fitted with sensory prostheses circulates its movements and internal signals through sound, light and touch. In Ex Silens, Marco Donnarumma turns hearing technologies…

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  • Marshmallow Laser Feast — Of the Oak (2025), Kew — bitforms gallery

    Marshmallow Laser Feast — Of the Oak (2025), Kew

    The oak stops being an isolated object and becomes a network of interdependent lives. Commissioned by the Royal Botanic Gardens, Kew, Of the Oak makes…

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  • Mathis Altmann — objets vidéo à Basel Social Club, 2026. Vidéo : VernissageTV.

    Mathis Altmann — Millenial Oscillator and Video Objects, Basel (2026)

    Messages and images animate objects that hover between functional devices and absurd sculptures. At Basel Social Club, Mathis Altmann presents Millenial Oscillator, Walking Economies and…

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  • Vincent Grange — Dorothy’s Office, Basel Social Club (2026) — VernissageTV

    Vincent Grange — Dorothy’s Office, Basel Social Club (2026)

    A surveillance office becomes the secret refuge of a fictional queer character. Taken from The House of Dorothy, Dorothy’s Office brings mirrors, cameras and hybrid…

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  • Mauricio Silva Orendain — Fresco Sonoro, Bâle (2026) — VernissageTV

    Mauricio Silva Orendain — Fresco Sonoro, Basel (2026)

    An underground car park becomes the resonating chamber of a dispersed organ. In Fresco Sonoro at Basel Social Club, Mauricio Silva Orendain brings pipes, airflow…

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  • Human Atmospheres de Ronen Tanchum, paysage numérique interactif présenté à Davos en 2026

    Ronen Tanchum — Human Atmospheres, Davos 2026

    In Davos, Human Atmospheres rejects the idea of a screen that merely illustrates data. Real-time Alpine conditions and the presence of visitors become forces within…

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  • Layers in the Peace Machine d'Ekho Collective, installation participative à l'hôtel de ville d'Oulu

    Ekho Collective — Layers in the Peace Machine, Oulu 2026

    Layers in the Peace Machine turns several rooms of Oulu City Hall into a collective apparatus. Visitors’ words, gestures, sounds, and movements alter a work…

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  • Vue de l'installation Rotting From Within d'Abdulhamid Kircher au PHOXXI à Hambourg en 2026

    Abdulhamid Kircher — Rotting From Within, Hamburg 2026

    Rotting From Within takes the form of a family album turned into architecture. Kircher enlarges photographs, texts, and archival material into a nine-metre wall where…

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  • Abigail DeVille — Deo Vindice (Orion’s Cabinet) (2025), MOCA, documentation de l’œuvre

    Abigail DeVille — Deo Vindice (Orion’s Cabinet) (2025), MOCA

    Charred display cabinets, rusted metal, mud and animal blood form a ruined landscape in Deo Vindice (Orion’s Cabinet), shown in Los Angeles in 2026. Abigail…

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  • Ndidi Dike — Rare Earth Rare Justice, Secession (2026), vue de l’œuvre

    Ndidi Dike — Rare Earth Rare Justice, Secession (2026)

    Around nine hundred autopsy headrests form a suspended projectile above a mineral landscape, accompanied by the sound of money-counting machines. At the Secession, Ndidi Dike…

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  • Mimi Ọnụọha — Soft Zeros, Secession (2025–2026), vue de l’œuvre

    Mimi Ọnụọha — Soft Zeros, Secession (2025–2026)

    Barrier tape, photographs and an investigative film make tangible what archives and algorithms fail to count. In Soft Zeros, Mimi Ọnụọha takes the history of…

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  • Timur Si-Qin — Mariposita (2026), Art Basel Unlimited

    Timur Si-Qin — Mariposita (2026), Art Basel Unlimited

    A steel structure and an LED screen compose a biosphere in which plants, insects and images become interdependent. In Mariposita, Timur Si-Qin questions the separation…

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  • Lu Yang — DOKU The Flow (2024), Los Angeles 2026

    Lu Yang — DOKU The Flow (2024), Los Angeles 2026

    The digital avatar DOKU moves through unstable worlds in which body and identity continuously change form. Combining 3D animation and Buddhist philosophy, Lu Yang explores…

