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Alex Mikev – The Rhythm of Work
Alex Mikev explores contemporary work life through photography, works on paper, and time-based media, focusing on repetition, effort, and the blurred boundary between labor and…
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Song Dong – Waste Not
Song Dong’s Waste Not brings together thousands of objects saved by his mother, turning everyday possessions into a deeply personal archive of memory, hardship, and…
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Johannes Langkamp – Frames, Traces, and Perception
Johannes Langkamp explores how small shifts in materials, framing, and everyday situations can change the way we see. Through playful experiments with scopes, traces, and…
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Lee Bul – The Anatomy of Every Setting Sun, Hauser & Wirth Chelsea
Lee Bul’s The Anatomy of Every Setting Sun explores the tension between utopian ideals, the body, and technological progress through sculpture, installation, and architectural forms.…
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Doris Salcedo, Untitled (2003) – Istanbul Biennial
For the 8th International Istanbul Biennial, Doris Salcedo filled an urban void with around 1,500 wooden chairs, creating a monumental installation embedded within the city…
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Rachel Youn — Unruly Vessel (2026), Scuola Piccola Zattere, Venice
Artificial palm fronds row without going anywhere. In Unruly Vessel, salvaged wellness machines stubbornly keep working: their movement draws us in, then its persistence becomes…
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SpY — CYCLES N2 (2026), NUR Festival, Kazan
Fifteen rings rise and fall, yet no single viewpoint allows us to grasp them once and for all. CYCLES N2 draws temporary architectures with light,…
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Andreas Angelidakis — Escape Room (2026), Greek Pavilion, Venice
Suspended columns, reflections and an illuminated floor: the pavilion seems to have lost its stability. With Escape Room, Andreas Angelidakis turns the space into a…
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Martin Messier — Sewing Machine Orchestra, Wonderspaces Austin
The sewing machines begin to play by themselves. Their pulses fall into step, lamps flicker, and the rhythm intensifies: a domestic workshop takes on an…
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Žilvinas Kempinas — Fountains, Reykjavík Art Museum (2013)
It looks like black water. In fact, strips of magnetic tape are being lifted by electric fans. For Žilvinas Kempinas, a material once used to…
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Zimoun — 9 prepared dc-motors, cotton balls, 10 metal bowls ø 67 cm (2026)
Nine motors, cotton balls and ten metal bowls form a sound installation at Studio Zimoun in Bern. Repeated mechanical gestures produce variations that resist perfect…
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Chiharu Shiota — Threads of Life, London (2026)
This filmed visit to Threads of Life at Hayward Gallery moves through Chiharu Shiota’s world. Threads and objects compose spaces in which human absence remains…
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Batten and Kamp — Beauty Seeker Seeker (2026)
A robot carries an orchid and solicits our gaze. Beauty Seeker Seeker turns a sophisticated machine into a mobile vase to question the attention economy.…
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Rashid Al Khalifa — Crate Maze – White (2025–2026)
Created in 2025 and presented at Art Basel Unlimited in 2026, Crate Maze – White turns storage crates into a walk-through labyrinth. Rashid Al Khalifa…
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Luke Jerram — Mirror Moon
Mirror Moon translates lunar terrain into a stainless-steel sphere that people can touch. Using NASA topographic data, Luke Jerram brings the craters, valleys and mountains…
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Vincent Leroy — Fractal Swarm, Tanzania (2025)
In Fractal Swarm, Vincent Leroy combines carbon fibre, 3D-printed elements, bearings and mirror film. Presented in a Tanzanian landscape, this lightweight construction multiplies reflective fragments.
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Christopher K. Ho — Waterloo! (2026), Ellie Rines Gallery, New York
Twenty candelabras and a carpet of barricades: domestic comfort meets the imagery of revolution.
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Neil Dawson — Horizons (1994), Gibbs Farm
A sheet seems to float above a hillside. Yet Horizons is a steel sculpture: Neil Dawson turns the landscape into a drawing and unsettles our…
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Gregory Orekhov — Shadow of Light (2026), Bonneville Salt Flats
A black square interrupts the white expanse of the Bonneville Salt Flats. Gregory Orekhov uses light-absorbing fabric to create a surface that seems to withdraw…
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Sihwa Park — Diffusion TV (2025), SIGGRAPH 2026
Created in 2025 and exhibited at SIGGRAPH in 2026, Diffusion TV connects technological obsolescence with the fragility of living things. The viewer’s gesture makes an…
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Camille Henrot — Dogs, New York (2026)
At an entrance to Central Park, Camille Henrot brings together dog sculptures in bronze, stone, steel and concrete. Dogs carries her interest in attachment, dependency…
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Lina Lapelytė — We Make Years Out of Hours, Berlin (2026)
At Hamburger Bahnhof, Lina Lapelytė combines collective building with singing. Wooden cubes form a space that visitors can transform.
