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Van McElwee — Echoes in Alternity
A video in which moments overlap, branch and open new depths within the image.
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Héctor Zamora — Ordre et Progrès (2016)
Five fishing boats are dismantled in an installation where shelter becomes debris and progress becomes a question.
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Jorge Haro — Fono-grafías (2023)
Sound becomes lines, light and material in an installation where listening also involves looking.
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Ryan Leung — BOUNDARY (2026)
A point of light crosses the limits of a mechanical square and continues into a cloud of projected particles.
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Sonya Clark — Edifice and Mortar (2018)
Hair replaces the mortar of a brick wall stamped with words from the Declaration of Independence.
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Leandro Erlich — Classroom, Paris (2026)
Visitors’ reflections inhabit an abandoned classroom, between optical illusion and childhood memory.
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The Krank — Wound (2026)
A red fabric incision turns the shore of Erimitis into an image of injury and collective care.
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Chiharu Shiota — In the Light of Memory (2026)
Old doors and donated shoes become anchors for a room-filling web of red thread.
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Peter Vink — POOL (2026)
A green laser reactivates a disused reservoir, between industrial traces and an endless search.
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DRIFT — Aeolus (2026)
Suspended glass rods hold the trace of wind; light ripples through them in response to visitors.
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Samantha Pan + Luca Somm — A Bubble (2026)
A luminous membrane translates the rhythms of the ocean into a bodily encounter.
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Keiko Takahashi | Meter Crawler
A tape measure extends a few centimetres of steel, catches its hook against the surface and draws its housing forward. Repeated, this movement is enough…
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Jakob Grosse-Ophoff | Free little bird
Jakob Grosse-Ophoff, studio portrait, 2025. An accompanying image for Free little bird. Photograph: Dan Petermann. Source: the photographer’s portfolio. Source Instagram Two carved hands cross…
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Michel Winterberg, Drifting Futures, 2026
In Drifting Futures, ordinary objects become interfaces to a world governed by invisible systems.
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Boris Acket and Sabine Marcelis | Sunbeam, Captured
A beam of light meets a shallow layer of water and unfolds into shifting reflections. In Sunbeam, Captured, Boris Acket and Sabine Marcelis reconstruct a…
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Jiří Kovanda — Kissing Through Glass (2007), Museion 2010
A kiss offered through glass makes closeness visible while contact remains out of reach.
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Barbara Kruger — The History of Tears (2026), Paris
At the Bourse de Commerce, Barbara Kruger turns words into a space that visitors move through as much as they read.
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Zeger Reyers — Hard Water (2003), Schiedam
A porcelain cascade makes the fragility of domestic order visible.
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Jordan Wolfson, Body Sculpture (2023) – National Gallery of Australia
A metal cube fitted with arms and hands hangs from a machine that moves it, lifts it and brings it back to the floor. In…
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Laurie Anderson, Muldoon’s Picnic, 92NY (2026)
In this excerpt from Muldoon’s Picnic, Laurie Anderson recalls the rules for living she shared with Lou Reed, then follows anger toward the hurt it…
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David Hammons, Bliz-aard Ball Sale (1983): Gabriel Allred’s perspective
In 1983, David Hammons arranged snowballs by size on a rug among the street vendors of Cooper Square. A material available to everyone became merchandise,…
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Jonah Dillon, Foreign & Domestic, New York (2026)
An industrial fan joined to a figure of Christ, an illuminated prosthetic arm and a grid of first aid kits unsettle signs of care and…
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Nicola Turner, I Tear Secrets from Your Yielding Flesh (2026)
Dark wool and horsehair spill through the galleries and climb the façade, as though the building were developing a body. Scientific instruments and dressmaking tools…
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Jordan Wolfson, Gagosian, New York (2026)
Images gathered from archives and the Internet meet polished aluminum and projecting spikes. Their transformation into sculptures gives physical presence to representations usually encountered through…
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Taryn Simon, Father Country I Do Love You (2026)
Photographs, texts, videos and sculptures form a narrative that visitors navigate individually through the Guggenheim rotunda. The spiral becomes a reading tool: bringing images together,…
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Tania Bruguera — Tatlin’s Whisper #5 (2008), Tate Modern
Two mounted police officers move Tate Modern visitors, separate them and tighten their ranks. Tania Bruguera turns ordinary obedience into the material of an unannounced…
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Tamara Kametani — Greetings from Null Island (2026)
Smartphones line up like a small click farm. Their maps point toward a place without land: coordinates 0°, 0°, in the Atlantic. In Greetings from…
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Daniel Rothbart — Serpentine Sibyls (2026)
Fish pass through the sculptures’ shadows; a dragonfly settles on a metal stem. In Serpentine Sibyls, Daniel Rothbart allows living creatures to alter how his…
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Máté Dobokay — Fixation till Exhaustion
An almost white sheet, curved edges, a shadow: photography becomes a material presence before it becomes an image. In Fixation till Exhaustion, Máté Dobokay pushes…
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Rudy Lemcke — Moons of Jupiter: Ganymede (2026)
One channel of a four-part projection in which desire takes the form of a planet that cannot be fixed.