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  • Precious Okoyomon — It’s Dissociating Season (2019), Los Angeles 2026

    Precious Okoyomon — It’s Dissociating Season (2019), Los Angeles 2026

    An animated bear floats through a forest while a voice recounts a near-fatal encounter with the police. Presented on a pink television, Precious Okoyomon’s work…

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  • Alvaro Barrington — Labor Day Parade ’91, Venice Biennale (2026)

    Alvaro Barrington — Labor Day Parade ’91, Venice Biennale (2026)

    A truck wrapped in painted tapestries houses cells, metal figurines and a winged rope sculpture. In Labor Day Parade ’91, Alvaro Barrington transforms memories of…

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  • Lolo & Sosaku — Perros Chaos, Dark Mofo (2026), vue de l’œuvre

    Lolo & Sosaku — Perros Chaos, Dark Mofo (2026)

    Fifteen dog-like robotic sculptures move across a ferry deck amid motors, haze and unstable lighting. In Perros Chaos, Lolo & Sosaku turn sculpture into behaviour:…

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  • Dorota Gawęda & Eglė Kulbokaitė — Spit and Image 2 (Cabinet), Swiss Art Awards 2026

    Dorota Gawęda & Eglė Kulbokaitė — Spit and Image 2 (Cabinet), Swiss Art Awards 2026

    A figure seen from behind crosses a fogbound city, while a glass cabinet, bronze gloves and two fragrances extend the image into space. This 2026…

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  • Karin Borer — The White Rabbit Illusion (2026)

    Karin Borer — The White Rabbit Illusion (2026)

    Drinking from this fountain requires placing one’s head inside the open mouth of an oversized white rabbit. At the Swiss Art Awards 2026, Karin Borer…

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  • Katherine Hubbard — The Great Room, vue de l’exposition à la Secession, 2026.

    Katherine Hubbard — The Great Room, Secession (2026)

    Photographs, mirrors and bodily impressions on photographic paper compose a relationship between Katherine Hubbard and her mother, whose perception changes with dementia. Presented at the…

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  • Bastien Cuénot — TV cathodique, aquarium (2026)

    Bastien Cuénot — TV cathodique, aquarium (2026)

    A cathode-ray television meets an aquarium: two devices that enclose a world behind glass. Bringing obsolete technology into contact with a living environment, Bastien Cuénot…

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  • Boris Acket — The Skin of a River, Venise (2026)

    Boris Acket — The Skin of a River, Venice (2026)

    A suspended membrane folds and ripples in The Skin of a River, presented in Venice in 2026 as part of The Open Wound. Movement turns…

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  • Guadalupe Rosales — Installation, Biennale de Venise (2026), documentation de l’œuvre

    Guadalupe Rosales — Installation, Venice Biennale (2026)

    Photographs, party flyers and mirrors form an architecture of memories drawn from Los Angeles Chicano cultures at Venice’s Arsenale. Guadalupe Rosales turns the archive into…

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  • Dominic Michel — Play on, and play it again (2026)

    Dominic Michel — Play on, and play it again (2026)

    Screens mounted on shuttering panels replay fifty years of televised Times Square countdowns in silence, recorded again in analogue form and then digitized. Presented at…

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  • Eunju Hong, She seemed devastated, when I was weeping with joy, performed by Isu Kim Lee in Venice in 2026. Image: VernissageTV.

    Eunju Hong — She seemed devastated, when I was weeping with joy (2024), Venice 2026

    Attached to a doll, Isu Kim Lee’s body moves from stillness to abrupt gestures in this performance devised by Eunju Hong in 2024 and restaged…

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  • Candela Capitán — Content Cage (2025)

    Candela Capitán — Content Cage (2025)

    In Content Cage, a feminized body produces images inside a sculptural cage, simultaneously isolated and overexposed. Selected for the CIRCA Prize 2025, the film turns…

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  • Yunchul-Kim

    Yunchul Kim – TransMatter

    Yunchul Kim explores matter in states of transition through installations that merge science, technology, sound, philosophy, and poetry. His practice creates fluid environments where human…