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Vincent Leroy — Eccentric Lenses, Bali (2026)
In the rice fields of Munduk, Bali, Vincent Leroy places a moving assembly of Fresnel lenses. Their off-centre rotations break up the landscape and rearrange…
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Luke Jerram — Stepping Out, London (2026)
At Southbank Centre, Luke Jerram turns movement into musical composition. Footsteps on a stairway and coloured areas on the ground trigger sounds: walking becomes a…
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Dana Awartani — May your tears never dry, you who weep over stones (2026)
At the Saudi pavilion of the Venice Biennale, Dana Awartani spreads out handmade earthen patterns. The installation evokes endangered architectural heritage across the Arab world…
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Vincent Leroy — Point Cloud, Beijing (2026)
Presented at Taikoo Li Sanlitun in Beijing, Vincent Leroy’s Point Cloud unfolds a large-scale structure in urban space. The video follows the installation and its…
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Jacob Hashimoto — Giant Arc, SFMOMA (2026)
The work lets us consider an image as an environment: no viewpoint captures the whole. Repeating a modest element produces a bodily experience of scale.
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George Segal — Subway (1968), documentation 2026
This documentation, published in August 2026, recalls how sculpture can become a situation. The absence of movement turns everyday proximity into an experience of solitude.
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Roberta De Caro — Over-Exposed, Thames-Side Studios (2025)
The gaze moving between screen, cable and space invites us to consider video as a distributed sculpture. Visible connections become part of what we are…
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SpY — Dislocation, Madrid (2026)
Dislocation makes time a sculptural material. Transformations and the position of the viewer define the object more than any definitive outline.
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David Spriggs, Vision II (2018) – Messums Wiltshire
David Spriggs’s Vision II is built from layered, hand-painted transparent images that create the illusion of a three-dimensional event suspended in space. Depending on the…
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Pim Palsgraaf, Beneath the Surface (2024) – Fundación Valentín de Madariaga, Séville
Pim Palsgraaf’s Beneath the Surface transforms recovered wood, wallpaper, and plywood into a layered wall-based sculpture where architecture and decay seem to merge. Presented in…
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Julius von Bismarck, Das Reh (2024) – Art Basel
In Das Reh, Julius von Bismarck turns the familiar image of a deer into a strange and unsettling sculptural encounter. The work plays with perception,…
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Choe U-Ram, Round Table – 2014
Choe U-Ram’s Round Table presents 18 headless figures carrying a large black table while competing for a single “head” rolling across its surface. The kinetic…
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Hans Haacke, Blue Sail (1964–65) – SFMOMA
Hans Haacke’s Blue Sail transforms air into an invisible sculptural force, using a fan to animate a suspended sheet of chiffon. Constantly shifting in response…
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Ann Hamilton, the event of a thread (2012–13) – Park Avenue Armory, New York
Ann Hamilton’s the event of a thread turns movement into connection, linking 42 swings to a vast field of fabric that responds to every visitor.…
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Berndnaut Smilde – Nimbus
Berndnaut Smilde creates temporary indoor clouds that exist only for a few moments before dissolving. Through Nimbus, the cloud becomes a shifting metaphor for divinity,…
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Jeroen Kooijmans – Work (1994)
In Work, Jeroen Kooijmans presents three men locked in a continuous cycle of effort, keeping one another in motion as the “treadmill of life” turns.…
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Altone Mishino – Shadows and Light, Pavillon des Arts, Châtenay-Malabry (2026)
In Shadows and Light, Altone Mishino brings together his Dark Paintings and Light Paintings in a dialogue between obscurity and illumination. Moving from dense, emerging…
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Zimoun — 12 prepared dc-motors, fenders ø75x188cm, 91m piano strings 0.8mm (2026)
Harbour objects become the resonating bodies of a listening space.
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Félix Luque — Perpétuité II (2022–2026)
Industrial repetition meets the chemical management of bodies.
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Haitham Al Busafi — Zīnah (Adornment), Venice (2026)
Visitors’ movements activate a sonic relationship between bodies and objects.
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Kingsley Ng & Angel Hui — Fermata: Hong Kong in Venice (2026)
Ordinary urban rhythms become material for slowing down attention.
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Ruofan Chen — Shower, Liste Art Fair Basel (2026)
Dust makes the material conditions of artistic production visible.
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Laura Colmenares Guerra — R€¥€R$€ (2024)
Mapping becomes a question of power and relationships with territory.
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Ralf Baecker — The Collapse of a Microcosm (2025)
An electronic memory becomes sensitive to changes in its surroundings.
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Invisible Flock, Faqir Zulfiqar and Allah Jurio — Microtonal (2022; documentation 2026)
Clay instruments become a sound environment responsive to the people moving through it.
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Merve Ertufan — Hold (2026)
Grasping an object and grasping an idea become two sides of the same uncertain gesture.

