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  • Geumhyung Jeong en tenue argentée avec du matériel de sécurité pendant Fire Drill Scenario.

    Geumhyung Jeong — Fire Drill Scenario, Tai Kwun (2026)

    At Tai Kwun, Geumhyung Jeong turns evacuation equipment and instructions into the materials of a performance, Fire Drill Scenario. Between technical demonstration and collective ceremony,…

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  • Figures métalliques de Kira Freije, avec visages moulés et fragments de vêtements.

    Kira Freije — Unspeak the Chorus (2026), Modern Art Oxford

    Open metal bodies embrace, wait or turn away in Kira Freije’s Unspeak the Chorus. Between human presence and artificial skeleton, their suspended gestures make us…

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  • Vue de Holding Tight and Letting Go : sculptures hybrides de Patricia Piccinini, dont deux figures sur un lit.

    Patricia Piccinini — Holding Tight and Letting Go (2026), Ames Yavuz, London

    At Ames Yavuz, Patricia Piccinini’s hybrid beings blur the boundaries between human and animal through unsettlingly lifelike skin. Holding Tight and Letting Go turns this…

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  • Installation textile rouge monumentale de Yin Xiuzhen dans Heart to Heart.

    Yin Xiuzhen — Heart to Heart (2026), Hayward Gallery

    In Heart to Heart, Yin Xiuzhen turns worn clothes into bodily architectures and landscapes of memory. Enlarged, assembled or transported, these intimate traces question what…

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  • Colonnes transparentes contenant des cultures microbiennes dans le paysage de Storm King.

    Anicka Yi — Message from the Mud (2026), Storm King Art Center

    Anicka Yi builds Message from the Mud from transparent columns in which microbial communities drawn from Storm King’s landscape evolve. The work lets living organisms…

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  • Marianna Simnett, Fountain : silhouette féminine en néon et arc lumineux dans une salle sombre.

    Marianna Simnett — Fountain, Circus (2026), Secession

    In Circus at Vienna’s Secession, Fountain (2026) turns a urinating female figure into a neon apparition, suspended between obscenity and ritual protection. Drawing on a…

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  • Pe Lang — Moving Objects No. 68–79 (2009)

    Pe Lang — Moving Objects No. 68–79 (2009)

    Geared motors, two magnets and a thousand small steel spheres form a device in which matter rearranges itself under invisible forces. Pe Lang makes the…

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  • Underworld : visage sculpté aux cheveux blancs, yeux noirs et bouche rouge, à demi enfoui.

    Isabelle Frances McGuire — Underworld, Post-Fair 2026

    Women’s faces become witch-like figures, half buried in an artificial grave. Using 3D scans from Covid research, McGuire questions how monsters are manufactured and how…

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  • Reba Maybury, The Kiss : traces de baisers sur un plafond de verre, Secession.

    Reba Maybury — The Kiss, I Come in Peace (2026)

    A man leaves kisses on a glass ceiling: Reba Maybury turns a metaphor of inaccessible power into a material encounter. At the Secession, the intervention…

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  • Mire Lee : matière rouge fissurée et coulante dans l’installation de la Secession.

    Mire Lee — The Heart of My Machine is Golden Lead (2026)

    A cut-open cement mixer circulates red matter that leaks and hardens like diseased skin. At the Secession, Mire Lee turns productive machinery into an exhausted…

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  • Victoria Keddie : formes orbitales et textures vidéo dans Electrona in Crystallo Fluenti.

    Victoria Keddie — Electrona in Crystallo Fluenti, Everything-in-Air (2026)

    The connected sky becomes a landscape of unstable paths and sounds as Victoria Keddie turns orbital-object data into an audiovisual composition. Presented at GOLESTANI in…

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  • Visuel de presse en noir et blanc de KDV Performance Group : un corps suspendu tenant une corde, pour INSTRUCCIONES PARA EXISTIR.

