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  • A soap bubble floats inside a transparent cube connected to a mechanical device and a black hose.

    Verena Friedrich — THE LONG NOW (2015/16), archive

    A machine produces a soap bubble and tries to prolong its suspension in a controlled atmosphere. The apparatus makes the work of delaying disappearance tangible.…

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  • A luminous eye projected onto MIT’s Great Dome, seen at night from across the Charles River.

    Behnaz Farahi / Critical Matter Group — Gaze to the Stars (2025)

    A monumental eye turns the building’s gaze back towards the city. Participants’ personal stories are encoded into images of their irises and projected onto the…

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  • Ochre, pink and blue pigments forming ripples across an Oliver Beer canvas.

    Oliver Beer — The Sky in the Cave (2026)

    Sound acts directly on matter here: vibrations move pigment and inscribe an act of listening into the canvas. In The Sky in the Cave, painting,…

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  • Visitors move through the hanging yellow tubes of Pénétrable BBL Jaune in Kensington Gardens.

    Jesús Rafael Soto — Pénétrable BBL Jaune (1999/2023), Serpentine, London 2026

    A volume of yellow tubes appears to form a surface, yet the body can pass through it. Pénétrable BBL Jaune turns sculpture into an experience…

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  • A suspended screen shows a stationary stone as the camera and screen oscillate.

    Takayoshi Ohara — Suspensions (2026), NEORT++, Tokyo

    A stone remains still while its camera and screen swing at different rhythms. In Suspensions, movement belongs to the devices producing the image. Looking becomes…

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  • Vue de l’installation / Installation view: Lap-See Lam, Bamboo Palace, Revisited, Blindspot Gallery, Hong Kong, 2026.

    Lap-See Lam — Floating Sea Palace (2024) in Bamboo Palace, Revisited (2026), Hong Kong

    A spectral floating palace drifts through Cantonese diaspora, unstable translation, and reconstructed memory.

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  • Vue de l’installation / Installation view: Freja Sofie Kirk, Pastimes / Leisure, O—Overgaden, 2026.

    Freja Sofie Kirk — Leisure / Pastimes (2026), O—Overgaden, Copenhagen

    A repeated equestrian fall connects spectacle, bodily discipline, and the image of death.

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  • Forme géométrique dorée dans un environnement lumineux coloré / Golden geometric form in a coloured light environment.

    Kynd & Yaporigami — Geom — Musical Architecture I & II (2026)

    Sound drives forms generated through deterministic mathematical functions. Kynd avoids manual modelling and limits randomness, while acknowledging that choosing rules remains an authorial decision. Geom…

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  • Tirage photographique de Deception Island exposé sur un mur / A Deception Island photographic print on a gallery wall.

    Troika — Deception Island (2025)

    Computed landscapes place extinct species in incompatible environments. Transferred into platinum and palladium prints, these fleeting visions gain a durable presence. The exhibition also brings…

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  • Lumière dans une salle sombre de la tour de Spriten Kunsthall / Light in a dark room in the Spriten Kunsthall tower.

    HC Gilje — OBSERVATORIET (2026)

    Six rooms across five floors become a fictional observatory. Moving light activates, closes or shifts architectural boundaries, while the visitor’s route constructs the work. Gilje…

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  • Filaments lumineux de Spectrum Slit sur un mur / Spectrum Slit's luminous filaments mounted on a wall.

    rootkid — Spectrum Slit (2026)

    Sixty-four luminous filaments reveal the radio activity within a room. Wi-Fi and Bluetooth exchanges become changes in intensity, exposing movement ordinary perception misses. The sculpture…

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  • Une participante souffle vers une sculpture en terre d’Inspirations / A participant breathes toward an earthen sculpture in Inspirations.

    Scenocosme — Inspirations (2017)

    Breath and touch activate earthen sculptures that respond through sound. The object ceases to be autonomous: its sensory existence depends on an encounter with a…

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  • Structure et haut-parleurs de l’installation sonore After Tone / Structure and loudspeakers of the sound installation After Tone.

    Yingjie Bei — After Tone (2025)

    Fifty-six loudspeakers circulate a sonic impulse along a Möbius loop. Sound traces a path that listening reconstructs in space, while the electronic circuitry remains exposed.…

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  • Projections bleues de The Thinking Ocean dans un espace immersif / Blue projections of The Thinking Ocean in an immersive space.

    Memo Akten & Katie Hofstadter — The Thinking Ocean (2026)

    Generative flows and bodily presences form an ocean to inhabit rather than a surface to contemplate. The work asks why we readily attribute agency to…

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  • Enchevêtrement de câbles parcouru de lumière dans une charpente / Light travelling through tangled cables beneath timber beams.