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Kakyoung Lee — Traveler, Palgongsan Series (2026)
Figures appear, dissolve and return in a vibration of drawn marks. In Traveler (2026), Kakyoung Lee builds a two-channel animation from nine short sequences. This…
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3e8.Studio / GeodatenService München — Data Soil (2025/2026)
Urban data becomes a ground of luminous particles that visitors can navigate and question.
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Nadia Coën — Trapezoidal Memory (2026), KinoSaito
An architecture of memory in which moving image, language, sound and reflection continually displace the viewer’s position.
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Giulia Guarnaccia — Training Latent Ecologies (2025/2026)
A generative ecology in which plant matter dissolves into fluid surfaces between data, machine vision and living memory.
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XTO (Christo Guelov) — Fragmented Reflections (2021), Villemur-sur-Tarn
Eighty reflective modules turn a façade into a moving boundary with its surroundings.
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Dimitris Kontodimos — West/End (For those who made it this far), Othoni (2026)
Four white steps turn a cliff into a shared threshold between geographical horizon and political promise.
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Mohsin Shafi — Dastarkhwan-e-Zameen — The Earth as a Table (2024–ongoing)
Collage, recitation and architecture connect nourishment with care and family mourning.
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Rachel Loischild — Cordon Sanitaire (2026), Southborough
A willow fence makes the boundary between protection and exclusion tangible in the landscape.
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Baron Lanteigne — hard data/soft bodies (2025), Berlin Art Week 2026
A networked image becomes an unstable body on Transmoderna’s screen installation at Kühlhaus Berlin.
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Geert Mul — Big Data Poetry in 9 Pixels (2026), Depot Boijmans Van Beuningen, Rotterdam
Nine miniature screens condense millions of images grouped without predefined categories into a physical constellation of algorithmic resemblance.
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Sofia Mastorakis — Untitled (2026), ROY G BIV Gallery, Columbus
A sewing machine, projector, clear 16 mm film leader and cotton thread turn an hour of labour into shadow, rhythm and duration.
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Tsu-Wei Lu & Hui-Ting Hong — interactive robotic installation (2026), Panorama 28, Le Fresnoy
A robotic sculpture tests human–machine relations inside the unpredictable space of an exhibition open to the public.
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Kelsey Isaacs — Baby Mozart’s Kiss (2026), Theta, New York
Three miniature screens reduce video to an intimate, fragile and almost tactile object at the edge of memory.
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Rose Lowder — La Source de la Loire (2019–2021), Palais de Tokyo, Paris
Frame-by-frame construction turns a river into a field of forces where perception, labour and ecology cannot be separated.
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Zilla Leutenegger — SPACES BETWEEN, Museum Tinguely, Basel (2026)
Drawings and projections turn museum space into an unstable mental dwelling.
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Daniela Brugger — muddy codes & soft infrastructures (Basel, 2026)
An installation on the invisible labour that trains and moderates digital infrastructures.
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Trisha Brown — Walking on the Wall (1971), Berlin (2026)
By turning the wall into a floor, the choreography redistributes gravity, orientation and vision within modernist architecture.
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Plastique Fantastique — auruBOROS – Urban Memory and Collective Dream (2026), New York
A golden inflatable spiral slips beneath the architecture of the High Line. Its apparent metallic weight rests on air: the city and its passers-by bend…
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Daniel Rozin, Penguins Mirror (2015)
Daniel Rozin’s Penguins Mirror is an interactive installation made from 450 motorized plush penguins that rotate in response to the viewer’s movement. Using only black…
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Nobuo Sekine, Phase of Nothingness — Stone Stack (1970) – Powder Art Foundation
Nobuo Sekine’s Phase of Nothingness — Stone Stack reflects the Mono-ha philosophy of presenting materials as they are, without turning them into symbols or representations.…