    Kianí Del Valle / KDV Performance Group — INSTRUCCIONES PARA EXISTIR (2026)

    At the Neue Nationalgalerie, Kianí Del Valle places bodies in tension with an architecture that appears to dominate them. Dance and stunts shift attention from…

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  • Gros plan de la tête bleue d’un paon dans The Peacock’s Graveyard d’Amar Kanwar.

    Amar Kanwar — The Peacock’s Graveyard (2023), Serpentine 2026

    Seven screens disperse the narrative instead of containing it within a single viewpoint. In The Peacock’s Graveyard, Amar Kanwar brings images, fables and oral histories…

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  • Pendule mécanique à trois roues devant les tuyaux de l’orgue Organism, avec des trajectoires lumineuses vertes.

    Navid Navab & Garnet Willis — Organism + Excitable Chaos, Aarhus 2026

    A three-armed pendulum drives the airflow thresholds of a prepared pipe organ. Navid Navab and Garnet Willis do not ask it to execute a stable…

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  • Installation FAVN de Florian Hecker à la Haus der Kunst : visiteurs, enceintes et lumière suspendue devant une surface bleue.

    Florian Hecker — FAVN, Haus der Kunst, Munich (2026)

    In FAVN, thirteen sound channels put listening to the test. Florian Hecker treats synthetic sound as a material that unsettles the separation between sensation and…

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  • DRIFT — Shylight

    DRIFT — Shylight

    Silk forms descend, open and fold back into themselves in a choreography inspired by flowers that close at night. With Shylight, DRIFT gives light an…

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  • Daniel Rozin — PomPom Mirror (2015)

    Daniel Rozin — PomPom Mirror (2015)

    928 faux-fur pompoms form a surface that reproduces the viewer’s silhouette through sensors and motors. Daniel Rozin turns reflection into a tactile, shifting presence, where…

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  • Nils Völker — One Hundred and Eight (2010)

    Nils Völker — One Hundred and Eight (2010)

    Garbage bags fixed to a wall inflate and deflate through fans, then respond to the viewer’s approach. Nils Völker draws a collective breath from this…

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  • Installation multicanal de Rachel Maclean à FACT Liverpool : écrans lumineux et sculptures dans une salle sombre.

    Rachel Maclean — They’ve Got Your Eyes (2026)

    In They’ve Got Your Eyes (2026), Rachel Maclean trains AI models on her own face and archive. A Victorian inventor manufactures fairies, only for ambition…

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  • CASACOR-Bahia

    Fonte das 1000 Colheres -CASACOR Bahia

    Created for Dois Jeitos, Um Querer at CASACOR Bahia, Fonte das 1000 Colheres transforms air-conditioning condensation into a sustainable water source. The installation feeds both…

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  • Marc Lee’s 10.000 Moving Cities VR installation at ZKM Karlsruhe, with networked city imagery mapped onto virtual architecture.

    Marc Lee — 10.000 Moving Cities (2013–ongoing)

    Identical cities change in real time through social-media feeds: globalisation experienced as the production of non-places.

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  • Amy Karle — Regenerative Reliquary (2016)

    Amy Karle — Regenerative Reliquary (2016)

    A living reliquary: a hydrogel-printed hand becomes a scaffold for cells and a question about manufacturing the body.

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  • A rough, earth-covered horn with a hollow circular mouth emerges from the sand in Tarek Atoui’s The Water Song, Desert X AlUla, 2026.

    Tarek Atoui — The Water Song, Desert X AlUla (2026)

    Horn-like instruments emerge from the sand as if partly excavated. In The Water Song (2026), Tarek Atoui makes water and its rhythms a principle of…

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  • Projection d’une grille lumineuse blanche sur une structure angulaire, avec une silhouette de visiteur, dans Thresholds de Studio Lemercier au HEK.