    Daniel Canogar — Scanner Salamanca (2026)

    A suspended tangle of electrical, telephone and computer cables appears to pulse. Projected white lines travel across material usually hidden from sight. Moving between technological…

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  • alex-mikev

    Alex Mikev – The Rhythm of Work

    Alex Mikev explores contemporary work life through photography, works on paper, and time-based media, focusing on repetition, effort, and the blurred boundary between labor and…

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  • Song-Dong

    Song Dong – Waste Not

    Song Dong’s Waste Not brings together thousands of objects saved by his mother, turning everyday possessions into a deeply personal archive of memory, hardship, and…

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  • Johannes-Langkamp

    Johannes Langkamp – Frames, Traces, and Perception

    Johannes Langkamp explores how small shifts in materials, framing, and everyday situations can change the way we see. Through playful experiments with scopes, traces, and…

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  • Lee-Bul

    Lee Bul – The Anatomy of Every Setting Sun, Hauser & Wirth Chelsea

    Lee Bul’s The Anatomy of Every Setting Sun explores the tension between utopian ideals, the body, and technological progress through sculpture, installation, and architectural forms.…

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  • Doris-Salcedo

    Doris Salcedo, Untitled (2003) – Istanbul Biennial

    For the 8th International Istanbul Biennial, Doris Salcedo filled an urban void with around 1,500 wooden chairs, creating a monumental installation embedded within the city…

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  • Rachel Youn — Unruly Vessel, motorised palm fronds arranged along wooden benches

    Rachel Youn — Unruly Vessel (2026), Scuola Piccola Zattere, Venice

    Artificial palm fronds row without going anywhere. In Unruly Vessel, salvaged wellness machines stubbornly keep working: their movement draws us in, then its persistence becomes…

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  • SpY — CYCLES N2, suspended illuminated rings at NUR Festival in Kazan

    SpY — CYCLES N2 (2026), NUR Festival, Kazan

    Fifteen rings rise and fall, yet no single viewpoint allows us to grasp them once and for all. CYCLES N2 draws temporary architectures with light,…

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  • Andreas Angelidakis — Escape Room, suspended columns and illuminated floor inside the Greek Pavilion

    Andreas Angelidakis — Escape Room (2026), Greek Pavilion, Venice

    Suspended columns, reflections and an illuminated floor: the pavilion seems to have lost its stability. With Escape Room, Andreas Angelidakis turns the space into a…

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  • Martin Messier — Sewing Machine Orchestra, Wonderspaces Austin

    The sewing machines begin to play by themselves. Their pulses fall into step, lamps flicker, and the rhythm intensifies: a domestic workshop takes on an…

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  • Žilvinas Kempinas — Fountains, Reykjavík Art Museum (2013)

    It looks like black water. In fact, strips of magnetic tape are being lifted by electric fans. For Žilvinas Kempinas, a material once used to…

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  • Zimoun — installation with motors, cotton balls and metal bowls

    Zimoun — 9 prepared dc-motors, cotton balls, 10 metal bowls ø 67 cm (2026)

    Nine motors, cotton balls and ten metal bowls form a sound installation at Studio Zimoun in Bern. Repeated mechanical gestures produce variations that resist perfect…

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  • Christopher K. Ho — Waterloo!, Ellie Rines Gallery, New York, 2026

    Christopher K. Ho — Waterloo! (2026), Ellie Rines Gallery, New York

    Twenty candelabras and a carpet of barricades: domestic comfort meets the imagery of revolution.

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  • Neil Dawson — Horizons, sculpture at Gibbs Farm

    Neil Dawson — Horizons (1994), Gibbs Farm

    A sheet seems to float above a hillside. Yet Horizons is a steel sculpture: Neil Dawson turns the landscape into a drawing and unsettles our…

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  • Gregory Orekhov — Shadow of Light, black square on the Bonneville Salt Flats

    Gregory Orekhov — Shadow of Light (2026), Bonneville Salt Flats

    A black square interrupts the white expanse of the Bonneville Salt Flats. Gregory Orekhov uses light-absorbing fabric to create a surface that seems to withdraw…

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  • Chiharu Shiota — Threads of Life, London (2026)

    Chiharu Shiota — Threads of Life, London (2026)

    This filmed visit to Threads of Life at Hayward Gallery moves through Chiharu Shiota’s world. Threads and objects compose spaces in which human absence remains…

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  • Batten and Kamp — Beauty Seeker Seeker, mobile robot carrying an orchid

    Batten and Kamp — Beauty Seeker Seeker (2026)

    A robot carries an orchid and solicits our gaze. Beauty Seeker Seeker turns a sophisticated machine into a mobile vase to question the attention economy.…

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  • Rashid Al Khalifa — Crate Maze – White (2025–2026)

    Rashid Al Khalifa — Crate Maze – White (2025–2026)

    Created in 2025 and presented at Art Basel Unlimited in 2026, Crate Maze – White turns storage crates into a walk-through labyrinth. Rashid Al Khalifa…

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  • Luke Jerram — Mirror Moon

    Luke Jerram — Mirror Moon

    Mirror Moon translates lunar terrain into a stainless-steel sphere that people can touch. Using NASA topographic data, Luke Jerram brings the craters, valleys and mountains…

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  • Vincent Leroy — Fractal Swarm, Tanzania (2025)

    Vincent Leroy — Fractal Swarm, Tanzania (2025)

    In Fractal Swarm, Vincent Leroy combines carbon fibre, 3D-printed elements, bearings and mirror film. Presented in a Tanzanian landscape, this lightweight construction multiplies reflective fragments.