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  • Floating-World

    A.A. Murakami – Floating World, M+ Museum, Hong Kong

    For Floating World at M+ Museum, A.A. Murakami explores time as a material through ephemeral bubbles that appear, transform, and disappear within seconds. The work…

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  • Mareo-Rodríguez

    Mareo Rodríguez – Portal, Iceland

    Mareo Rodríguez imagines a luminous circular portal emerging from Iceland’s black volcanic landscape, creating a symbolic threshold between earth and cosmos. Conceived as a digital…

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  • Tara-Donovan

    Tara Donovan – Transforming the Everyday

    Tara Donovan transforms ordinary materials such as plastic cups, straws, and buttons into large-scale installations that resemble organic or natural formations. Through repetition and accumulation,…

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  • Anne Duk Hee Jordan — Riders on the Storm, Berlin (2026)

    Anne Duk Hee Jordan — Riders on the Storm, Berlin (2026)

    In Riders on the Storm, Anne Duk Hee Jordan approaches ecology as a continuous cycle of transformation and interdependence. Presented at alexander levy in Berlin…

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  • Nicola Turner — Time’s Scythe, Yorkshire Sculpture Park (2026)

    Nicola Turner — Time’s Scythe, Yorkshire Sculpture Park (2026)

    Tendrils of wool and horsehair spill from the bell tower, pass through a window and invade Yorkshire Sculpture Park’s chapel. In Time’s Scythe, Nicola Turner…

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  • Eva Fàbregas — Oozing Out, MACBA (2025)

    Eva Fàbregas — Oozing Out, MACBA (2025)

    Eva Fàbregas’s inflatable sculptures leave MACBA to become a collective organism carried through Barcelona’s streets. Shared by the artist in 2026, this video revisits Oozing…

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  • Sculpture de Hannah Levy : membrane bleue tendue sur de longues pattes métalliques.

    Hannah Levy — Blue Blooded / Sangue blu (2026), Museo Nivola

    In Orani, Hannah Levy stretches translucent silicone over metal structures that suggest creatures as much as medical furniture. Inspired by horseshoe crabs and the harvesting…

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  • Maurizio Cattelan, Him (2001), figure agenouillée vue de dos.

    Maurizio Cattelan — NIGHT (2026), Neue Nationalgalerie

    In Berlin, NIGHT brings together works by Maurizio Cattelan that turn apparent innocence towards historical violence, including Him (2001), a kneeling figure with Hitler’s face.…

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  • Ours monumental de Jonathan Baldock accueillant une personne dans l’exposition Held.

    Jonathan Baldock — Held (2026), Arnolfini

    In Held at Arnolfini, a monumental bear carries a face derived from a scan of Jonathan Baldock’s mother and welcomes visitors’ touch. Through this tender,…

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  • Geumhyung Jeong en tenue argentée avec du matériel de sécurité pendant Fire Drill Scenario.

    Geumhyung Jeong — Fire Drill Scenario, Tai Kwun (2026)

    At Tai Kwun, Geumhyung Jeong turns evacuation equipment and instructions into the materials of a performance, Fire Drill Scenario. Between technical demonstration and collective ceremony,…

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  • Figures métalliques de Kira Freije, avec visages moulés et fragments de vêtements.

    Kira Freije — Unspeak the Chorus (2026), Modern Art Oxford

    Open metal bodies embrace, wait or turn away in Kira Freije’s Unspeak the Chorus. Between human presence and artificial skeleton, their suspended gestures make us…

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  • Vue de Holding Tight and Letting Go : sculptures hybrides de Patricia Piccinini, dont deux figures sur un lit.

    Patricia Piccinini — Holding Tight and Letting Go (2026), Ames Yavuz, London

    At Ames Yavuz, Patricia Piccinini’s hybrid beings blur the boundaries between human and animal through unsettlingly lifelike skin. Holding Tight and Letting Go turns this…

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  • Installation textile rouge monumentale de Yin Xiuzhen dans Heart to Heart.

    Yin Xiuzhen — Heart to Heart (2026), Hayward Gallery

    In Heart to Heart, Yin Xiuzhen turns worn clothes into bodily architectures and landscapes of memory. Enlarged, assembled or transported, these intimate traces question what…

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  • Colonnes transparentes contenant des cultures microbiennes dans le paysage de Storm King.