    Studio Lemercier — Thresholds, HEK

    Can a grid of light become a space the body believes it can inhabit? Studio Lemercier, directed by Joanie Lemercier and Juliette Bibasse, uses illusion…

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  • damn__true

    Earth Under Tension

    This installation transforms the image of the Earth into a fragile structure, stretched and held together by industrial clamps. Suspended between preservation and collapse, the…

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  • Beauty

    Olafur Eliasson, Beauty (1993) – GOMA, Brisbane

    In Beauty (1993), Olafur Eliasson uses light and a fine curtain of water to create an ephemeral rainbow that shifts with the viewer’s position. Presented…

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  • Cosmoscow

    Cosmoscow 2026 – Contemporary Art in Moscow

    The 14th edition of Cosmoscow brings together galleries, artists, and contemporary practices at the Timiryazev Centre in Moscow. Running from 4 to 6 September 2026,…

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  • Momentary-Event

    Momentary Event [41.55N 75.004E]

    Created in 2022 at Elijah Wheat Showroom, Momentary Event [41.55N 75.004E] transforms destruction into a shared sculptural experience. Rather than treating deconstruction as loss, the…

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  • One-Page-Porto

    Cai Guo-Qiang – One Page, Porto

    Presented in Porto as part of BABELL, Cai Guo-Qiang’s One Page transforms gunpowder, fireworks, and drones into a fleeting visual poem above the Douro River.…

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  • Anish-Kapoor

    Anish Kapoor – Inside the Body

    At the Hayward Gallery in London, Anish Kapoor explores the body from within, turning flesh, void, and spatial distortion into a visceral experience. The exhibition…

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  • Une personne portant un casque de réalité mixte et un équipement haptique dans REBIRTH, éclairée en rouge au MUNCH.

    Silvana Imam & Paula Strunden — ÅTERFÖDELSEN / REBIRTH

    In ÅTERFÖDELSEN / REBIRTH, Silvana Imam and Paula Strunden compose a passage through birth, love and death. Mixed reality, poetry, spatial sound and haptic sensations…

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  • Un nuage violet s’élève au-dessus de la mer dans She Flickered In and Out of History d’Elisa Giardina Papa, 2026.

    Elisa Giardina Papa — She Flickered In and Out of History

    An island emerges between Sicily and Tunisia in 1831, attracts competing territorial claims, then disappears beneath the sea. Elisa Giardina Papa returns to this history…

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  • Serpentine Currents de Dana-Fiona Armour : fragments lumineux d’un serpent suspendus au-dessus des fontaines de Somerset House à la tombée du jour.

    Dana-Fiona Armour — Serpentine Currents

    Dana-Fiona Armour turns ocean data into an animal presence. A fragmented serpent, developed from a scan of an endangered specimen, crosses Somerset House’s courtyard as…

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  • Une surface photographique figurant la mer est suspendue par des fils dans l’exposition Undercurrents de Miguel Rothschild.

    Miguel Rothschild — Undercurrents

    Miguel Rothschild gives the photographic image a paradoxical thickness and weight. In Undercurrents, the sea becomes a suspended surface: the threads holding it up expose…

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  • Benjamin Orlow, Ritual City, 2026 : tête sculptée portée par des pieux métalliques devant la façade du Pavillon nordique à Venise.

    Benjamin Orlow — Ritual City

    In Ritual City, Benjamin Orlow treats sculpture as a body whose cohesion remains uncertain. Raw clay, monumental fragments and exposed supports set material fragility against…

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  • Une personne brandit un fouet devant un ordinateur posé sur un socle blanc : Brute Force de Vinzenz Aubry et Robert Schnüll.

    Vinzenz Aubry & Robert Schnüll — Brute Force

    A computer automatically produces software. When it stops, the visitor has only a whip to restart the process. Brute Force turns the command gesture into…

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  • Echoes of the Abyss: Baltic I à la Villa Arson : écrans et éléments suspendus à une structure métallique devant de grandes fenêtres.

    Robertina Šebjanič — Echoes of the Abyss

    On the seabed, a war can continue beyond its official end. Echoes of the Abyss follows traces of discarded munitions through video, sound and fragile…

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  • Figure en combinaison blanche, penchée sur ses mains, avec un dispositif optique sur un pied levé : CHIMERIA de Shin Hanagata.