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  • Lina Lapelytė — We Make Years Out of Hours, Berlin (2026)

    Lina Lapelytė — We Make Years Out of Hours, Berlin (2026)

    At Hamburger Bahnhof, Lina Lapelytė combines collective building with singing. Wooden cubes form a space that visitors can transform.

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  • Vincent Leroy — Eccentric Lenses, Bali (2026)

    Vincent Leroy — Eccentric Lenses, Bali (2026)

    In the rice fields of Munduk, Bali, Vincent Leroy places a moving assembly of Fresnel lenses. Their off-centre rotations break up the landscape and rearrange…

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  • Luke Jerram — Stepping Out, London (2026)

    Luke Jerram — Stepping Out, London (2026)

    At Southbank Centre, Luke Jerram turns movement into musical composition. Footsteps on a stairway and coloured areas on the ground trigger sounds: walking becomes a…

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  • Dana Awartani — May your tears never dry, you who weep over stones (2026)

    Dana Awartani — May your tears never dry, you who weep over stones (2026)

    At the Saudi pavilion of the Venice Biennale, Dana Awartani spreads out handmade earthen patterns. The installation evokes endangered architectural heritage across the Arab world…

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  • Vincent Leroy — Point Cloud, Beijing (2026)

    Vincent Leroy — Point Cloud, Beijing (2026)

    Presented at Taikoo Li Sanlitun in Beijing, Vincent Leroy’s Point Cloud unfolds a large-scale structure in urban space. The video follows the installation and its…

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  • Téléviseur cathodique et antenne de l’installation Diffusion TV.

    Sihwa Park — Diffusion TV (2025), SIGGRAPH 2026

    Created in 2025 and exhibited at SIGGRAPH in 2026, Diffusion TV connects technological obsolescence with the fragility of living things. The viewer’s gesture makes an…

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  • Camille Henrot — Dogs, New York (2026)

    Camille Henrot — Dogs, New York (2026)

    At an entrance to Central Park, Camille Henrot brings together dog sculptures in bronze, stone, steel and concrete. Dogs carries her interest in attachment, dependency…

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  • Nuage de cerfs-volants en papier suspendus dans la galerie du SFMOMA.

    Jacob Hashimoto — Giant Arc, SFMOMA (2026)

    The work lets us consider an image as an environment: no viewpoint captures the whole. Repeating a modest element produces a bodily experience of scale.

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  • Figure en plâtre assise dans un fragment de voiture de métro.

    George Segal — Subway (1968), documentation 2026

    This documentation, published in August 2026, recalls how sculpture can become a situation. The absence of movement turns everyday proximity into an experience of solitude.

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  • Écrans et câbles de l’installation vidéo Over-Exposed.

    Roberta De Caro — Over-Exposed, Thames-Side Studios (2025)

    The gaze moving between screen, cable and space invites us to consider video as a distributed sculpture. Visible connections become part of what we are…

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  • Sculpture composée de lattes verticales dans la cour de la Serrería Belga.

    SpY — Dislocation, Madrid (2026)

    Dislocation makes time a sculptural material. Transformations and the position of the viewer define the object more than any definitive outline.

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  • Vision-II

    David Spriggs, Vision II (2018) – Messums Wiltshire

    David Spriggs’s Vision II is built from layered, hand-painted transparent images that create the illusion of a three-dimensional event suspended in space. Depending on the…

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  • Pim-Palsgraaf

    Pim Palsgraaf, Beneath the Surface (2024) – Fundación Valentín de Madariaga, Séville

    Pim Palsgraaf’s Beneath the Surface transforms recovered wood, wallpaper, and plywood into a layered wall-based sculpture where architecture and decay seem to merge. Presented in…

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  • Das-Reh

    Julius von Bismarck, Das Reh (2024) – Art Basel

    In Das Reh, Julius von Bismarck turns the familiar image of a deer into a strange and unsettling sculptural encounter. The work plays with perception,…

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  • Round-Table

    Choe U-Ram, Round Table – 2014

    Choe U-Ram’s Round Table presents 18 headless figures carrying a large black table while competing for a single “head” rolling across its surface. The kinetic…

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  • HansHaacke

    Hans Haacke, Blue Sail (1964–65) – SFMOMA

    Hans Haacke’s Blue Sail transforms air into an invisible sculptural force, using a fan to animate a suspended sheet of chiffon. Constantly shifting in response…

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FRAGMENTATION MUSEUM

THE ARTWORK AS A SUSTAINABLE FRAGMENT OF THE PRESENT

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