    Anicka Yi — Message from the Mud (2026), Storm King Art Center

    Anicka Yi builds Message from the Mud from transparent columns in which microbial communities drawn from Storm King’s landscape evolve. The work lets living organisms…

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  • Victoria Keddie : formes orbitales et textures vidéo dans Electrona in Crystallo Fluenti.

    Victoria Keddie — Electrona in Crystallo Fluenti, Everything-in-Air (2026)

    The connected sky becomes a landscape of unstable paths and sounds as Victoria Keddie turns orbital-object data into an audiovisual composition. Presented at GOLESTANI in…

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  • Marianna Simnett, Fountain : silhouette féminine en néon et arc lumineux dans une salle sombre.

    Marianna Simnett — Fountain, Circus (2026), Secession

    In Circus at Vienna’s Secession, Fountain (2026) turns a urinating female figure into a neon apparition, suspended between obscenity and ritual protection. Drawing on a…

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  • Pe Lang — Moving Objects No. 68–79 (2009)

    Pe Lang — Moving Objects No. 68–79 (2009)

    Geared motors, two magnets and a thousand small steel spheres form a device in which matter rearranges itself under invisible forces. Pe Lang makes the…

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  • Underworld : visage sculpté aux cheveux blancs, yeux noirs et bouche rouge, à demi enfoui.

    Isabelle Frances McGuire — Underworld, Post-Fair 2026

    Women’s faces become witch-like figures, half buried in an artificial grave. Using 3D scans from Covid research, McGuire questions how monsters are manufactured and how…

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  • Reba Maybury, The Kiss : traces de baisers sur un plafond de verre, Secession.

    Reba Maybury — The Kiss, I Come in Peace (2026)

    A man leaves kisses on a glass ceiling: Reba Maybury turns a metaphor of inaccessible power into a material encounter. At the Secession, the intervention…

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  • Mire Lee : matière rouge fissurée et coulante dans l’installation de la Secession.

    Mire Lee — The Heart of My Machine is Golden Lead (2026)

    A cut-open cement mixer circulates red matter that leaks and hardens like diseased skin. At the Secession, Mire Lee turns productive machinery into an exhausted…

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  • Visuel de presse en noir et blanc de KDV Performance Group : un corps suspendu tenant une corde, pour INSTRUCCIONES PARA EXISTIR.

    Kianí Del Valle / KDV Performance Group — INSTRUCCIONES PARA EXISTIR (2026)

    At the Neue Nationalgalerie, Kianí Del Valle places bodies in tension with an architecture that appears to dominate them. Dance and stunts shift attention from…

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  • Gros plan de la tête bleue d’un paon dans The Peacock’s Graveyard d’Amar Kanwar.

    Amar Kanwar — The Peacock’s Graveyard (2023), Serpentine 2026

    Seven screens disperse the narrative instead of containing it within a single viewpoint. In The Peacock’s Graveyard, Amar Kanwar brings images, fables and oral histories…

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  • Pendule mécanique à trois roues devant les tuyaux de l’orgue Organism, avec des trajectoires lumineuses vertes.

    Navid Navab & Garnet Willis — Organism + Excitable Chaos, Aarhus 2026

    A three-armed pendulum drives the airflow thresholds of a prepared pipe organ. Navid Navab and Garnet Willis do not ask it to execute a stable…

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Fresh Articles

  • Altone Mishino – Shadows and Light, Pavillon des Arts, Châtenay-Malabry (2026)

    Altone Mishino – Shadows and Light, Pavillon des Arts, Châtenay-Malabry (2026)

    September 18, 2026
  • Ruofan Chen’s installation presented at Shower’s Liste booth.

    Ruofan Chen — Shower, Liste Art Fair Basel (2026)

    September 17, 2026
  • Cushions and a chair arranged in a space crossed by light.

    Kingsley Ng & Angel Hui — Fermata: Hong Kong in Venice (2026)

    September 17, 2026

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FRAGMENTATION MUSEUM

THE ARTWORK AS A SUSTAINABLE FRAGMENT OF THE PRESENT

cOntemporary Art TV YouTube Chanel

Contact: [email protected]

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