    Shin Hanagata — CHIMERIA

    What happens to a home when the eyes leave the head? In CHIMERIA, begun in 2025, devices relocate vision to other parts of the body.…

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  • Nina Davies — Image Syncers

    Nina Davies — Image Syncers

    When bodies imitate synthetic images, who choreographs whom? In Image Syncers (2025), Nina Davies invents a community trying to resemble AI’s visual anomalies. Video, objects…

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  • Clavier métallique de to hurt for a thought, relié par des pièces de cuivre au matériel informatique visible en dessous.

    Julia Vollmer — to hurt for a thought

    A generated image is never immaterial. In to hurt for a thought (2025), Julia Vollmer connects a metal keyboard to the graphics processor through copper:…

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  • Photographie d’archive de 2005 d’une construction Strandbeest de Theo Jansen / Archival 2005 photograph of a Strandbeest construction by Theo Jansen

    Theo Jansen – Strandbeest Evolution 2025

    On the Dutch coast, Theo Jansen’s Strandbeesten give sculpture the appearance of a moving organism. In Strandbeest Evolution 2025, released on his own channel, the…

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  • Lenka Clayton et Phillip Andrew Lewis — Darkhouse Lighthouse, phare construit dans une maison / lighthouse built inside a house.

    Lenka Clayton & Phillip Andrew Lewis – Darkhouse Lighthouse

    In Pittsburgh, Lenka Clayton and Phillip Andrew Lewis built a working lighthouse inside a house. Darkhouse Lighthouse relocates an instrument of maritime navigation to a…

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  • Mariah Robertson — Chemical Reactions, photographie expérimentale sans appareil / experimental cameraless photography.

    Mariah Robertson – Chemical Reactions: Photography without a Camera

    In her darkroom, Mariah Robertson works with chemical reactions rather than a camera. Developer, fixer and water produce unpredictable colours on light-sensitive paper. Unfurled as…

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  • Sarah Sze — détail de l’installation Measuring Stick dans son atelier / detail of Measuring Stick in her studio.

    Sarah Sze – Measuring Stick: Measuring Time through Images

    In Measuring Stick (2015), Sarah Sze gives moving images a sculptural form. Flickering lights and scattered elements create a structure resembling an editing desk. Recalling…

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  • Do Ho Suh — Rubbing / Loving, travail de frottage sur papier dans son appartement / paper rubbing work in his apartment.

    Do Ho Suh – Rubbing / Loving: The Imprint of a Home

    Before leaving the New York apartment where he lived and worked for eighteen years, Do Ho Suh covers its surfaces with paper. Rubbing them with…

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  • clinamen

    Céleste Boursier-Mougenot – clinamen

    In clinamen, Céleste Boursier-Mougenot transforms porcelain bowls floating on water into a self-generating musical system. At the Park Avenue Armory, three large pools fill the…

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  • New-Spring

    A.A. Murakami – New Spring

    A.A. Murakami’s immersive installation New Spring creates a dreamlike environment shaped by light, atmosphere, and sensory perception. Travelling internationally since 2017, the work is currently…

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  • Ana Mendieta

    Ana Mendieta – Tate Modern

    Tate Modern presents the first major UK exhibition dedicated to Ana Mendieta in over a decade, bringing together more than 120 works exploring identity, displacement,…

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  • Diana Eusebio, Field of Dreams, exhibition installation

    Diana Eusebio – Field of Dreams at MOCA North Miami

    With Field of Dreams, Diana Eusebio transforms the gallery into an ethnobotanical garden of textiles, Spanish moss, and family memories. Dyed with avocado, cochineal, indigo,…

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  • Daniel Canogar, Billow I, flexible LED screen installation

    Daniel Canogar – Billow I: Google Trends in Real Time

    On a flexible LED screen, Billow I transforms the most popular Google searches into clouds of color in real time. Viral topics warm the palette…

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